{"id":{"repo_id":"utc","oai_identifier":"oai:scholar.utc.edu:theses-1751"},"canonical_url":"https://search.dev.ndltd.org/etd/utc/oai:scholar.utc.edu:theses-1751","repository":{"repo_id":"utc","name":"University of Tennessee - Chattanooga","base_url":"https://scholar.utc.edu/do/oai/"},"display":{"title":"Women of the Mere: stories","abstract":"Women of the Mere is a literary-horror short story collection imagining contemporary, Southern women who have a draw toward the unpredictability and danger of the macabre. Based on personal experiences but fictionalized through the poetic lens of negative capability, each story takes place in modern Tennessee and follows female protagonists with uncanny, “familiar”-like connections to animals that are stereotypically portrayed as horrifying or dangerous. These women feed giant snakes, chase hallucinations, menstruate gray blood, and sneak rats into hotel rooms. My craft essay examines how negative capability can be used to create horror on both a sentence-level and thematic scale, based upon David Jauss’s On Fiction Writing and using examples from my own work as well as others that have influenced my horror writing.","abstract_html":"Women of the Mere is a literary-horror short story collection imagining contemporary, Southern women who have a draw toward the unpredictability and danger of the macabre. Based on personal experiences but fictionalized through the poetic lens of negative capability, each story takes place in modern Tennessee and follows female protagonists with uncanny, “familiar”-like connections to animals that are stereotypically portrayed as horrifying or dangerous. These women feed giant snakes, chase hallucinations, menstruate gray blood, and sneak rats into hotel rooms. My craft essay examines how negative capability can be used to create horror on both a sentence-level and thematic scale, based upon David Jauss’s On Fiction Writing and using examples from my own work as well as others that have influenced my horror writing.","abstract_has_math":false,"creators":["York, Jessica"],"institution":"University of Tennessee at Chattanooga","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":["Balazs, Thomas","Baker, Sybil; Einstein, Sarah","College of Arts and Sciences"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2023,"date_issued":"2023-08-01T07:00:00Z","date_published":"2023-08-01T07:00:00Z","updated_at":"2026-07-24T05:46:59Z","subjects":["Short stories, American"],"languages":["English","eng"],"rights":[],"rights_urls":["http://rightsstatements.org/vocab/InC/1.0/"],"identifier_entries":[]},"links":{"outbound_url":"https://scholar.utc.edu/theses/587","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Balazs, Thomas","Baker, Sybil; Einstein, Sarah","College of Arts and Sciences"]},{"key":"dc:creator","label":"Author","values":["York, Jessica"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2019-05-01T07:00:00Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2023-08-01T07:00:00Z"]},{"key":"dc:publisher","label":"Institution","values":["University of Tennessee at Chattanooga","Chattanooga (Tenn.)"]},{"key":"dc:relation","label":"Dc Relation","values":["Masters Theses and Doctoral Dissertations"]},{"key":"dc:type","label":"Dc Type","values":["Masters theses","Text"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Short stories, American"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English","eng"]},{"key":"dc:rights","label":"Dc Rights","values":["http://rightsstatements.org/vocab/InC/1.0/"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholar.utc.edu/theses/587"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Dept. of English","M. A.; A thesis submitted to the faculty of the University of Tennessee at Chattanooga in partial fulfillment of the requirements of the degree of Master of Arts."]},{"key":"dc:description.abstract","label":"Abstract","values":["Women of the Mere is a literary-horror short story collection imagining contemporary, Southern women who have a draw toward the unpredictability and danger of the macabre. Based on personal experiences but fictionalized through the poetic lens of negative capability, each story takes place in modern Tennessee and follows female protagonists with uncanny, “familiar”-like connections to animals that are stereotypically portrayed as horrifying or dangerous. These women feed giant snakes, chase hallucinations, menstruate gray blood, and sneak rats into hotel rooms. My craft essay examines how negative capability can be used to create horror on both a sentence-level and thematic scale, based upon David Jauss’s On Fiction Writing and using examples from my own work as well as others that have influenced my horror writing."]},{"key":"dc:title","label":"Title","values":["Women of the Mere: stories"]}]}],"canonical_facts":{"dc:contributor":["Balazs, Thomas","Baker, Sybil; Einstein, Sarah","College of Arts and Sciences"],"dc:creator":["York, Jessica"],"dc:date":["2019-05-01T07:00:00Z"],"dc:date.available":["2023-08-01T07:00:00Z"],"dc:description":["Dept. of English","M. A.; A thesis submitted to the faculty of the University of Tennessee at Chattanooga in partial fulfillment of the requirements of the degree of Master of Arts."],"dc:description.abstract":["Women of the Mere is a literary-horror short story collection imagining contemporary, Southern women who have a draw toward the unpredictability and danger of the macabre. Based on personal experiences but fictionalized through the poetic lens of negative capability, each story takes place in modern Tennessee and follows female protagonists with uncanny, “familiar”-like connections to animals that are stereotypically portrayed as horrifying or dangerous. These women feed giant snakes, chase hallucinations, menstruate gray blood, and sneak rats into hotel rooms. My craft essay examines how negative capability can be used to create horror on both a sentence-level and thematic scale, based upon David Jauss’s On Fiction Writing and using examples from my own work as well as others that have influenced my horror writing."],"dc:identifier":["https://scholar.utc.edu/theses/587"],"dc:language":["English","eng"],"dc:publisher":["University of Tennessee at Chattanooga","Chattanooga (Tenn.)"],"dc:relation":["Masters Theses and Doctoral Dissertations"],"dc:rights":["http://rightsstatements.org/vocab/InC/1.0/"],"dc:subject":["Short stories, American"],"dc:title":["Women of the Mere: stories"],"dc:type":["Masters theses","Text"]},"updated_at":"2026-07-24T05:46:59Z"}