{"id":{"repo_id":"vcu","oai_identifier":"oai:scholarscompass.vcu.edu:etd-1200"},"canonical_url":"https://search.dev.ndltd.org/etd/vcu/oai:scholarscompass.vcu.edu:etd-1200","repository":{"repo_id":"vcu","name":"Virginia Commonwealth University","base_url":"https://scholarscompass.vcu.edu/do/oai/"},"display":{"title":"Integration/Interpretation: The Stylistic Motifs of Mughal Architecture at Fatehpur Sikri","abstract":"This thesis argues that the ornament of Fatehpur Sikri, imperial city of the Mughal emperor Akbar, was created by and for a transcultural audience as a subtle means of unification. Scholars have largely characterized Fatehpur Sikri as a site that epitomizes the blend of Hindu and Islamic architecture. Inherent in this description is the assumption that these visual elements are distinctly religious and mutually exclusive, identified as solely Hindu or Islamic. Yet the integration of various types of imagery is indicative of more dynamic cultural interactions. I have used photographic documentation to classify and analyze the ornamental elements present in three structures at Fatehpur Sikri. My analyses of these elements’ usage and placement, in conjunction with those from surrounding Indian structures, suggest not only a unique Akbari repertoire but provides insight as to the structures’ purposes.","abstract_html":"This thesis argues that the ornament of Fatehpur Sikri, imperial city of the Mughal emperor Akbar, was created by and for a transcultural audience as a subtle means of unification. Scholars have largely characterized Fatehpur Sikri as a site that epitomizes the blend of Hindu and Islamic architecture. Inherent in this description is the assumption that these visual elements are distinctly religious and mutually exclusive, identified as solely Hindu or Islamic. Yet the integration of various types of imagery is indicative of more dynamic cultural interactions. I have used photographic documentation to classify and analyze the ornamental elements present in three structures at Fatehpur Sikri. My analyses of these elements’ usage and placement, in conjunction with those from surrounding Indian structures, suggest not only a unique Akbari repertoire but provides insight as to the structures’ purposes.","abstract_has_math":false,"creators":["Barlow, Glenna"],"institution":null,"degree_name":"Master of Arts","degree_level":"Thesis","degree_discipline":"Art History","degree_department":null,"school":null,"contributors":["Dina Bangdel"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2011,"date_issued":"2011-04-18T07:00:00Z","date_published":"2011-04-18T07:00:00Z","updated_at":"2026-07-24T05:53:41Z","subjects":["Mughal","architecture","motif","ornament","ornamentation","decorative","Akbar","Fatehpur Sikri","Islamic","South Asian","Arts and Humanities"],"languages":[],"rights":["© The Author"],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholarscompass.vcu.edu/etd/201"],"render_values":[{"text":"https://scholarscompass.vcu.edu/etd/201","href":"https://scholarscompass.vcu.edu/etd/201","code":true}]}]},"links":{"outbound_url":"https://doi.org/10.25772/H7M0-EE59","outbound_label":"DOI","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Dina Bangdel"]},{"key":"dc:creator","label":"Author","values":["Barlow, Glenna"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2021-05-11T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Art History"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Mughal","architecture","motif","ornament","ornamentation","decorative","Akbar","Fatehpur Sikri","Islamic","South Asian","Arts and Humanities"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["© The Author"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://doi.org/10.25772/H7M0-EE59","https://scholarscompass.vcu.edu/etd/201"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This thesis argues that the ornament of Fatehpur Sikri, imperial city of the Mughal emperor Akbar, was created by and for a transcultural audience as a subtle means of unification. Scholars have largely characterized Fatehpur Sikri as a site that epitomizes the blend of Hindu and Islamic architecture. Inherent in this description is the assumption that these visual elements are distinctly religious and mutually exclusive, identified as solely Hindu or Islamic. Yet the integration of various types of imagery is indicative of more dynamic cultural interactions. I have used photographic documentation to classify and analyze the ornamental elements present in three structures at Fatehpur Sikri. My analyses of these elements’ usage and placement, in conjunction with those from surrounding Indian structures, suggest not only a unique Akbari repertoire but provides insight as to the structures’ purposes."]},{"key":"dc:title","label":"Title","values":["Integration/Interpretation: The Stylistic Motifs of Mughal Architecture at Fatehpur Sikri"]}]}],"canonical_facts":{"dc:contributor":["Dina Bangdel"],"dc:creator":["Barlow, Glenna"],"dc:date.available":["2021-05-11T07:00:00Z"],"dc:description.abstract":["This thesis argues that the ornament of Fatehpur Sikri, imperial city of the Mughal emperor Akbar, was created by and for a transcultural audience as a subtle means of unification. Scholars have largely characterized Fatehpur Sikri as a site that epitomizes the blend of Hindu and Islamic architecture. Inherent in this description is the assumption that these visual elements are distinctly religious and mutually exclusive, identified as solely Hindu or Islamic. Yet the integration of various types of imagery is indicative of more dynamic cultural interactions. I have used photographic documentation to classify and analyze the ornamental elements present in three structures at Fatehpur Sikri. My analyses of these elements’ usage and placement, in conjunction with those from surrounding Indian structures, suggest not only a unique Akbari repertoire but provides insight as to the structures’ purposes."],"dc:identifier":["https://doi.org/10.25772/H7M0-EE59","https://scholarscompass.vcu.edu/etd/201"],"dc:rights":["© The Author"],"dc:subject":["Mughal","architecture","motif","ornament","ornamentation","decorative","Akbar","Fatehpur Sikri","Islamic","South Asian","Arts and Humanities"],"dc:title":["Integration/Interpretation: The Stylistic Motifs of Mughal Architecture at Fatehpur Sikri"],"thesis:degree_discipline":["Art History"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["Master of Arts"]},"updated_at":"2026-07-24T05:53:41Z"}