{"id":{"repo_id":"uwo","oai_identifier":"oai:uwo.scholaris.ca:20.500.14721/30111"},"canonical_url":"https://search.dev.ndltd.org/etd/uwo/oai:uwo.scholaris.ca:20.500.14721/30111","repository":{"repo_id":"uwo","name":"Western University","base_url":"https://uwo.scholaris.ca/server/oai/request"},"display":{"title":"com-posing abolitionist≠posthumanism: notes on incommensurability, incomputability and incognita syn-aesthetics","abstract":"This thesis is an exercise in theoretical com-position, an arrangement in genre/generic speculation on the figure abolitionist≠posthumanism. Working para-critically to consider textures, postulations and challenges posed by decolonial thought, Indigenous critical theories, Black studies, critical race feminisms, non-philosophy and theories on digitality, i pose incommensurability, incomputability and incognita syn-aesthetics as moments for desedimenting “the Human” as a genre of being in which the logics of recognition, legibility, exposure and transparency circumscribe a carceral worlding. Attending to the structural antagonisms underlying this figure and its afterlife—one predicated on racial capitalism, slavery and settler-colonialism as its conditions of possibility—i trouble liberal relationality as a procedure which functions with the cut of Difference to write this “World” as standard. i install abolitionist oneirology—dreaming—as a practice of immanent revolt in the outside and without of civil society, staying extendedly with the World-destroying mandates of the non- of non-human and non-relation.","abstract_html":"This thesis is an exercise in theoretical com-position, an arrangement in genre/generic speculation on the figure abolitionist≠posthumanism. Working para-critically to consider textures, postulations and challenges posed by decolonial thought, Indigenous critical theories, Black studies, critical race feminisms, non-philosophy and theories on digitality, i pose incommensurability, incomputability and incognita syn-aesthetics as moments for desedimenting “the Human” as a genre of being in which the logics of recognition, legibility, exposure and transparency circumscribe a carceral worlding. Attending to the structural antagonisms underlying this figure and its afterlife—one predicated on racial capitalism, slavery and settler-colonialism as its conditions of possibility—i trouble liberal relationality as a procedure which functions with the cut of Difference to write this “World” as standard. i install abolitionist oneirology—dreaming—as a practice of immanent revolt in the outside and without of civil society, staying extendedly with the World-destroying mandates of the non- of non-human and non-relation.","abstract_has_math":false,"creators":["Liu, Michelle"],"institution":"The University of Western Ontario","degree_name":"MA","degree_level":null,"degree_discipline":"Theory and Criticism","degree_department":null,"school":null,"contributors":[],"advisors":["Biswas Mellamphy, Nandita"],"committee_chairs":[],"committee_members":[],"year":2020,"date_issued":"2020-05-28","date_published":"2020-05-28","updated_at":"2026-07-27T21:56:01Z","subjects":["incommensurability","relation","difference","opacity","philosophical cut","non-Human"],"languages":["en_ca"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/20.500.14721/30111","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Biswas Mellamphy, Nandita"]},{"key":"dc:creator","label":"Author","values":["Liu, Michelle"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2025-07-10T18:37:09Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2025-07-10T18:37:09Z"]},{"key":"dc:date.issued","label":"Date","values":["2020-05-28"]},{"key":"dc:publisher","label":"Institution","values":["The University of Western Ontario"]},{"key":"dc:type","label":"Dc Type","values":["thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Theory and Criticism"]},{"key":"thesis:degree_name","label":"Degree Name","values":["MA"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["incommensurability","relation","difference","opacity","philosophical cut","non-Human"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en_ca"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://hdl.handle.net/20.500.14721/30111"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["The thesis cover page in the PDF document includes references to Western University’s previous institutional repository platform, known as Scholarship@Western, and links to that platform (beginning with ir.lib.uwo.ca). In citing or referring to this thesis, use the DOI or handle from this page instead. Sample citation: Author name, \"Thesis title.\" (Year). Western University Open Repository. https://doi.org/10.71858/123456."]},{"key":"dc:description.abstract","label":"Abstract","values":["This thesis is an exercise in theoretical com-position, an arrangement in genre/generic speculation on the figure abolitionist≠posthumanism. Working para-critically to consider textures, postulations and challenges posed by decolonial thought, Indigenous critical theories, Black studies, critical race feminisms, non-philosophy and theories on digitality, i pose incommensurability, incomputability and incognita syn-aesthetics as moments for desedimenting “the Human” as a genre of being in which the logics of recognition, legibility, exposure and transparency circumscribe a carceral worlding. Attending to the structural antagonisms underlying this figure and its afterlife—one predicated on racial capitalism, slavery and settler-colonialism as its conditions of possibility—i trouble liberal relationality as a procedure which functions with the cut of Difference to write this “World” as standard. i install abolitionist oneirology—dreaming—as a practice of immanent revolt in the outside and without of civil society, staying extendedly with the World-destroying mandates of the non- of non-human and non-relation."]},{"key":"dc:title","label":"Title","values":["com-posing abolitionist≠posthumanism: notes on incommensurability, incomputability and incognita syn-aesthetics"]}]}],"canonical_facts":{"dc:contributor.advisor":["Biswas Mellamphy, Nandita"],"dc:creator":["Liu, Michelle"],"dc:date.accessioned":["2025-07-10T18:37:09Z"],"dc:date.available":["2025-07-10T18:37:09Z"],"dc:date.issued":["2020-05-28"],"dc:description":["The thesis cover page in the PDF document includes references to Western University’s previous institutional repository platform, known as Scholarship@Western, and links to that platform (beginning with ir.lib.uwo.ca). In citing or referring to this thesis, use the DOI or handle from this page instead. Sample citation: Author name, \"Thesis title.\" (Year). Western University Open Repository. https://doi.org/10.71858/123456."],"dc:description.abstract":["This thesis is an exercise in theoretical com-position, an arrangement in genre/generic speculation on the figure abolitionist≠posthumanism. Working para-critically to consider textures, postulations and challenges posed by decolonial thought, Indigenous critical theories, Black studies, critical race feminisms, non-philosophy and theories on digitality, i pose incommensurability, incomputability and incognita syn-aesthetics as moments for desedimenting “the Human” as a genre of being in which the logics of recognition, legibility, exposure and transparency circumscribe a carceral worlding. Attending to the structural antagonisms underlying this figure and its afterlife—one predicated on racial capitalism, slavery and settler-colonialism as its conditions of possibility—i trouble liberal relationality as a procedure which functions with the cut of Difference to write this “World” as standard. i install abolitionist oneirology—dreaming—as a practice of immanent revolt in the outside and without of civil society, staying extendedly with the World-destroying mandates of the non- of non-human and non-relation."],"dc:identifier.uri":["https://hdl.handle.net/20.500.14721/30111"],"dc:language.iso":["en_ca"],"dc:publisher":["The University of Western Ontario"],"dc:subject":["incommensurability","relation","difference","opacity","philosophical cut","non-Human"],"dc:title":["com-posing abolitionist≠posthumanism: notes on incommensurability, incomputability and incognita syn-aesthetics"],"dc:type":["thesis"],"thesis:degree_discipline":["Theory and Criticism"],"thesis:degree_name":["MA"]},"updated_at":"2026-07-27T21:56:01Z"}