{"id":{"repo_id":"uwo","oai_identifier":"oai:uwo.scholaris.ca:20.500.14721/36403"},"canonical_url":"https://search.dev.ndltd.org/etd/uwo/oai:uwo.scholaris.ca:20.500.14721/36403","repository":{"repo_id":"uwo","name":"Western University","base_url":"https://uwo.scholaris.ca/server/oai/request"},"display":{"title":"Following the Turn: Mapping as Material Art Practice","abstract":"Following the Turn: Mapping As Material Art Practice investigates my artistic practice and MFA research based in London, Ontario. This dossier of research elements includes: an extended artist’s statement, a documentation of artistic practice and development, and a selection of in-process and published exhibition reviews of contemporary artists’ work; in Chapters 1, 2, and 3 respectively. This written document is in part intended to work as a specific accompaniment to my thesis exhibition. In the body of the thesis I propose that a project-based and embodied material art practice can perform mapping of negotiated experiences of the city. Dealing with ideas concerning ‘knowing’ the city, a series of conceptual and process oriented tactics are explored. Navigation, the everyday, and cumulative gestures help to ground a drawing-installation methodology alongside artistic activities that are initiated outside of the studio. I also consider interpretive theoretical and artistic influences such as the Situationist International, and Michel de Certeau’s ‘tactics’ in relation to my practice and as aids in navigation, meaning making and ultimately mapping. https://vimeo.com/71505779","abstract_html":"Following the Turn: Mapping As Material Art Practice investigates my artistic practice and MFA research based in London, Ontario. This dossier of research elements includes: an extended artist’s statement, a documentation of artistic practice and development, and a selection of in-process and published exhibition reviews of contemporary artists’ work; in Chapters 1, 2, and 3 respectively. This written document is in part intended to work as a specific accompaniment to my thesis exhibition. In the body of the thesis I propose that a project-based and embodied material art practice can perform mapping of negotiated experiences of the city. Dealing with ideas concerning ‘knowing’ the city, a series of conceptual and process oriented tactics are explored. Navigation, the everyday, and cumulative gestures help to ground a drawing-installation methodology alongside artistic activities that are initiated outside of the studio. I also consider interpretive theoretical and artistic influences such as the Situationist International, and Michel de Certeau’s ‘tactics’ in relation to my practice and as aids in navigation, meaning making and ultimately mapping. https://vimeo.com/71505779","abstract_has_math":false,"creators":["Brown, Kyla Christine"],"institution":"The University of Western Ontario","degree_name":"MFA","degree_level":null,"degree_discipline":"Visual Arts","degree_department":null,"school":null,"contributors":[],"advisors":["Patrick Mahon"],"committee_chairs":[],"committee_members":[],"year":2013,"date_issued":"2013-08-15","date_published":"2013-08-15","updated_at":"2026-07-27T21:56:05Z","subjects":["mapping","drawing-installation","space","navigation","the Everyday","Michel de Certeau","Situationist International","Gwen MacGregor","Francis Alys","cycling","London"],"languages":["en_ca"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/20.500.14721/36403","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Patrick Mahon"]},{"key":"dc:creator","label":"Author","values":["Brown, Kyla Christine"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2025-07-10T21:21:37Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2025-07-10T21:21:37Z"]},{"key":"dc:date.issued","label":"Date","values":["2013-08-15"]},{"key":"dc:publisher","label":"Institution","values":["The University of Western Ontario"]},{"key":"dc:type","label":"Dc Type","values":["thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Visual Arts"]},{"key":"thesis:degree_name","label":"Degree Name","values":["MFA"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["mapping","drawing-installation","space","navigation","the Everyday","Michel de Certeau","Situationist International","Gwen MacGregor","Francis Alys","cycling","London"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en_ca"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://hdl.handle.net/20.500.14721/36403"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["The thesis cover page in the PDF document includes references to Western University’s previous institutional repository platform, known as Scholarship@Western, and links to that platform (beginning with ir.lib.uwo.ca). In citing or referring to this thesis, use the DOI or handle from this page instead. Sample citation: Author name, \"Thesis title.\" (Year). Western University Open Repository. https://doi.org/10.71858/123456."]},{"key":"dc:description.abstract","label":"Abstract","values":["Following the Turn: Mapping As Material Art Practice investigates my artistic practice and MFA research based in London, Ontario. This dossier of research elements includes: an extended artist’s statement, a documentation of artistic practice and development, and a selection of in-process and published exhibition reviews of contemporary artists’ work; in Chapters 1, 2, and 3 respectively. This written document is in part intended to work as a specific accompaniment to my thesis exhibition. In the body of the thesis I propose that a project-based and embodied material art practice can perform mapping of negotiated experiences of the city. Dealing with ideas concerning ‘knowing’ the city, a series of conceptual and process oriented tactics are explored. Navigation, the everyday, and cumulative gestures help to ground a drawing-installation methodology alongside artistic activities that are initiated outside of the studio. I also consider interpretive theoretical and artistic influences such as the Situationist International, and Michel de Certeau’s ‘tactics’ in relation to my practice and as aids in navigation, meaning making and ultimately mapping. https://vimeo.com/71505779"]},{"key":"dc:title","label":"Title","values":["Following the Turn: Mapping as Material Art Practice"]}]}],"canonical_facts":{"dc:contributor.advisor":["Patrick Mahon"],"dc:creator":["Brown, Kyla Christine"],"dc:date.accessioned":["2025-07-10T21:21:37Z"],"dc:date.available":["2025-07-10T21:21:37Z"],"dc:date.issued":["2013-08-15"],"dc:description":["The thesis cover page in the PDF document includes references to Western University’s previous institutional repository platform, known as Scholarship@Western, and links to that platform (beginning with ir.lib.uwo.ca). In citing or referring to this thesis, use the DOI or handle from this page instead. Sample citation: Author name, \"Thesis title.\" (Year). 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