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Western University

Understanding Music Copyright Through Legal Analysis and Music Theory

Abstract

dc:description.abstract

This paper focuses on the intersection of law and music. Specifically, the intersection between music copyright law and music theory, and the role of musicologists and music theorists in copyright infringement cases. In particular, the influence they have on court decisions when acting as expert witnesses, or forensic musicologists. Recent decisions regarding copyright infringement in popular music have been strongly influenced by testimony from these forensic musicologists due to the imbalance of musical understanding between the expert and the court. Forensic musicology is a form of “public music theory,” an approach used by academics in the music theory field when issues in society rely on the knowledge of professionals, or experts. Public music theory is expected to prioritize public knowledge over analytic methods and should be primarily focused on improving the musical understanding of the public (Jenkins 2021). Unfortunately, this is not often prioritized in the testimony of forensic musicologists. Having been hired to defend one side of an argument, these experts will often force their analyses and are then rarely held accountable for their testimony. This paper offers two solutions. First, the implementation of Schenkerian analysis for analyzing musical works discussed in court cases due to the theory’s legal background and similarity to the legal understanding of “music.” Second, the requirement that experts present their testimony with amicus curiae attached, in an attempt to reduce the possibility of dishonest opinions from experts.

Degree

thesis:*
Name thesis:degree_name
Master of Studies in Law
Year dc:date.issued
2024

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Radcliffe, Gillian
Advisor dc:contributor.advisor
  • Samuel Trosow, Dennis Klimchuk

Subjects

dc:subject × 6

Rights

Language dc:language.iso
en_ca

Identifiers

dc:identifier.*

Chain of custody

source
Harvested from
Western University
Base URL
uwo.scholaris.ca/server/oai/request
Last updated
2026-08-21
Source record
OAI-PMH GetRecord
citation

Radcliffe, Gillian. Understanding Music Copyright Through Legal Analysis and Music Theory. 2024. https://hdl.handle.net/20.500.14721/12567