{"id":{"repo_id":"vcu","oai_identifier":"oai:scholarscompass.vcu.edu:etd-1494"},"canonical_url":"https://search.dev.ndltd.org/etd/vcu/oai:scholarscompass.vcu.edu:etd-1494","repository":{"repo_id":"vcu","name":"Virginia Commonwealth University","base_url":"https://scholarscompass.vcu.edu/do/oai/"},"display":{"title":"Consensus & Colonialism: critiquing technologies of the (de)colonial project","abstract":"This thesis presents an ethnography of public discourse in postcolonial, decolonial, queer, and multimedia contexts, as part of a critical analysis of imperialism in the digital age. In mixing experiences with theory and social practice, I draw on the work of activists who have already begun to mold these theories into everyday practice, paying particular attention to Occupy Wall Street, the Zapatistas of Mexico, and Southerners on New Ground (SONG)—a regionally focused non-profit organization based in the southern United States. I develop techno-seduction as a term to deconstruct the lure of technological determinism promoting static interpretations of democracy, consensus, and participation, and to describe the impact these interpretations have on intrapersonal and group identity formation.","abstract_html":"This thesis presents an ethnography of public discourse in postcolonial, decolonial, queer, and multimedia contexts, as part of a critical analysis of imperialism in the digital age. In mixing experiences with theory and social practice, I draw on the work of activists who have already begun to mold these theories into everyday practice, paying particular attention to Occupy Wall Street, the Zapatistas of Mexico, and Southerners on New Ground (SONG)—a regionally focused non-profit organization based in the southern United States. I develop techno-seduction as a term to deconstruct the lure of technological determinism promoting static interpretations of democracy, consensus, and participation, and to describe the impact these interpretations have on intrapersonal and group identity formation.","abstract_has_math":false,"creators":["Ramos, Santos"],"institution":null,"degree_name":"Master of Arts","degree_level":"Thesis","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Elizabeth Hodges"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2013,"date_issued":"2013-04-26T07:00:00Z","date_published":"2013-04-26T07:00:00Z","updated_at":"2026-07-24T05:53:56Z","subjects":["colonialism","capitalism","consensus","imperialism","decolonial","technology","occupy wall street","zapatista","Arts and Humanities","English Language and Literature"],"languages":[],"rights":["© The Author"],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholarscompass.vcu.edu/etd/495"],"render_values":[{"text":"https://scholarscompass.vcu.edu/etd/495","href":"https://scholarscompass.vcu.edu/etd/495","code":true}]}]},"links":{"outbound_url":"https://doi.org/10.25772/2SP6-9564","outbound_label":"DOI","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Elizabeth Hodges"]},{"key":"dc:creator","label":"Author","values":["Ramos, Santos"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2213-05-26T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["colonialism","capitalism","consensus","imperialism","decolonial","technology","occupy wall street","zapatista","Arts and Humanities","English Language and Literature"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["© The Author"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://doi.org/10.25772/2SP6-9564","https://scholarscompass.vcu.edu/etd/495"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This thesis presents an ethnography of public discourse in postcolonial, decolonial, queer, and multimedia contexts, as part of a critical analysis of imperialism in the digital age. In mixing experiences with theory and social practice, I draw on the work of activists who have already begun to mold these theories into everyday practice, paying particular attention to Occupy Wall Street, the Zapatistas of Mexico, and Southerners on New Ground (SONG)—a regionally focused non-profit organization based in the southern United States. I develop techno-seduction as a term to deconstruct the lure of technological determinism promoting static interpretations of democracy, consensus, and participation, and to describe the impact these interpretations have on intrapersonal and group identity formation."]},{"key":"dc:title","label":"Title","values":["Consensus & Colonialism: critiquing technologies of the (de)colonial project"]}]}],"canonical_facts":{"dc:contributor":["Elizabeth Hodges"],"dc:creator":["Ramos, Santos"],"dc:date.available":["2213-05-26T07:00:00Z"],"dc:description.abstract":["This thesis presents an ethnography of public discourse in postcolonial, decolonial, queer, and multimedia contexts, as part of a critical analysis of imperialism in the digital age. In mixing experiences with theory and social practice, I draw on the work of activists who have already begun to mold these theories into everyday practice, paying particular attention to Occupy Wall Street, the Zapatistas of Mexico, and Southerners on New Ground (SONG)—a regionally focused non-profit organization based in the southern United States. I develop techno-seduction as a term to deconstruct the lure of technological determinism promoting static interpretations of democracy, consensus, and participation, and to describe the impact these interpretations have on intrapersonal and group identity formation."],"dc:identifier":["https://doi.org/10.25772/2SP6-9564","https://scholarscompass.vcu.edu/etd/495"],"dc:rights":["© The Author"],"dc:subject":["colonialism","capitalism","consensus","imperialism","decolonial","technology","occupy wall street","zapatista","Arts and Humanities","English Language and Literature"],"dc:title":["Consensus & Colonialism: critiquing technologies of the (de)colonial project"],"thesis:degree_discipline":["English"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["Master of Arts"]},"updated_at":"2026-07-24T05:53:56Z"}