{"id":{"repo_id":"uwtsd","oai_identifier":"oai:repository.uwtsd.ac.uk:374"},"canonical_url":"https://search.dev.ndltd.org/etd/uwtsd/oai:repository.uwtsd.ac.uk:374","repository":{"repo_id":"uwtsd","name":"University of Wales Trinity Saint David","base_url":"https://repository.uwtsd.ac.uk/cgi/oai2"},"display":{"title":"Perceptions of divinity : the changing characters of Roman Venus.","abstract":"This dissertation examines how at Rome the characters of the goddess Venus changed from the fourth century BC to the first century AD. It is argued that the different ways in which she was perceived, and the associations, powers and responsibilities she was assigned, were significant for the Romans’ engagement with the goddess during the Republic and early Empire. A discussion of some theories of Roman religion since the nineteenth century shows how these views and their subsequent re-evaluation have influenced understandings of Venus. The belief that the Romans of this period took little interest in the characters of their gods is challenged, though it is suggested that traces of this remain as negative preconceptions in some modern approaches. Earlier theories of Roman religion saw the identities of the gods as late Greek imports. Four foreign goddesses known at Rome during the Republic (Aphrodite, Turan, Isis and Cybele) are examined to discover how their characters were represented and in what ways these might have influenced the character of Venus at Rome. The extent to which they were ‘mother’ or ‘women’s’ goddesses, and whether they and Venus had similar connections with fertility and childbirth are discussed. Evidence for the different representations of the character of Venus is drawn from a variety of sources including art, literature, numismatics and epigraphy. The changing characters are discussed in relation to women’s engagement with her and both external influence and internal developments are shown to have shaped perceptions of the goddess. In the Late Republic the role of Venus as protector and ancestor is demonstrated to have grown in significance through her connection with Aeneas, whilst during the Principate her popularity enabled her to be used in support of Augustan values.","abstract_html":"This dissertation examines how at Rome the characters of the goddess Venus changed from the fourth century BC to the first century AD. It is argued that the different ways in which she was perceived, and the associations, powers and responsibilities she was assigned, were significant for the Romans’ engagement with the goddess during the Republic and early Empire. A discussion of some theories of Roman religion since the nineteenth century shows how these views and their subsequent re-evaluation have influenced understandings of Venus. The belief that the Romans of this period took little interest in the characters of their gods is challenged, though it is suggested that traces of this remain as negative preconceptions in some modern approaches. Earlier theories of Roman religion saw the identities of the gods as late Greek imports. Four foreign goddesses known at Rome during the Republic (Aphrodite, Turan, Isis and Cybele) are examined to discover how their characters were represented and in what ways these might have influenced the character of Venus at Rome. The extent to which they were ‘mother’ or ‘women’s’ goddesses, and whether they and Venus had similar connections with fertility and childbirth are discussed. Evidence for the different representations of the character of Venus is drawn from a variety of sources including art, literature, numismatics and epigraphy. The changing characters are discussed in relation to women’s engagement with her and both external influence and internal developments are shown to have shaped perceptions of the goddess. In the Late Republic the role of Venus as protector and ancestor is demonstrated to have grown in significance through her connection with Aeneas, whilst during the Principate her popularity enabled her to be used in support of Augustan values.","abstract_has_math":false,"creators":["Brealey, Frances"],"institution":"University of Wales Trinity Saint David","degree_name":"ma","degree_level":"masters","degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2014,"date_issued":"2014","date_published":"2014","updated_at":"2026-07-24T05:52:44Z","subjects":["BL Crefydd","D051 Hanes yr Henfyd"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier.grantnumber","label":"Dc Identifier Grantnumber","values":["UWTSD"],"render_values":[{"text":"UWTSD","href":null,"code":true}]}]},"links":{"outbound_url":"https://doi.org/10.82227/repository.uwtsd.ac.uk.00000374","outbound_label":"DOI","outbound_source":"dc:identifier.doi"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.sponsor","label":"Sponsor","values":["University of Wales Trinity Saint David"]},{"key":"dc:creator","label":"Author","values":["Brealey, Frances"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2014"]},{"key":"dc:date.issued","label":"Date","values":["2014"]},{"key":"dc:publisher.commercial","label":"Dc Publisher Commercial","values":["University of Wales Trinity Saint David"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Traethodau Meistr"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Wales Trinity Saint David"]},{"key":"dc:relation.isreferencedby","label":"Dc Relation Isreferencedby","values":["https://repository.uwtsd.ac.uk/id/eprint/374/"]},{"key":"dc:type","label":"Dc Type","values":["Gosodiad"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["masters"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["ma"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["BL Crefydd","D051 Hanes yr Henfyd"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.doi","label":"DOI","values":["10.82227/repository.uwtsd.ac.uk.00000374"]},{"key":"dc:identifier.grantnumber","label":"Dc Identifier Grantnumber","values":["UWTSD"]},{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://repository.uwtsd.ac.uk/id/eprint/374/1/Brealey_Diss.pdf","https://repository.uwtsd.ac.uk/id/eprint/374/2/1_Brealey_Diss.pdf"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This dissertation examines how at Rome the characters of the goddess Venus changed from the fourth century BC to the first century AD. It is argued that the different ways in which she was perceived, and the associations, powers and responsibilities she was assigned, were significant for the Romans’ engagement with the goddess during the Republic and early Empire. A discussion of some theories of Roman religion since the nineteenth century shows how these views and their subsequent re-evaluation have influenced understandings of Venus. The belief that the Romans of this period took little interest in the characters of their gods is challenged, though it is suggested that traces of this remain as negative preconceptions in some modern approaches. Earlier theories of Roman religion saw the identities of the gods as late Greek imports. Four foreign goddesses known at Rome during the Republic (Aphrodite, Turan, Isis and Cybele) are examined to discover how their characters were represented and in what ways these might have influenced the character of Venus at Rome. The extent to which they were ‘mother’ or ‘women’s’ goddesses, and whether they and Venus had similar connections with fertility and childbirth are discussed. Evidence for the different representations of the character of Venus is drawn from a variety of sources including art, literature, numismatics and epigraphy. The changing characters are discussed in relation to women’s engagement with her and both external influence and internal developments are shown to have shaped perceptions of the goddess. In the Late Republic the role of Venus as protector and ancestor is demonstrated to have grown in significance through her connection with Aeneas, whilst during the Principate her popularity enabled her to be used in support of Augustan values."]},{"key":"dc:format","label":"Dc Format","values":["text"]},{"key":"dc:title","label":"Title","values":["Perceptions of divinity : the changing characters of Roman Venus."]}]}],"canonical_facts":{"dc:contributor.sponsor":["University of Wales Trinity Saint David"],"dc:creator":["Brealey, Frances"],"dc:date":["2014"],"dc:date.issued":["2014"],"dc:description.abstract":["This dissertation examines how at Rome the characters of the goddess Venus changed from the fourth century BC to the first century AD. It is argued that the different ways in which she was perceived, and the associations, powers and responsibilities she was assigned, were significant for the Romans’ engagement with the goddess during the Republic and early Empire. A discussion of some theories of Roman religion since the nineteenth century shows how these views and their subsequent re-evaluation have influenced understandings of Venus. The belief that the Romans of this period took little interest in the characters of their gods is challenged, though it is suggested that traces of this remain as negative preconceptions in some modern approaches. Earlier theories of Roman religion saw the identities of the gods as late Greek imports. Four foreign goddesses known at Rome during the Republic (Aphrodite, Turan, Isis and Cybele) are examined to discover how their characters were represented and in what ways these might have influenced the character of Venus at Rome. The extent to which they were ‘mother’ or ‘women’s’ goddesses, and whether they and Venus had similar connections with fertility and childbirth are discussed. Evidence for the different representations of the character of Venus is drawn from a variety of sources including art, literature, numismatics and epigraphy. The changing characters are discussed in relation to women’s engagement with her and both external influence and internal developments are shown to have shaped perceptions of the goddess. 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