{"id":{"repo_id":"uwo","oai_identifier":"oai:uwo.scholaris.ca:20.500.14721/31491"},"canonical_url":"https://search.dev.ndltd.org/etd/uwo/oai:uwo.scholaris.ca:20.500.14721/31491","repository":{"repo_id":"uwo","name":"Western University","base_url":"https://uwo.scholaris.ca/server/oai/request"},"display":{"title":"The No No-Exit Closet: An Alternative to No-Exit Pathways","abstract":"The focus of this dossier is my Masters Thesis project, which is titled The No No-Exit Closet. The No No-Exit Closet has been a project through which I have developed a heightened ethical awareness of how I consume, store, throw away, and reuse the materials that enter and exit my life. This thesis dossier is divided into three sections: an extended artist statement about my thesis project, photographic documentation of the artwork I produced for my Masters Thesis Exhibition, and a case study on the artwork of Andrea Zittel. The extended artist statement describes my Masters Thesis project which is a meditation on the reconceptualization of the closet as a no no-exit zone. The case study distinguishes similarities and differences between Zittel’s artwork and the artwork of the Russian Constructivists, American Minimalists, and American Post-Minimalists.","abstract_html":"The focus of this dossier is my Masters Thesis project, which is titled The No No-Exit Closet. The No No-Exit Closet has been a project through which I have developed a heightened ethical awareness of how I consume, store, throw away, and reuse the materials that enter and exit my life. This thesis dossier is divided into three sections: an extended artist statement about my thesis project, photographic documentation of the artwork I produced for my Masters Thesis Exhibition, and a case study on the artwork of Andrea Zittel. The extended artist statement describes my Masters Thesis project which is a meditation on the reconceptualization of the closet as a no no-exit zone. The case study distinguishes similarities and differences between Zittel’s artwork and the artwork of the Russian Constructivists, American Minimalists, and American Post-Minimalists.","abstract_has_math":false,"creators":["Patrick, Faith I"],"institution":"The University of Western Ontario","degree_name":"MFA","degree_level":null,"degree_discipline":"Visual Arts","degree_department":null,"school":null,"contributors":[],"advisors":["Wood, Kelly"],"committee_chairs":[],"committee_members":[],"year":2021,"date_issued":"2021-08-17","date_published":"2021-08-17","updated_at":"2026-07-27T21:55:59Z","subjects":["No No-Exit Closet","Process","Waste","Russian Constructivism","Minimalism","Alchemical Vessel"],"languages":["en_ca"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/20.500.14721/31491","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Wood, Kelly"]},{"key":"dc:creator","label":"Author","values":["Patrick, Faith I"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2025-07-10T19:19:43Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2025-07-10T19:19:43Z"]},{"key":"dc:date.issued","label":"Date","values":["2021-08-17"]},{"key":"dc:publisher","label":"Institution","values":["The University of Western Ontario"]},{"key":"dc:type","label":"Dc Type","values":["thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Visual Arts"]},{"key":"thesis:degree_name","label":"Degree Name","values":["MFA"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["No No-Exit Closet","Process","Waste","Russian Constructivism","Minimalism","Alchemical Vessel"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en_ca"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://hdl.handle.net/20.500.14721/31491"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["The thesis cover page in the PDF document includes references to Western University’s previous institutional repository platform, known as Scholarship@Western, and links to that platform (beginning with ir.lib.uwo.ca). In citing or referring to this thesis, use the DOI or handle from this page instead. Sample citation: Author name, \"Thesis title.\" (Year). Western University Open Repository. https://doi.org/10.71858/123456."]},{"key":"dc:description.abstract","label":"Abstract","values":["The focus of this dossier is my Masters Thesis project, which is titled The No No-Exit Closet. The No No-Exit Closet has been a project through which I have developed a heightened ethical awareness of how I consume, store, throw away, and reuse the materials that enter and exit my life. This thesis dossier is divided into three sections: an extended artist statement about my thesis project, photographic documentation of the artwork I produced for my Masters Thesis Exhibition, and a case study on the artwork of Andrea Zittel. The extended artist statement describes my Masters Thesis project which is a meditation on the reconceptualization of the closet as a no no-exit zone. 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