{"id":{"repo_id":"uvic","oai_identifier":"oai:dspace.library.uvic.ca:1828/3970"},"canonical_url":"https://search.dev.ndltd.org/etd/uvic/oai:dspace.library.uvic.ca:1828/3970","repository":{"repo_id":"uvic","name":"University of Victoria (Canada)","base_url":"https://dspace.library.uvic.ca/server/oai/request"},"display":{"title":"The Ambiguity of otherness in adaptations of the Nibelungen myth: \"Das Nibelungenlied\" and Fritz Lang's \"Die Nibelungen\".","abstract":"Over eight hundred years ago anonymous poets set the orally transmitted Nibelungen myth to parchment. This action started a trend of adapting the myth for contemporary audiences, a trend that has lasted since the High Middle Ages. Since then, the Nibelungen myth has become a sustaining element of the self-mythologization of German national identity. The problem, however, with adapting the Nibelungen myth for the purpose of creating a German identity, be it in the medieval epic, the Nibelungenlied, or Fritz Lang's 1924 film, Die Nibelungen, is that this model of identification is flawed – flawed because it consists of systematic binary divisions positing self-other dichotomies. What becomes evident is that in the adaptations of Nibelungen myth, the representations of alterity are contradictory and ambiguous, provoking the question: why is the Nibelungen myth an effective source from which one can project a national identity?","abstract_html":"Over eight hundred years ago anonymous poets set the orally transmitted Nibelungen myth to parchment. This action started a trend of adapting the myth for contemporary audiences, a trend that has lasted since the High Middle Ages. Since then, the Nibelungen myth has become a sustaining element of the self-mythologization of German national identity. The problem, however, with adapting the Nibelungen myth for the purpose of creating a German identity, be it in the medieval epic, the Nibelungenlied, or Fritz Lang's 1924 film, Die Nibelungen, is that this model of identification is flawed – flawed because it consists of systematic binary divisions positing self-other dichotomies. What becomes evident is that in the adaptations of Nibelungen myth, the representations of alterity are contradictory and ambiguous, provoking the question: why is the Nibelungen myth an effective source from which one can project a national identity?","abstract_has_math":false,"creators":["Bickert, Neale G."],"institution":null,"degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Pnevmonidou, Elena"],"committee_chairs":[],"committee_members":[],"year":2012,"date_issued":"2012-05-02","date_published":"2012-05-02","updated_at":"2026-07-24T05:52:40Z","subjects":["Nibelungenlied","Fritz Lang","Orientalism","Gender","Otherness","Alterity","Middle Ages","Nationalism","Nibelungen","Weimar","höfisch","myth","national identity","ambiguity"],"languages":["en"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"http://hdl.handle.net/1828/3970","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.supervisor","label":"Supervisor","values":["Pnevmonidou, Elena"]},{"key":"dc:creator","label":"Author","values":["Bickert, Neale G."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2012-05-02T15:20:27Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2012-05-02T15:20:27Z"]},{"key":"dc:date.issued","label":"Date","values":["2012-05-02"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Nibelungenlied","Fritz Lang","Orientalism","Gender","Otherness","Alterity","Middle Ages","Nationalism","Nibelungen","Weimar","höfisch","myth","national identity","ambiguity"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/1828/3970"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Over eight hundred years ago anonymous poets set the orally transmitted Nibelungen myth to parchment. This action started a trend of adapting the myth for contemporary audiences, a trend that has lasted since the High Middle Ages. Since then, the Nibelungen myth has become a sustaining element of the self-mythologization of German national identity. The problem, however, with adapting the Nibelungen myth for the purpose of creating a German identity, be it in the medieval epic, the Nibelungenlied, or Fritz Lang's 1924 film, Die Nibelungen, is that this model of identification is flawed – flawed because it consists of systematic binary divisions positing self-other dichotomies. What becomes evident is that in the adaptations of Nibelungen myth, the representations of alterity are contradictory and ambiguous, provoking the question: why is the Nibelungen myth an effective source from which one can project a national identity?"]},{"key":"dc:title","label":"Title","values":["The Ambiguity of otherness in adaptations of the Nibelungen myth: \"Das Nibelungenlied\" and Fritz Lang's \"Die Nibelungen\"."]}]}],"canonical_facts":{"dc:contributor.supervisor":["Pnevmonidou, Elena"],"dc:creator":["Bickert, Neale G."],"dc:date.accessioned":["2012-05-02T15:20:27Z"],"dc:date.available":["2012-05-02T15:20:27Z"],"dc:date.issued":["2012-05-02"],"dc:description.abstract":["Over eight hundred years ago anonymous poets set the orally transmitted Nibelungen myth to parchment. This action started a trend of adapting the myth for contemporary audiences, a trend that has lasted since the High Middle Ages. Since then, the Nibelungen myth has become a sustaining element of the self-mythologization of German national identity. The problem, however, with adapting the Nibelungen myth for the purpose of creating a German identity, be it in the medieval epic, the Nibelungenlied, or Fritz Lang's 1924 film, Die Nibelungen, is that this model of identification is flawed – flawed because it consists of systematic binary divisions positing self-other dichotomies. What becomes evident is that in the adaptations of Nibelungen myth, the representations of alterity are contradictory and ambiguous, provoking the question: why is the Nibelungen myth an effective source from which one can project a national identity?"],"dc:identifier.uri":["http://hdl.handle.net/1828/3970"],"dc:language.iso":["en"],"dc:subject":["Nibelungenlied","Fritz Lang","Orientalism","Gender","Otherness","Alterity","Middle Ages","Nationalism","Nibelungen","Weimar","höfisch","myth","national identity","ambiguity"],"dc:title":["The Ambiguity of otherness in adaptations of the Nibelungen myth: \"Das Nibelungenlied\" and Fritz Lang's \"Die Nibelungen\"."],"dc:type":["Thesis"]},"updated_at":"2026-07-24T05:52:40Z"}