{"id":{"repo_id":"uwo","oai_identifier":"oai:uwo.scholaris.ca:20.500.14721/32736"},"canonical_url":"https://search.dev.ndltd.org/etd/uwo/oai:uwo.scholaris.ca:20.500.14721/32736","repository":{"repo_id":"uwo","name":"Western University","base_url":"https://uwo.scholaris.ca/server/oai/request"},"display":{"title":"Narrativity in Postmodern Music: A Study of Selected Works of Alfred Schnittke","abstract":"The validity of music narratives has engendered much debate and research. This dissertation traces the development of narratology from its pre-structuralist phase to the post-structuralist phase where the discipline went through a narrative turn and blossomed into a broad-spectrum expansion that takes the form of interdisciplinary narratological studies such as music narratology. By adopting the viewpoints of postmodern philosophers and psychologists such as Mikhail M. Bakhtin, Ihab Hassan, Jean-François Lyotard, Maurice Merleau-Ponty, and Carl Jung, we develop a cognitive narratological theory for postmodern music that is veracious both epistemologically and philosophically. We then analyze formally and contextually four concertos by Alfred Schnittke, one of the pioneers of polystylism, and discuss individual polystylistic and postmodern characteristics evinced in the musical texts. We then provide a brief narratological reading of each concerto. We believe a theory of music narrative completes the aforementioned three-part comprehensive analysis of a musical work and is requisite for the full understanding and appreciation of any musical work of art.","abstract_html":"The validity of music narratives has engendered much debate and research. This dissertation traces the development of narratology from its pre-structuralist phase to the post-structuralist phase where the discipline went through a narrative turn and blossomed into a broad-spectrum expansion that takes the form of interdisciplinary narratological studies such as music narratology. By adopting the viewpoints of postmodern philosophers and psychologists such as Mikhail M. Bakhtin, Ihab Hassan, Jean-François Lyotard, Maurice Merleau-Ponty, and Carl Jung, we develop a cognitive narratological theory for postmodern music that is veracious both epistemologically and philosophically. We then analyze formally and contextually four concertos by Alfred Schnittke, one of the pioneers of polystylism, and discuss individual polystylistic and postmodern characteristics evinced in the musical texts. We then provide a brief narratological reading of each concerto. We believe a theory of music narrative completes the aforementioned three-part comprehensive analysis of a musical work and is requisite for the full understanding and appreciation of any musical work of art.","abstract_has_math":false,"creators":["Ching, Karen K."],"institution":"The University of Western Ontario","degree_name":"Ph D","degree_level":null,"degree_discipline":"Music","degree_department":null,"school":null,"contributors":[],"advisors":["Nolan, Catherine"],"committee_chairs":[],"committee_members":[],"year":2012,"date_issued":"2012-08-31","date_published":"2012-08-31","updated_at":"2026-07-27T21:56:20Z","subjects":["Alfred Schnittke","musical narrative","polystylism","postmodernism","cognitive narratology"],"languages":["en_ca"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/20.500.14721/32736","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Nolan, Catherine"]},{"key":"dc:creator","label":"Author","values":["Ching, Karen K."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2025-07-10T19:35:54Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2025-07-10T19:35:54Z"]},{"key":"dc:date.issued","label":"Date","values":["2012-08-31"]},{"key":"dc:publisher","label":"Institution","values":["The University of Western Ontario"]},{"key":"dc:type","label":"Dc Type","values":["thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Ph D"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Alfred Schnittke","musical narrative","polystylism","postmodernism","cognitive narratology"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en_ca"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://hdl.handle.net/20.500.14721/32736"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["The thesis cover page in the PDF document includes references to Western University’s previous institutional repository platform, known as Scholarship@Western, and links to that platform (beginning with ir.lib.uwo.ca). In citing or referring to this thesis, use the DOI or handle from this page instead. Sample citation: Author name, \"Thesis title.\" (Year). Western University Open Repository. https://doi.org/10.71858/123456."]},{"key":"dc:description.abstract","label":"Abstract","values":["The validity of music narratives has engendered much debate and research. This dissertation traces the development of narratology from its pre-structuralist phase to the post-structuralist phase where the discipline went through a narrative turn and blossomed into a broad-spectrum expansion that takes the form of interdisciplinary narratological studies such as music narratology. By adopting the viewpoints of postmodern philosophers and psychologists such as Mikhail M. Bakhtin, Ihab Hassan, Jean-François Lyotard, Maurice Merleau-Ponty, and Carl Jung, we develop a cognitive narratological theory for postmodern music that is veracious both epistemologically and philosophically. We then analyze formally and contextually four concertos by Alfred Schnittke, one of the pioneers of polystylism, and discuss individual polystylistic and postmodern characteristics evinced in the musical texts. We then provide a brief narratological reading of each concerto. We believe a theory of music narrative completes the aforementioned three-part comprehensive analysis of a musical work and is requisite for the full understanding and appreciation of any musical work of art."]},{"key":"dc:title","label":"Title","values":["Narrativity in Postmodern Music: A Study of Selected Works of Alfred Schnittke"]}]}],"canonical_facts":{"dc:contributor.advisor":["Nolan, Catherine"],"dc:creator":["Ching, Karen K."],"dc:date.accessioned":["2025-07-10T19:35:54Z"],"dc:date.available":["2025-07-10T19:35:54Z"],"dc:date.issued":["2012-08-31"],"dc:description":["The thesis cover page in the PDF document includes references to Western University’s previous institutional repository platform, known as Scholarship@Western, and links to that platform (beginning with ir.lib.uwo.ca). In citing or referring to this thesis, use the DOI or handle from this page instead. Sample citation: Author name, \"Thesis title.\" (Year). Western University Open Repository. https://doi.org/10.71858/123456."],"dc:description.abstract":["The validity of music narratives has engendered much debate and research. This dissertation traces the development of narratology from its pre-structuralist phase to the post-structuralist phase where the discipline went through a narrative turn and blossomed into a broad-spectrum expansion that takes the form of interdisciplinary narratological studies such as music narratology. By adopting the viewpoints of postmodern philosophers and psychologists such as Mikhail M. Bakhtin, Ihab Hassan, Jean-François Lyotard, Maurice Merleau-Ponty, and Carl Jung, we develop a cognitive narratological theory for postmodern music that is veracious both epistemologically and philosophically. We then analyze formally and contextually four concertos by Alfred Schnittke, one of the pioneers of polystylism, and discuss individual polystylistic and postmodern characteristics evinced in the musical texts. We then provide a brief narratological reading of each concerto. We believe a theory of music narrative completes the aforementioned three-part comprehensive analysis of a musical work and is requisite for the full understanding and appreciation of any musical work of art."],"dc:identifier.uri":["https://hdl.handle.net/20.500.14721/32736"],"dc:language.iso":["en_ca"],"dc:publisher":["The University of Western Ontario"],"dc:subject":["Alfred Schnittke","musical narrative","polystylism","postmodernism","cognitive narratology"],"dc:title":["Narrativity in Postmodern Music: A Study of Selected Works of Alfred Schnittke"],"dc:type":["thesis"],"thesis:degree_discipline":["Music"],"thesis:degree_name":["Ph D"]},"updated_at":"2026-07-27T21:56:20Z"}