{"id":{"repo_id":"uwo","oai_identifier":"oai:uwo.scholaris.ca:20.500.14721/27290"},"canonical_url":"https://search.dev.ndltd.org/etd/uwo/oai:uwo.scholaris.ca:20.500.14721/27290","repository":{"repo_id":"uwo","name":"Western University","base_url":"https://uwo.scholaris.ca/server/oai/request"},"display":{"title":"Capital","abstract":"Capital is a piece for orchestra, baritone, and pop band that portrays the proliferation of economic inequality in the Unites States, and the failures of capitalism as a whole. Capital is guided by extramusical texts: Capital in the Twenty-First Century by Thomas Piketty, and Das Kapital by Karl Marx. The text, for baritone, is taken from particularly poignant moments of Das Kapital that represent Marx's critique of capitalism, while the glissando, in the string section, is a musical translation of the income inequality chart by Thomas Piketty. The approach of this piece is hauntological. Specifically, that we are haunted by a future Marx proposed, but never happened. This is expressed by the pop band. Each popular song chosen for this piece was published in the same years as the original publication dates of Das Kapital: 1867, 1885, and 1894.","abstract_html":"Capital is a piece for orchestra, baritone, and pop band that portrays the proliferation of economic inequality in the Unites States, and the failures of capitalism as a whole. Capital is guided by extramusical texts: Capital in the Twenty-First Century by Thomas Piketty, and Das Kapital by Karl Marx. The text, for baritone, is taken from particularly poignant moments of Das Kapital that represent Marx's critique of capitalism, while the glissando, in the string section, is a musical translation of the income inequality chart by Thomas Piketty. The approach of this piece is hauntological. Specifically, that we are haunted by a future Marx proposed, but never happened. This is expressed by the pop band. Each popular song chosen for this piece was published in the same years as the original publication dates of Das Kapital: 1867, 1885, and 1894.","abstract_has_math":false,"creators":["Miller, Christopher J"],"institution":"The University of Western Ontario","degree_name":"M mus","degree_level":null,"degree_discipline":"Music","degree_department":null,"school":null,"contributors":[],"advisors":["Omar Daniel"],"committee_chairs":[],"committee_members":[],"year":2024,"date_issued":"2024-06-24","date_published":"2024-06-24","updated_at":"2026-07-27T21:56:01Z","subjects":["Minimalism","Marxism","Clusters","Orchestra","Vocal","Philosophy"],"languages":["en_ca"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/20.500.14721/27290","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Omar Daniel"]},{"key":"dc:creator","label":"Author","values":["Miller, Christopher J"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2025-07-10T15:27:19Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2025-07-10T15:27:19Z"]},{"key":"dc:date.issued","label":"Date","values":["2024-06-24"]},{"key":"dc:publisher","label":"Institution","values":["The University of Western Ontario"]},{"key":"dc:type","label":"Dc Type","values":["thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music"]},{"key":"thesis:degree_name","label":"Degree Name","values":["M mus"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Minimalism","Marxism","Clusters","Orchestra","Vocal","Philosophy"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en_ca"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://hdl.handle.net/20.500.14721/27290"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["The thesis cover page in the PDF document includes references to Western University’s previous institutional repository platform, known as Scholarship@Western, and links to that platform (beginning with ir.lib.uwo.ca). In citing or referring to this thesis, use the DOI or handle from this page instead. Sample citation: Author name, \"Thesis title.\" (Year). Western University Open Repository. https://doi.org/10.71858/123456."]},{"key":"dc:description.abstract","label":"Abstract","values":["Capital is a piece for orchestra, baritone, and pop band that portrays the proliferation of economic inequality in the Unites States, and the failures of capitalism as a whole. Capital is guided by extramusical texts: Capital in the Twenty-First Century by Thomas Piketty, and Das Kapital by Karl Marx. The text, for baritone, is taken from particularly poignant moments of Das Kapital that represent Marx's critique of capitalism, while the glissando, in the string section, is a musical translation of the income inequality chart by Thomas Piketty. The approach of this piece is hauntological. Specifically, that we are haunted by a future Marx proposed, but never happened. This is expressed by the pop band. 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Western University Open Repository. https://doi.org/10.71858/123456."],"dc:description.abstract":["Capital is a piece for orchestra, baritone, and pop band that portrays the proliferation of economic inequality in the Unites States, and the failures of capitalism as a whole. Capital is guided by extramusical texts: Capital in the Twenty-First Century by Thomas Piketty, and Das Kapital by Karl Marx. The text, for baritone, is taken from particularly poignant moments of Das Kapital that represent Marx's critique of capitalism, while the glissando, in the string section, is a musical translation of the income inequality chart by Thomas Piketty. The approach of this piece is hauntological. Specifically, that we are haunted by a future Marx proposed, but never happened. This is expressed by the pop band. 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