{"id":{"repo_id":"uwo","oai_identifier":"oai:uwo.scholaris.ca:20.500.14721/34569"},"canonical_url":"https://search.dev.ndltd.org/etd/uwo/oai:uwo.scholaris.ca:20.500.14721/34569","repository":{"repo_id":"uwo","name":"Western University","base_url":"https://uwo.scholaris.ca/server/oai/request"},"display":{"title":"Gardening at Arm's Length","abstract":"Combined with a Master of Fine Art thesis exhibition, Gardening at Arm’s Length, this dossier provides supporting components: an extended artist’s statement, documentation of my artwork, an interview with artist Mary Mattingly and my Curriculum Vitae. Throughout the program, I have explored the nature/culture divide and concepts of agency shared by humans and non-humans alike. This work is informed by historical and contemporary artists who are discussed in my artist statement, as well as the theories of place-thought by Vanessa Watts, the dark ecology of Timothy Morton, and the vibrant matter of Jane Bennet. These research components help elaborate on the material investigations undertaken in the studio. My sculptures are based on developing hydroponic systems within assemblages of repurposed objects which support living plants. These sculptures help to highlight the agency of all participants within ecosystems and the acknowledgement of the blended reality of natureculture.","abstract_html":"Combined with a Master of Fine Art thesis exhibition, Gardening at Arm’s Length, this dossier provides supporting components: an extended artist’s statement, documentation of my artwork, an interview with artist Mary Mattingly and my Curriculum Vitae. Throughout the program, I have explored the nature/culture divide and concepts of agency shared by humans and non-humans alike. This work is informed by historical and contemporary artists who are discussed in my artist statement, as well as the theories of place-thought by Vanessa Watts, the dark ecology of Timothy Morton, and the vibrant matter of Jane Bennet. These research components help elaborate on the material investigations undertaken in the studio. My sculptures are based on developing hydroponic systems within assemblages of repurposed objects which support living plants. These sculptures help to highlight the agency of all participants within ecosystems and the acknowledgement of the blended reality of natureculture.","abstract_has_math":false,"creators":["Chartrand, Paul"],"institution":"The University of Western Ontario","degree_name":"MFA","degree_level":null,"degree_discipline":"Visual Arts","degree_department":null,"school":null,"contributors":[],"advisors":["Kelly Jazvac"],"committee_chairs":[],"committee_members":[],"year":2017,"date_issued":"2017-04-17","date_published":"2017-04-17","updated_at":"2026-07-27T21:55:58Z","subjects":["Agency","ecology","hydroponic sculpture","dark ecology","vibrant matter","placethought"],"languages":["en_ca"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/20.500.14721/34569","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Kelly Jazvac"]},{"key":"dc:creator","label":"Author","values":["Chartrand, Paul"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2025-07-10T20:05:36Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2025-07-10T20:05:36Z"]},{"key":"dc:date.issued","label":"Date","values":["2017-04-17"]},{"key":"dc:publisher","label":"Institution","values":["The University of Western Ontario"]},{"key":"dc:type","label":"Dc Type","values":["thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Visual Arts"]},{"key":"thesis:degree_name","label":"Degree Name","values":["MFA"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Agency","ecology","hydroponic sculpture","dark ecology","vibrant matter","placethought"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en_ca"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://hdl.handle.net/20.500.14721/34569"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["The thesis cover page in the PDF document includes references to Western University’s previous institutional repository platform, known as Scholarship@Western, and links to that platform (beginning with ir.lib.uwo.ca). In citing or referring to this thesis, use the DOI or handle from this page instead. Sample citation: Author name, \"Thesis title.\" (Year). Western University Open Repository. https://doi.org/10.71858/123456."]},{"key":"dc:description.abstract","label":"Abstract","values":["Combined with a Master of Fine Art thesis exhibition, Gardening at Arm’s Length, this dossier provides supporting components: an extended artist’s statement, documentation of my artwork, an interview with artist Mary Mattingly and my Curriculum Vitae. Throughout the program, I have explored the nature/culture divide and concepts of agency shared by humans and non-humans alike. This work is informed by historical and contemporary artists who are discussed in my artist statement, as well as the theories of place-thought by Vanessa Watts, the dark ecology of Timothy Morton, and the vibrant matter of Jane Bennet. These research components help elaborate on the material investigations undertaken in the studio. My sculptures are based on developing hydroponic systems within assemblages of repurposed objects which support living plants. These sculptures help to highlight the agency of all participants within ecosystems and the acknowledgement of the blended reality of natureculture."]},{"key":"dc:title","label":"Title","values":["Gardening at Arm's Length"]}]}],"canonical_facts":{"dc:contributor.advisor":["Kelly Jazvac"],"dc:creator":["Chartrand, Paul"],"dc:date.accessioned":["2025-07-10T20:05:36Z"],"dc:date.available":["2025-07-10T20:05:36Z"],"dc:date.issued":["2017-04-17"],"dc:description":["The thesis cover page in the PDF document includes references to Western University’s previous institutional repository platform, known as Scholarship@Western, and links to that platform (beginning with ir.lib.uwo.ca). In citing or referring to this thesis, use the DOI or handle from this page instead. Sample citation: Author name, \"Thesis title.\" (Year). 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