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University of Wales Trinity Saint David

Dante's Divine Comedy as a theurgic act, a guide for the blessed reader from a state of misery to a state of bliss.

Abstract

dc:description.abstract

The enduring fascination of Dante’s Divina Commedia has attracted, for centuries, not only scholars of medieval literature, Italian or Renaissance studies, but also scholars of modern cosmology and mathematics who, seeking explanations for their research results, rediscover and find inspiration in Dante’s poetry. In this widespread scholarly discussion the dissertation proposes an esoteric interpretation of Dante’s cosmological journey, with the hypothesis that the Commedia was designed as a theurgic act. Structurally, this paper will first give a general overview of Dante’s time emphasizing the cultural, political and religious atmosphere in Florence and in Europe. After that, the dissertation will draw an outline of theurgy, emphasizing the theurgic tradition and its Christian adaptation as it relates to Pseudo-Dionysius the Areopagite (5th century CE). The dissertation will then provide the arguments for the main claim in five steps. The first step will discuss the evidence for Dante’s esoteric affiliation. The second step will examine Dante’s understanding of his Commedia as sacred poetry. The third step will compare Dante’s understanding of sacred poetry with the Christian adaptation of the pagan, theurgic tradition as it relates to Pseudo-Dionysius the Areopagite. In the fourth step the dissertation will offer an interpretation of the Commedia as a theurgic act. In the fifth step, the question of whether Dante’s cosmological journey represents some sort of cosmological vehicle for the reader will be discussed, focusing on the reception of Dante’s work by occultists, and poets in the 19th and 20th centuries.

Degree

thesis:*
Name dc:type.qualificationname
ma
Level dc:type.qualificationlevel
masters
Grantor dc:publisher.institution
University of Wales Trinity Saint David
Year dc:date.issued
2013

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Fenu, Mauro

Subjects

dc:subject × 2

Identifiers

dc:identifier.*
Dc Identifier Grantnumber
UWTSD
OAI identifier oai:identifier
oai:repository.uwtsd.ac.uk:415

Chain of custody

source
Harvested from
University of Wales Trinity Saint David
Base URL
repository.uwtsd.ac.uk/cgi/oai2
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Fenu, Mauro. Dante's Divine Comedy as a theurgic act, a guide for the blessed reader from a state of misery to a state of bliss.. masters thesis, University of Wales Trinity Saint David, 2013. https://doi.org/10.82227/repository.uwtsd.ac.uk.00000415