{"id":{"repo_id":"vcu","oai_identifier":"oai:scholarscompass.vcu.edu:etd-1434"},"canonical_url":"https://search.dev.ndltd.org/etd/vcu/oai:scholarscompass.vcu.edu:etd-1434","repository":{"repo_id":"vcu","name":"Virginia Commonwealth University","base_url":"https://scholarscompass.vcu.edu/do/oai/"},"display":{"title":"Performing Taboo: The Creation of an Aesthetic through the Exploration of Censorship in Theatre and the Challenges of Directing Killer Joe","abstract":"This document explores the performance of taboo on the stage. The exploration is focused around the establishment of my personal aesthetic, which was developed through my studies at Virginia Commonwealth University. Starting with my first trip to Broadway, my journey goes through the class work that I did at VCU and the two plays that I did on the Shafer Street Alliance Laboratory Theatre stage: my performance and use of latex costumes in Funnyhouse of a Negro, and my direction and the troubles with producing Killer Joe. The exploration concludes with a look at the theatre in parts of Virginia and the ability to pursue an acting career with an aesthetic that pushes boundaries.","abstract_html":"This document explores the performance of taboo on the stage. The exploration is focused around the establishment of my personal aesthetic, which was developed through my studies at Virginia Commonwealth University. Starting with my first trip to Broadway, my journey goes through the class work that I did at VCU and the two plays that I did on the Shafer Street Alliance Laboratory Theatre stage: my performance and use of latex costumes in Funnyhouse of a Negro, and my direction and the troubles with producing Killer Joe. The exploration concludes with a look at the theatre in parts of Virginia and the ability to pursue an acting career with an aesthetic that pushes boundaries.","abstract_has_math":false,"creators":["Zimmerman, David Todd"],"institution":null,"degree_name":"Master of Fine Arts","degree_level":"Thesis","degree_discipline":"Theatre","degree_department":null,"school":null,"contributors":["Dr. Noreen Barnes","Barry Bell","Josh Chenard"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2012,"date_issued":"2012-11-30T08:00:00Z","date_published":"2012-11-30T08:00:00Z","updated_at":"2026-07-24T05:53:56Z","subjects":["Censorship","Theatre","Licensing Act of 1737","Mrs. Warren's Profession","NEA 4","Killer Joe","Tracy Letts","Funnyhouse of a Negro","Adrienne Kennedy","Arts and Humanities","Theatre and Performance Studies"],"languages":[],"rights":["© The Author"],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholarscompass.vcu.edu/etd/435"],"render_values":[{"text":"https://scholarscompass.vcu.edu/etd/435","href":"https://scholarscompass.vcu.edu/etd/435","code":true}]}]},"links":{"outbound_url":"https://doi.org/10.25772/SCZJ-0633","outbound_label":"DOI","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Dr. Noreen Barnes","Barry Bell","Josh Chenard"]},{"key":"dc:creator","label":"Author","values":["Zimmerman, David Todd"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2017-12-10T08:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Theatre"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Fine Arts"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Censorship","Theatre","Licensing Act of 1737","Mrs. Warren's Profession","NEA 4","Killer Joe","Tracy Letts","Funnyhouse of a Negro","Adrienne Kennedy","Arts and Humanities","Theatre and Performance Studies"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["© The Author"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://doi.org/10.25772/SCZJ-0633","https://scholarscompass.vcu.edu/etd/435"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This document explores the performance of taboo on the stage. The exploration is focused around the establishment of my personal aesthetic, which was developed through my studies at Virginia Commonwealth University. Starting with my first trip to Broadway, my journey goes through the class work that I did at VCU and the two plays that I did on the Shafer Street Alliance Laboratory Theatre stage: my performance and use of latex costumes in Funnyhouse of a Negro, and my direction and the troubles with producing Killer Joe. The exploration concludes with a look at the theatre in parts of Virginia and the ability to pursue an acting career with an aesthetic that pushes boundaries."]},{"key":"dc:title","label":"Title","values":["Performing Taboo: The Creation of an Aesthetic through the Exploration of Censorship in Theatre and the Challenges of Directing Killer Joe"]}]}],"canonical_facts":{"dc:contributor":["Dr. Noreen Barnes","Barry Bell","Josh Chenard"],"dc:creator":["Zimmerman, David Todd"],"dc:date.available":["2017-12-10T08:00:00Z"],"dc:description.abstract":["This document explores the performance of taboo on the stage. The exploration is focused around the establishment of my personal aesthetic, which was developed through my studies at Virginia Commonwealth University. Starting with my first trip to Broadway, my journey goes through the class work that I did at VCU and the two plays that I did on the Shafer Street Alliance Laboratory Theatre stage: my performance and use of latex costumes in Funnyhouse of a Negro, and my direction and the troubles with producing Killer Joe. The exploration concludes with a look at the theatre in parts of Virginia and the ability to pursue an acting career with an aesthetic that pushes boundaries."],"dc:identifier":["https://doi.org/10.25772/SCZJ-0633","https://scholarscompass.vcu.edu/etd/435"],"dc:rights":["© The Author"],"dc:subject":["Censorship","Theatre","Licensing Act of 1737","Mrs. Warren's Profession","NEA 4","Killer Joe","Tracy Letts","Funnyhouse of a Negro","Adrienne Kennedy","Arts and Humanities","Theatre and Performance Studies"],"dc:title":["Performing Taboo: The Creation of an Aesthetic through the Exploration of Censorship in Theatre and the Challenges of Directing Killer Joe"],"thesis:degree_discipline":["Theatre"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["Master of Fine Arts"]},"updated_at":"2026-07-24T05:53:56Z"}