{"id":{"repo_id":"vcu","oai_identifier":"oai:scholarscompass.vcu.edu:etd-1157"},"canonical_url":"https://search.dev.ndltd.org/etd/vcu/oai:scholarscompass.vcu.edu:etd-1157","repository":{"repo_id":"vcu","name":"Virginia Commonwealth University","base_url":"https://scholarscompass.vcu.edu/do/oai/"},"display":{"title":"Ernst Ludwig Kirchner (1880-1938): Early Female Nudes in Landscapes","abstract":"This thesis examines how Ernst Ludwig Kirchner reconceived the female nude within the two contexts of Expressionism and the German nudist movement. In particular, it looks to Kirchner’s early paintings, executed between 1909 and 1914, of female nudes in landscape settings to determine how Kirchner operated within and departed from the conventions of the female nude. This thesis challenges the feminist critique of Expressionist painting and Kirchner’s female nudes. It also examines how Kirchner’s female nudes in landscapes are complicated by the early twentieth-century development of German nudism. While these paintings are often categorized as bathers following nineteenth-century French precedent, they in fact are unique products of die Brücke philosophy.","abstract_html":"This thesis examines how Ernst Ludwig Kirchner reconceived the female nude within the two contexts of Expressionism and the German nudist movement. In particular, it looks to Kirchner’s early paintings, executed between 1909 and 1914, of female nudes in landscape settings to determine how Kirchner operated within and departed from the conventions of the female nude. This thesis challenges the feminist critique of Expressionist painting and Kirchner’s female nudes. It also examines how Kirchner’s female nudes in landscapes are complicated by the early twentieth-century development of German nudism. 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In particular, it looks to Kirchner’s early paintings, executed between 1909 and 1914, of female nudes in landscape settings to determine how Kirchner operated within and departed from the conventions of the female nude. This thesis challenges the feminist critique of Expressionist painting and Kirchner’s female nudes. It also examines how Kirchner’s female nudes in landscapes are complicated by the early twentieth-century development of German nudism. While these paintings are often categorized as bathers following nineteenth-century French precedent, they in fact are unique products of die Brücke philosophy."]},{"key":"dc:title","label":"Title","values":["Ernst Ludwig Kirchner (1880-1938): Early Female Nudes in Landscapes"]}]}],"canonical_facts":{"dc:contributor":["Eric Garberson","Michael Schreffler","Margaret Lindauer"],"dc:creator":["Rogge, Kathryn"],"dc:date.available":["2020-12-16T08:00:00Z"],"dc:description.abstract":["This thesis examines how Ernst Ludwig Kirchner reconceived the female nude within the two contexts of Expressionism and the German nudist movement. In particular, it looks to Kirchner’s early paintings, executed between 1909 and 1914, of female nudes in landscape settings to determine how Kirchner operated within and departed from the conventions of the female nude. This thesis challenges the feminist critique of Expressionist painting and Kirchner’s female nudes. It also examines how Kirchner’s female nudes in landscapes are complicated by the early twentieth-century development of German nudism. While these paintings are often categorized as bathers following nineteenth-century French precedent, they in fact are unique products of die Brücke philosophy."],"dc:identifier":["https://doi.org/10.25772/KSCB-1375","https://scholarscompass.vcu.edu/etd/158"],"dc:rights":["© The Author"],"dc:subject":["Kirchner","Expressionism","Germany","nudism","Duncan","pose","feminism","die Brücke","Arts and Humanities"],"dc:title":["Ernst Ludwig Kirchner (1880-1938): Early Female Nudes in Landscapes"],"thesis:degree_discipline":["Art History"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["Master of Arts"]},"updated_at":"2026-07-24T05:53:26Z"}