{"id":{"repo_id":"vcu","oai_identifier":"oai:scholarscompass.vcu.edu:etd-1233"},"canonical_url":"https://search.dev.ndltd.org/etd/vcu/oai:scholarscompass.vcu.edu:etd-1233","repository":{"repo_id":"vcu","name":"Virginia Commonwealth University","base_url":"https://scholarscompass.vcu.edu/do/oai/"},"display":{"title":"Meeting Sanford Meisner: An Investigation of the Origins, Development, and Practical Application of the Meisner Technique","abstract":"The Sanford Meisner Technique is among the most mysterious and misunderstood approaches to the craft of acting. Very often, it is taught poorly, incompletely, or even dangerously. Through the exploration of Meisner’s private life, as well as a detailed analysis of his system, this work aims to dispel some of the common misconceptions which plague the Technique and its most fervent supporters. After being made privy to his biography, readers will be taken through Meisner’s foundational exercises, beginning at the first phase of Repetition and ending with the introduction of text. In addition to the descriptions of student responsibilities, the conduct required of a Meisner teacher, both in a studio and in a university setting, will be discussed at length. Finally, to complete this comprehensive view of the Meisner Technique, there will be an analysis of its application to Longform Improvisation.","abstract_html":"The Sanford Meisner Technique is among the most mysterious and misunderstood approaches to the craft of acting. Very often, it is taught poorly, incompletely, or even dangerously. Through the exploration of Meisner’s private life, as well as a detailed analysis of his system, this work aims to dispel some of the common misconceptions which plague the Technique and its most fervent supporters. After being made privy to his biography, readers will be taken through Meisner’s foundational exercises, beginning at the first phase of Repetition and ending with the introduction of text. In addition to the descriptions of student responsibilities, the conduct required of a Meisner teacher, both in a studio and in a university setting, will be discussed at length. Finally, to complete this comprehensive view of the Meisner Technique, there will be an analysis of its application to Longform Improvisation.","abstract_has_math":false,"creators":["Butler, Mandy"],"institution":null,"degree_name":"Master of Fine Arts","degree_level":"Thesis","degree_discipline":"Theatre","degree_department":null,"school":null,"contributors":["Noreen Barnes"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2011,"date_issued":"2011-05-10T07:00:00Z","date_published":"2011-05-10T07:00:00Z","updated_at":"2026-07-24T05:53:26Z","subjects":["Meisner","Longform Improvisation","Arts and Humanities","Theatre and Performance Studies"],"languages":[],"rights":["© The Author"],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholarscompass.vcu.edu/etd/234"],"render_values":[{"text":"https://scholarscompass.vcu.edu/etd/234","href":"https://scholarscompass.vcu.edu/etd/234","code":true}]}]},"links":{"outbound_url":"https://doi.org/10.25772/M1PP-B357","outbound_label":"DOI","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Noreen Barnes"]},{"key":"dc:creator","label":"Author","values":["Butler, Mandy"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2021-05-13T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Theatre"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Fine Arts"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Meisner","Longform Improvisation","Arts and Humanities","Theatre and Performance Studies"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["© The Author"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://doi.org/10.25772/M1PP-B357","https://scholarscompass.vcu.edu/etd/234"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["The Sanford Meisner Technique is among the most mysterious and misunderstood approaches to the craft of acting. Very often, it is taught poorly, incompletely, or even dangerously. Through the exploration of Meisner’s private life, as well as a detailed analysis of his system, this work aims to dispel some of the common misconceptions which plague the Technique and its most fervent supporters. After being made privy to his biography, readers will be taken through Meisner’s foundational exercises, beginning at the first phase of Repetition and ending with the introduction of text. In addition to the descriptions of student responsibilities, the conduct required of a Meisner teacher, both in a studio and in a university setting, will be discussed at length. Finally, to complete this comprehensive view of the Meisner Technique, there will be an analysis of its application to Longform Improvisation."]},{"key":"dc:title","label":"Title","values":["Meeting Sanford Meisner: An Investigation of the Origins, Development, and Practical Application of the Meisner Technique"]}]}],"canonical_facts":{"dc:contributor":["Noreen Barnes"],"dc:creator":["Butler, Mandy"],"dc:date.available":["2021-05-13T07:00:00Z"],"dc:description.abstract":["The Sanford Meisner Technique is among the most mysterious and misunderstood approaches to the craft of acting. Very often, it is taught poorly, incompletely, or even dangerously. Through the exploration of Meisner’s private life, as well as a detailed analysis of his system, this work aims to dispel some of the common misconceptions which plague the Technique and its most fervent supporters. After being made privy to his biography, readers will be taken through Meisner’s foundational exercises, beginning at the first phase of Repetition and ending with the introduction of text. In addition to the descriptions of student responsibilities, the conduct required of a Meisner teacher, both in a studio and in a university setting, will be discussed at length. Finally, to complete this comprehensive view of the Meisner Technique, there will be an analysis of its application to Longform Improvisation."],"dc:identifier":["https://doi.org/10.25772/M1PP-B357","https://scholarscompass.vcu.edu/etd/234"],"dc:rights":["© The Author"],"dc:subject":["Meisner","Longform Improvisation","Arts and Humanities","Theatre and Performance Studies"],"dc:title":["Meeting Sanford Meisner: An Investigation of the Origins, Development, and Practical Application of the Meisner Technique"],"thesis:degree_discipline":["Theatre"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["Master of Fine Arts"]},"updated_at":"2026-07-24T05:53:26Z"}