Betwixt and Between: Liminal Spaces and the Disabled Body in Burke’s Sublime and Beautiful, Burney’s Camilla, and Dacre’s Zofloya

“Liminal Spaces and The Disabled Body” explores Edmund Burke’s aesthetic paradigms as established in his An Enquiry into the Origin of Our Notions of the Sublime and the Beautiful to recover what disability meant for an eighteenth-century audience. I examine Burney’s Camilla and Eugenia’s disability as well as Dacre’s Zofloya and Victoria’s figurative hermaphroditism in terms of eighteenth-century views of deformity and physiognomy to argue that both Eugenia’s and Victoria’s deformities—Eugenia’s smallpox scars and injured leg and Victoria’s beautiful but too boldly delineated features—challenge the prevailing structures of aesthetics and expectations of feminine beauty. My thesis questions how eighteenth-century aesthetic theory constructs the modern concept of the “disabled” individual to argue that the female body with a disability or deformity surpasses the terms of submission and diminution instated by Burkean aesthetics. In turn, the disabled female gains purchase in literature due to her “liminal, between-categories status” as it strains masculine power structures and aesthetic and gender classification systems.

Name thesis:degree_name

Master of Arts

Level thesis:degree_level

Thesis

Discipline thesis:degree_discipline

English

Year dc:date.available

2013

Author dc:creator

• Swann, Devon Nicole

Contributors dc:contributor

• Rivka Swenson

• aesthetics
• Edmund Burke
• Frances Burney
• Charlotte Dacre
• disability
• deformity
• Zofloya: Or The Moor
• Camilla
• The Sublime and The Beautiful
• liminality
• Arts and Humanities
• English Language and Literature

Statement dc:rights

• © The Author

Identifier

https://scholarscompass.vcu.edu/etd/468

OAI identifier oai:identifier

oai:scholarscompass.vcu.edu:etd-1467