{"id":{"repo_id":"uwo","oai_identifier":"oai:uwo.scholaris.ca:20.500.14721/31224"},"canonical_url":"https://search.dev.ndltd.org/etd/uwo/oai:uwo.scholaris.ca:20.500.14721/31224","repository":{"repo_id":"uwo","name":"Western University","base_url":"https://uwo.scholaris.ca/server/oai/request"},"display":{"title":"Subjectivity, Passion, and Mystical Intuition: Nietzsche's Early Writing","abstract":"For Nietzsche, the subject is aesthetically creative, meaning that the subject is a dynamic process of self-transformation that involves not only the subject’s sense of self, but the meaning of their world. In my first chapter, I look at \"On Truth and Lying in a Non-Moral Sense\" to show how Nietzsche deconstructs rationalist epistemology in order to show that knowledge and meaning are an aesthetic activity. In my second chapter, I look at \"On the Uses and Disadvantages of History for Life\" to argue that Nietzsche sees creativity as a passionate, sublime overflow, a rupture with the present that artistically reconfigures meaning. In my last chapter, I turn to Philosophy in the Tragic Age of the Greeks, comparing key passages to Nietzsche’s analysis of Greek tragic drama in The Birth of Tragedy in order to outline the structure of the “mystical intuition” at the core of Greek thought in the tragic age.","abstract_html":"For Nietzsche, the subject is aesthetically creative, meaning that the subject is a dynamic process of self-transformation that involves not only the subject’s sense of self, but the meaning of their world. In my first chapter, I look at "On Truth and Lying in a Non-Moral Sense" to show how Nietzsche deconstructs rationalist epistemology in order to show that knowledge and meaning are an aesthetic activity. In my second chapter, I look at "On the Uses and Disadvantages of History for Life" to argue that Nietzsche sees creativity as a passionate, sublime overflow, a rupture with the present that artistically reconfigures meaning. In my last chapter, I turn to Philosophy in the Tragic Age of the Greeks, comparing key passages to Nietzsche’s analysis of Greek tragic drama in The Birth of Tragedy in order to outline the structure of the “mystical intuition” at the core of Greek thought in the tragic age.","abstract_has_math":false,"creators":["Leivdal, Joseph"],"institution":"The University of Western Ontario","degree_name":"MA","degree_level":null,"degree_discipline":"Theory and Criticism","degree_department":null,"school":null,"contributors":[],"advisors":["Stocking, Charles","Boulter, Jonathan"],"committee_chairs":[],"committee_members":[],"year":2018,"date_issued":"2018-08-30","date_published":"2018-08-30","updated_at":"2026-07-27T21:56:18Z","subjects":["Nietzsche","subjectivity","knowledge","language","art","culture"],"languages":["en_ca"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/20.500.14721/31224","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Stocking, Charles","Boulter, Jonathan"]},{"key":"dc:creator","label":"Author","values":["Leivdal, Joseph"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2025-07-10T19:18:28Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2025-07-10T19:18:28Z"]},{"key":"dc:date.issued","label":"Date","values":["2018-08-30"]},{"key":"dc:publisher","label":"Institution","values":["The University of Western Ontario"]},{"key":"dc:type","label":"Dc Type","values":["thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Theory and Criticism"]},{"key":"thesis:degree_name","label":"Degree Name","values":["MA"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Nietzsche","subjectivity","knowledge","language","art","culture"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en_ca"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://hdl.handle.net/20.500.14721/31224"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["The thesis cover page in the PDF document includes references to Western University’s previous institutional repository platform, known as Scholarship@Western, and links to that platform (beginning with ir.lib.uwo.ca). In citing or referring to this thesis, use the DOI or handle from this page instead. Sample citation: Author name, \"Thesis title.\" (Year). Western University Open Repository. https://doi.org/10.71858/123456."]},{"key":"dc:description.abstract","label":"Abstract","values":["For Nietzsche, the subject is aesthetically creative, meaning that the subject is a dynamic process of self-transformation that involves not only the subject’s sense of self, but the meaning of their world. In my first chapter, I look at \"On Truth and Lying in a Non-Moral Sense\" to show how Nietzsche deconstructs rationalist epistemology in order to show that knowledge and meaning are an aesthetic activity. In my second chapter, I look at \"On the Uses and Disadvantages of History for Life\" to argue that Nietzsche sees creativity as a passionate, sublime overflow, a rupture with the present that artistically reconfigures meaning. In my last chapter, I turn to Philosophy in the Tragic Age of the Greeks, comparing key passages to Nietzsche’s analysis of Greek tragic drama in The Birth of Tragedy in order to outline the structure of the “mystical intuition” at the core of Greek thought in the tragic age."]},{"key":"dc:title","label":"Title","values":["Subjectivity, Passion, and Mystical Intuition: Nietzsche's Early Writing"]}]}],"canonical_facts":{"dc:contributor.advisor":["Stocking, Charles","Boulter, Jonathan"],"dc:creator":["Leivdal, Joseph"],"dc:date.accessioned":["2025-07-10T19:18:28Z"],"dc:date.available":["2025-07-10T19:18:28Z"],"dc:date.issued":["2018-08-30"],"dc:description":["The thesis cover page in the PDF document includes references to Western University’s previous institutional repository platform, known as Scholarship@Western, and links to that platform (beginning with ir.lib.uwo.ca). In citing or referring to this thesis, use the DOI or handle from this page instead. Sample citation: Author name, \"Thesis title.\" (Year). Western University Open Repository. https://doi.org/10.71858/123456."],"dc:description.abstract":["For Nietzsche, the subject is aesthetically creative, meaning that the subject is a dynamic process of self-transformation that involves not only the subject’s sense of self, but the meaning of their world. In my first chapter, I look at \"On Truth and Lying in a Non-Moral Sense\" to show how Nietzsche deconstructs rationalist epistemology in order to show that knowledge and meaning are an aesthetic activity. In my second chapter, I look at \"On the Uses and Disadvantages of History for Life\" to argue that Nietzsche sees creativity as a passionate, sublime overflow, a rupture with the present that artistically reconfigures meaning. In my last chapter, I turn to Philosophy in the Tragic Age of the Greeks, comparing key passages to Nietzsche’s analysis of Greek tragic drama in The Birth of Tragedy in order to outline the structure of the “mystical intuition” at the core of Greek thought in the tragic age."],"dc:identifier.uri":["https://hdl.handle.net/20.500.14721/31224"],"dc:language.iso":["en_ca"],"dc:publisher":["The University of Western Ontario"],"dc:subject":["Nietzsche","subjectivity","knowledge","language","art","culture"],"dc:title":["Subjectivity, Passion, and Mystical Intuition: Nietzsche's Early Writing"],"dc:type":["thesis"],"thesis:degree_discipline":["Theory and Criticism"],"thesis:degree_name":["MA"]},"updated_at":"2026-07-27T21:56:18Z"}