{"id":{"repo_id":"utc","oai_identifier":"oai:scholar.utc.edu:theses-1604"},"canonical_url":"https://search.dev.ndltd.org/etd/utc/oai:scholar.utc.edu:theses-1604","repository":{"repo_id":"utc","name":"University of Tennessee - Chattanooga","base_url":"https://scholar.utc.edu/do/oai/"},"display":{"title":"Silence for the one about to sing: selected short lyrics from two collections","abstract":"Silence for the One about to Sing contains a chapbook of 30 poems (selected from two collections) and a prologue. In the prologue, I discuss my influences and inspirations, and explain the creative and critical devices I use throughout my art. Inspired by the Portuguese music genre of fado and its latest iteration, the novo fado, selections in each collection feature code-switching, recurring motifs (birds, oil, and water), and sensory language. A variety of speakers and travelogues is also used to explore themes of agency, identity, loss, and restoration. These devices coalesce to produce a progressive framework for the classic elements of fado (i.e., melancholia, location, and longing) and the innovative expression of novo fado, a dynamic which comprises the poetic arc of each piece in my collections. Much of the writing represents a mixture of allegorical, narrative, and surrealist poetry styles.","abstract_html":"Silence for the One about to Sing contains a chapbook of 30 poems (selected from two collections) and a prologue. In the prologue, I discuss my influences and inspirations, and explain the creative and critical devices I use throughout my art. Inspired by the Portuguese music genre of fado and its latest iteration, the novo fado, selections in each collection feature code-switching, recurring motifs (birds, oil, and water), and sensory language. A variety of speakers and travelogues is also used to explore themes of agency, identity, loss, and restoration. These devices coalesce to produce a progressive framework for the classic elements of fado (i.e., melancholia, location, and longing) and the innovative expression of novo fado, a dynamic which comprises the poetic arc of each piece in my collections. Much of the writing represents a mixture of allegorical, narrative, and surrealist poetry styles.","abstract_has_math":false,"creators":["Rodgers, Chasidi"],"institution":"University of Tennessee at Chattanooga","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":["Braggs, Earl","Einstein, Sarah; Jackson, Richard","College of Arts and Sciences"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2017,"date_issued":"2017-05-01T07:00:00Z","date_published":"2017-05-01T07:00:00Z","updated_at":"2026-07-24T05:46:28Z","subjects":["American poetry -- 21st century"],"languages":["English","eng"],"rights":[],"rights_urls":["https://rightsstatements.org/page/InC/1.0/?language=en"],"identifier_entries":[]},"links":{"outbound_url":"https://scholar.utc.edu/theses/457","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Braggs, Earl","Einstein, Sarah; Jackson, Richard","College of Arts and Sciences"]},{"key":"dc:creator","label":"Author","values":["Rodgers, Chasidi"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2016-05-01T07:00:00Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2017-05-01T07:00:00Z"]},{"key":"dc:publisher","label":"Institution","values":["University of Tennessee at Chattanooga","Chattanooga (Tenn.)"]},{"key":"dc:relation","label":"Dc Relation","values":["Masters Theses and Doctoral Dissertations"]},{"key":"dc:type","label":"Dc Type","values":["Masters theses","Text"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["American poetry -- 21st century"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English","eng"]},{"key":"dc:rights","label":"Dc Rights","values":["https://rightsstatements.org/page/InC/1.0/?language=en"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholar.utc.edu/theses/457"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Dept. of English","M. A.; A thesis submitted to the faculty of the University of Tennessee at Chattanooga in partial fulfillment of the requirements of the degree of Master of Arts."]},{"key":"dc:description.abstract","label":"Abstract","values":["Silence for the One about to Sing contains a chapbook of 30 poems (selected from two collections) and a prologue. In the prologue, I discuss my influences and inspirations, and explain the creative and critical devices I use throughout my art. Inspired by the Portuguese music genre of fado and its latest iteration, the novo fado, selections in each collection feature code-switching, recurring motifs (birds, oil, and water), and sensory language. A variety of speakers and travelogues is also used to explore themes of agency, identity, loss, and restoration. These devices coalesce to produce a progressive framework for the classic elements of fado (i.e., melancholia, location, and longing) and the innovative expression of novo fado, a dynamic which comprises the poetic arc of each piece in my collections. Much of the writing represents a mixture of allegorical, narrative, and surrealist poetry styles."]},{"key":"dc:title","label":"Title","values":["Silence for the one about to sing: selected short lyrics from two collections"]}]}],"canonical_facts":{"dc:contributor":["Braggs, Earl","Einstein, Sarah; Jackson, Richard","College of Arts and Sciences"],"dc:creator":["Rodgers, Chasidi"],"dc:date":["2016-05-01T07:00:00Z"],"dc:date.available":["2017-05-01T07:00:00Z"],"dc:description":["Dept. of English","M. A.; A thesis submitted to the faculty of the University of Tennessee at Chattanooga in partial fulfillment of the requirements of the degree of Master of Arts."],"dc:description.abstract":["Silence for the One about to Sing contains a chapbook of 30 poems (selected from two collections) and a prologue. In the prologue, I discuss my influences and inspirations, and explain the creative and critical devices I use throughout my art. Inspired by the Portuguese music genre of fado and its latest iteration, the novo fado, selections in each collection feature code-switching, recurring motifs (birds, oil, and water), and sensory language. A variety of speakers and travelogues is also used to explore themes of agency, identity, loss, and restoration. These devices coalesce to produce a progressive framework for the classic elements of fado (i.e., melancholia, location, and longing) and the innovative expression of novo fado, a dynamic which comprises the poetic arc of each piece in my collections. Much of the writing represents a mixture of allegorical, narrative, and surrealist poetry styles."],"dc:identifier":["https://scholar.utc.edu/theses/457"],"dc:language":["English","eng"],"dc:publisher":["University of Tennessee at Chattanooga","Chattanooga (Tenn.)"],"dc:relation":["Masters Theses and Doctoral Dissertations"],"dc:rights":["https://rightsstatements.org/page/InC/1.0/?language=en"],"dc:subject":["American poetry -- 21st century"],"dc:title":["Silence for the one about to sing: selected short lyrics from two collections"],"dc:type":["Masters theses","Text"]},"updated_at":"2026-07-24T05:46:28Z"}