{"id":{"repo_id":"uwtsd","oai_identifier":"oai:repository.uwtsd.ac.uk:2072"},"canonical_url":"https://search.dev.ndltd.org/etd/uwtsd/oai:repository.uwtsd.ac.uk:2072","repository":{"repo_id":"uwtsd","name":"University of Wales Trinity Saint David","base_url":"https://repository.uwtsd.ac.uk/cgi/oai2"},"display":{"title":"'Cad Goddeu', 'the Battle of the Trees': texts and interpretations","abstract":"'Cad Goddeu', ('The Battle of the Trees'), a poem attributed to the legendary Welsh bard Taliesin, is found in its earliest extant form in the fourteenth-century Welsh manuscript known as Llyfr Taliesin, (The Book of Taliesin). This dissertation asks how the poem has been recreated over time through a network of texts linked to the medieval manuscript by intricate patterns of translation and transmission. By drawing from theorists such as Gérard Genette in his work Palimpsests, texts and other variants of the poem are studied, and examples of intertextual connections are reviewed, dating from the nineteenth-century to the twenty-first. The dissertation examines the place of Llyfr Taliesin in Welsh literature and connections between 'Cad Goddeu' and other early texts. Translation is discussed and an analysis of the repeated appearance of four lines from the poem in various pieces of writing gives a detailed picture of the intertextuality surrounding the poem. Obscurity and difficulty are often associated with 'Cad Goddeu', and the meanings that these concepts can bring to poetry are shown. Robert Graves's book The White Goddess, published in 1948 has played an important role in bringing the poem to new audiences, and Graves's concept of 'analepsis' as an entry point to the past is compared to perceptions of the poem in contemporary society. New readings of 'Cad Goddeu' are made by actively searching in the work for themes of ecology, gender and identity, as each text can be read from a new perspective, new interpretations are always possible. The dissertation demonstrates the value of looking closely at variants of a given poem to understand how words and meaning are transmitted through associated palimpsestic texts, a methodology which can be usefully applied to future research in this area.","abstract_html":"'Cad Goddeu', ('The Battle of the Trees'), a poem attributed to the legendary Welsh bard Taliesin, is found in its earliest extant form in the fourteenth-century Welsh manuscript known as Llyfr Taliesin, (The Book of Taliesin). This dissertation asks how the poem has been recreated over time through a network of texts linked to the medieval manuscript by intricate patterns of translation and transmission. By drawing from theorists such as Gérard Genette in his work Palimpsests, texts and other variants of the poem are studied, and examples of intertextual connections are reviewed, dating from the nineteenth-century to the twenty-first. The dissertation examines the place of Llyfr Taliesin in Welsh literature and connections between 'Cad Goddeu' and other early texts. Translation is discussed and an analysis of the repeated appearance of four lines from the poem in various pieces of writing gives a detailed picture of the intertextuality surrounding the poem. Obscurity and difficulty are often associated with 'Cad Goddeu', and the meanings that these concepts can bring to poetry are shown. Robert Graves's book The White Goddess, published in 1948 has played an important role in bringing the poem to new audiences, and Graves's concept of 'analepsis' as an entry point to the past is compared to perceptions of the poem in contemporary society. New readings of 'Cad Goddeu' are made by actively searching in the work for themes of ecology, gender and identity, as each text can be read from a new perspective, new interpretations are always possible. The dissertation demonstrates the value of looking closely at variants of a given poem to understand how words and meaning are transmitted through associated palimpsestic texts, a methodology which can be usefully applied to future research in this area.","abstract_has_math":false,"creators":["Wagstaffe, Anne Elizabeth"],"institution":"University of Wales Trinity Saint David","degree_name":"ma","degree_level":"masters","degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2021,"date_issued":"2021-12","date_published":"2021-12","updated_at":"2026-07-24T05:52:56Z","subjects":["PN Llenyddiaeth (Cyffredinol)"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier.grantnumber","label":"Dc Identifier Grantnumber","values":["UWTSD"],"render_values":[{"text":"UWTSD","href":null,"code":true}]}]},"links":{"outbound_url":"https://doi.org/10.82227/repository.uwtsd.ac.uk.00002072","outbound_label":"DOI","outbound_source":"dc:identifier.doi"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.sponsor","label":"Sponsor","values":["University of Wales Trinity Saint David"]},{"key":"dc:creator","label":"Author","values":["Wagstaffe, Anne Elizabeth"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2021-12-08"]},{"key":"dc:date.issued","label":"Date","values":["2021-12"]},{"key":"dc:publisher.commercial","label":"Dc Publisher Commercial","values":["University of Wales Trinity Saint David"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Traethodau Meistr","Institute of Education and Humanities: Humanities and Social Sciences"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Wales Trinity Saint David"]},{"key":"dc:relation.isreferencedby","label":"Dc Relation Isreferencedby","values":["https://repository.uwtsd.ac.uk/id/eprint/2072/"]},{"key":"dc:type","label":"Dc Type","values":["Gosodiad"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["masters"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["ma"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["PN Llenyddiaeth (Cyffredinol)"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.doi","label":"DOI","values":["10.82227/repository.uwtsd.ac.uk.00002072"]},{"key":"dc:identifier.grantnumber","label":"Dc Identifier Grantnumber","values":["UWTSD"]},{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://repository.uwtsd.ac.uk/id/eprint/2072/1/2072%20Wagstaffe%2C%20A.%20Cad%20goddeu%20%282021%29.pdf"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["'Cad Goddeu', ('The Battle of the Trees'), a poem attributed to the legendary Welsh bard Taliesin, is found in its earliest extant form in the fourteenth-century Welsh manuscript known as Llyfr Taliesin, (The Book of Taliesin). This dissertation asks how the poem has been recreated over time through a network of texts linked to the medieval manuscript by intricate patterns of translation and transmission. By drawing from theorists such as Gérard Genette in his work Palimpsests, texts and other variants of the poem are studied, and examples of intertextual connections are reviewed, dating from the nineteenth-century to the twenty-first. The dissertation examines the place of Llyfr Taliesin in Welsh literature and connections between 'Cad Goddeu' and other early texts. Translation is discussed and an analysis of the repeated appearance of four lines from the poem in various pieces of writing gives a detailed picture of the intertextuality surrounding the poem. Obscurity and difficulty are often associated with 'Cad Goddeu', and the meanings that these concepts can bring to poetry are shown. Robert Graves's book The White Goddess, published in 1948 has played an important role in bringing the poem to new audiences, and Graves's concept of 'analepsis' as an entry point to the past is compared to perceptions of the poem in contemporary society. New readings of 'Cad Goddeu' are made by actively searching in the work for themes of ecology, gender and identity, as each text can be read from a new perspective, new interpretations are always possible. The dissertation demonstrates the value of looking closely at variants of a given poem to understand how words and meaning are transmitted through associated palimpsestic texts, a methodology which can be usefully applied to future research in this area."]},{"key":"dc:format","label":"Dc Format","values":["text"]},{"key":"dc:title","label":"Title","values":["'Cad Goddeu', 'the Battle of the Trees': texts and interpretations"]}]}],"canonical_facts":{"dc:contributor.sponsor":["University of Wales Trinity Saint David"],"dc:creator":["Wagstaffe, Anne Elizabeth"],"dc:date":["2021-12-08"],"dc:date.issued":["2021-12"],"dc:description.abstract":["'Cad Goddeu', ('The Battle of the Trees'), a poem attributed to the legendary Welsh bard Taliesin, is found in its earliest extant form in the fourteenth-century Welsh manuscript known as Llyfr Taliesin, (The Book of Taliesin). This dissertation asks how the poem has been recreated over time through a network of texts linked to the medieval manuscript by intricate patterns of translation and transmission. By drawing from theorists such as Gérard Genette in his work Palimpsests, texts and other variants of the poem are studied, and examples of intertextual connections are reviewed, dating from the nineteenth-century to the twenty-first. The dissertation examines the place of Llyfr Taliesin in Welsh literature and connections between 'Cad Goddeu' and other early texts. Translation is discussed and an analysis of the repeated appearance of four lines from the poem in various pieces of writing gives a detailed picture of the intertextuality surrounding the poem. Obscurity and difficulty are often associated with 'Cad Goddeu', and the meanings that these concepts can bring to poetry are shown. Robert Graves's book The White Goddess, published in 1948 has played an important role in bringing the poem to new audiences, and Graves's concept of 'analepsis' as an entry point to the past is compared to perceptions of the poem in contemporary society. New readings of 'Cad Goddeu' are made by actively searching in the work for themes of ecology, gender and identity, as each text can be read from a new perspective, new interpretations are always possible. The dissertation demonstrates the value of looking closely at variants of a given poem to understand how words and meaning are transmitted through associated palimpsestic texts, a methodology which can be usefully applied to future research in this area."],"dc:format":["text"],"dc:identifier.doi":["10.82227/repository.uwtsd.ac.uk.00002072"],"dc:identifier.grantnumber":["UWTSD"],"dc:identifier.uri":["https://repository.uwtsd.ac.uk/id/eprint/2072/1/2072%20Wagstaffe%2C%20A.%20Cad%20goddeu%20%282021%29.pdf"],"dc:publisher.commercial":["University of Wales Trinity Saint David"],"dc:publisher.department":["Traethodau Meistr","Institute of Education and Humanities: Humanities and Social Sciences"],"dc:publisher.institution":["University of Wales Trinity Saint David"],"dc:relation.isreferencedby":["https://repository.uwtsd.ac.uk/id/eprint/2072/"],"dc:subject":["PN Llenyddiaeth (Cyffredinol)"],"dc:title":["'Cad Goddeu', 'the Battle of the Trees': texts and interpretations"],"dc:type":["Gosodiad"],"dc:type.qualificationlevel":["masters"],"dc:type.qualificationname":["ma"]},"updated_at":"2026-07-24T05:52:56Z"}