{"id":{"repo_id":"utc","oai_identifier":"oai:scholar.utc.edu:theses-1532"},"canonical_url":"https://search.dev.ndltd.org/etd/utc/oai:scholar.utc.edu:theses-1532","repository":{"repo_id":"utc","name":"University of Tennessee - Chattanooga","base_url":"https://scholar.utc.edu/do/oai/"},"display":{"title":"Sapphic reflections of feminine creative power and male interruption in the works of Virginia Woolf","abstract":"With queer theory and gender studies, the knowledge that Virginia Woolf was probably bisexual has come to the forefront of scholarship concerning the writer and her works. With queer theory has come an interest in Sapphism, a term evoking Sappho, the only female lyric poet for whom any poetry remains. Sappho’s poetry reveals her to be a “lesbian”: a woman expressing homoerotic feelings for other women. The word Sapphist has become interchangeable with the word lesbian, and Virginia Woolf has been proven to be a Sapphist in that sense; however, Sapphism as a literary philosophy has remained untouched by scholars. In the following composition, I examinine reflections of Sappho’s themes, motifs, and symbols such as the chora and male interruption, to then argue that literary Sapphism as it exists in the fragments, is also present in Virginia Woolf’s Mrs. Dalloway, To the Lighthouse, A Room of One’s Own, and The Waves. .","abstract_html":"With queer theory and gender studies, the knowledge that Virginia Woolf was probably bisexual has come to the forefront of scholarship concerning the writer and her works. With queer theory has come an interest in Sapphism, a term evoking Sappho, the only female lyric poet for whom any poetry remains. Sappho’s poetry reveals her to be a “lesbian”: a woman expressing homoerotic feelings for other women. The word Sapphist has become interchangeable with the word lesbian, and Virginia Woolf has been proven to be a Sapphist in that sense; however, Sapphism as a literary philosophy has remained untouched by scholars. In the following composition, I examinine reflections of Sappho’s themes, motifs, and symbols such as the chora and male interruption, to then argue that literary Sapphism as it exists in the fragments, is also present in Virginia Woolf’s Mrs. Dalloway, To the Lighthouse, A Room of One’s Own, and The Waves. .","abstract_has_math":false,"creators":["Shannon, Mollee Kaitlyn"],"institution":"University of Tennessee at Chattanooga","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":["O'Dea, Gregory S.","Shaheen, Aaron; North, Susan","College of Arts and Sciences"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":null,"date_issued":"","date_published":null,"updated_at":"2026-07-24T05:46:28Z","subjects":["Woolf, Virginia, 1882-1941 -- Criticism and interpretation; Sappho -- Criticism and interpretation"],"languages":["English","eng"],"rights":[],"rights_urls":["https://rightsstatements.org/page/InC/1.0/?language=en"],"identifier_entries":[]},"links":{"outbound_url":"https://scholar.utc.edu/theses/392","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["O'Dea, Gregory S.","Shaheen, Aaron; North, Susan","College of Arts and Sciences"]},{"key":"dc:creator","label":"Author","values":["Shannon, Mollee Kaitlyn"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2013-05-01T07:00:00Z"]},{"key":"dc:publisher","label":"Institution","values":["University of Tennessee at Chattanooga","Chattanooga (Tenn.)"]},{"key":"dc:relation","label":"Dc Relation","values":["Masters Theses and Doctoral Dissertations"]},{"key":"dc:type","label":"Dc Type","values":["Masters theses","Text"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Woolf, Virginia, 1882-1941 -- Criticism and interpretation; Sappho -- Criticism and interpretation"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English","eng"]},{"key":"dc:rights","label":"Dc Rights","values":["https://rightsstatements.org/page/InC/1.0/?language=en"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://scholar.utc.edu/theses/392"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Dept. of English","M. A.; A thesis submitted to the faculty of the University of Tennessee at Chattanooga in partial fulfillment of the requirements of the degree of Master of Arts."]},{"key":"dc:description.abstract","label":"Abstract","values":["With queer theory and gender studies, the knowledge that Virginia Woolf was probably bisexual has come to the forefront of scholarship concerning the writer and her works. With queer theory has come an interest in Sapphism, a term evoking Sappho, the only female lyric poet for whom any poetry remains. Sappho’s poetry reveals her to be a “lesbian”: a woman expressing homoerotic feelings for other women. The word Sapphist has become interchangeable with the word lesbian, and Virginia Woolf has been proven to be a Sapphist in that sense; however, Sapphism as a literary philosophy has remained untouched by scholars. In the following composition, I examinine reflections of Sappho’s themes, motifs, and symbols such as the chora and male interruption, to then argue that literary Sapphism as it exists in the fragments, is also present in Virginia Woolf’s Mrs. Dalloway, To the Lighthouse, A Room of One’s Own, and The Waves. ."]},{"key":"dc:title","label":"Title","values":["Sapphic reflections of feminine creative power and male interruption in the works of Virginia Woolf"]}]}],"canonical_facts":{"dc:contributor":["O'Dea, Gregory S.","Shaheen, Aaron; North, Susan","College of Arts and Sciences"],"dc:creator":["Shannon, Mollee Kaitlyn"],"dc:date":["2013-05-01T07:00:00Z"],"dc:description":["Dept. of English","M. A.; A thesis submitted to the faculty of the University of Tennessee at Chattanooga in partial fulfillment of the requirements of the degree of Master of Arts."],"dc:description.abstract":["With queer theory and gender studies, the knowledge that Virginia Woolf was probably bisexual has come to the forefront of scholarship concerning the writer and her works. With queer theory has come an interest in Sapphism, a term evoking Sappho, the only female lyric poet for whom any poetry remains. Sappho’s poetry reveals her to be a “lesbian”: a woman expressing homoerotic feelings for other women. The word Sapphist has become interchangeable with the word lesbian, and Virginia Woolf has been proven to be a Sapphist in that sense; however, Sapphism as a literary philosophy has remained untouched by scholars. In the following composition, I examinine reflections of Sappho’s themes, motifs, and symbols such as the chora and male interruption, to then argue that literary Sapphism as it exists in the fragments, is also present in Virginia Woolf’s Mrs. Dalloway, To the Lighthouse, A Room of One’s Own, and The Waves. ."],"dc:identifier":["https://scholar.utc.edu/theses/392"],"dc:language":["English","eng"],"dc:publisher":["University of Tennessee at Chattanooga","Chattanooga (Tenn.)"],"dc:relation":["Masters Theses and Doctoral Dissertations"],"dc:rights":["https://rightsstatements.org/page/InC/1.0/?language=en"],"dc:subject":["Woolf, Virginia, 1882-1941 -- Criticism and interpretation; Sappho -- Criticism and interpretation"],"dc:title":["Sapphic reflections of feminine creative power and male interruption in the works of Virginia Woolf"],"dc:type":["Masters theses","Text"]},"updated_at":"2026-07-24T05:46:28Z"}