{"id":{"repo_id":"uwo","oai_identifier":"oai:uwo.scholaris.ca:20.500.14721/32038"},"canonical_url":"https://search.dev.ndltd.org/etd/uwo/oai:uwo.scholaris.ca:20.500.14721/32038","repository":{"repo_id":"uwo","name":"Western University","base_url":"https://uwo.scholaris.ca/server/oai/request"},"display":{"title":"Angel’s Tears – multimedia work project","abstract":"“Angel’s Tears” is a multimedia work for an eight-player chamber ensemble, musique concrète, and video, divided into eight chapters that explore the stages of alcohol intoxication, each corresponding to the levels of blood alcohol content (BAC). Inspired by the cocktail \"Angel's Tears,\" the piece evokes the imagery of angelic blood tears falling from the clouds, using sound and visuals to symbolize a journey from reality to hallucination. The work is framed within the concept of liminality, a psychological and anthropological state of transition, uncertainty, and change. As the piece unfolds, it reflects the false promise of salvation through intoxication, where the pursuit of bliss ultimately leads to an illusory state of loss and vulnerability. Through its interactive multimedia elements, “Angel’s Tears” explores the tension between fleeting ecstasy and the irrevocable sacrifice of body, mind, and soul.","abstract_html":"“Angel’s Tears” is a multimedia work for an eight-player chamber ensemble, musique concrète, and video, divided into eight chapters that explore the stages of alcohol intoxication, each corresponding to the levels of blood alcohol content (BAC). Inspired by the cocktail "Angel's Tears," the piece evokes the imagery of angelic blood tears falling from the clouds, using sound and visuals to symbolize a journey from reality to hallucination. The work is framed within the concept of liminality, a psychological and anthropological state of transition, uncertainty, and change. As the piece unfolds, it reflects the false promise of salvation through intoxication, where the pursuit of bliss ultimately leads to an illusory state of loss and vulnerability. Through its interactive multimedia elements, “Angel’s Tears” explores the tension between fleeting ecstasy and the irrevocable sacrifice of body, mind, and soul.","abstract_has_math":false,"creators":["Lee, Hiu Yi Joyce"],"institution":"The University of Western Ontario","degree_name":"M mus","degree_level":null,"degree_discipline":"Music","degree_department":null,"school":null,"contributors":[],"advisors":["Frehner, Paul","Cuciurean, John"],"committee_chairs":[],"committee_members":[],"year":2025,"date_issued":"2025-04-22","date_published":"2025-04-22","updated_at":"2026-07-27T21:56:03Z","subjects":["musique concrète","composition","multimedia","chamber music","videos","liminality","mixed music"],"languages":["en_ca"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/20.500.14721/32038","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Frehner, Paul","Cuciurean, John"]},{"key":"dc:creator","label":"Author","values":["Lee, Hiu Yi Joyce"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2025-07-10T19:26:00Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2025-07-10T19:26:00Z"]},{"key":"dc:date.issued","label":"Date","values":["2025-04-22"]},{"key":"dc:publisher","label":"Institution","values":["The University of Western Ontario"]},{"key":"dc:type","label":"Dc Type","values":["thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M mus"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["musique concrète","composition","multimedia","chamber music","videos","liminality","mixed music"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en_ca"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://hdl.handle.net/20.500.14721/32038"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["The thesis cover page in the PDF document includes references to Western University’s previous institutional repository platform, known as Scholarship@Western, and links to that platform (beginning with ir.lib.uwo.ca). In citing or referring to this thesis, use the DOI or handle from this page instead. Sample citation: Author name, \"Thesis title.\" (Year). Western University Open Repository. https://doi.org/10.71858/123456."]},{"key":"dc:description.abstract","label":"Abstract","values":["“Angel’s Tears” is a multimedia work for an eight-player chamber ensemble, musique concrète, and video, divided into eight chapters that explore the stages of alcohol intoxication, each corresponding to the levels of blood alcohol content (BAC). Inspired by the cocktail \"Angel's Tears,\" the piece evokes the imagery of angelic blood tears falling from the clouds, using sound and visuals to symbolize a journey from reality to hallucination. The work is framed within the concept of liminality, a psychological and anthropological state of transition, uncertainty, and change. 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