The songs of Antônio Carlos Jobim are a national treasure of Brazil, beloved around the world. Their beauty and subtle simplicity have enthralled audiences for the last 60 years, yet they often reveal some unusual construction. Following the lead of other Brazilian theorists, this study was commenced with the belief that applying rigorous theoretical analysis to bossa nova would show its qualityand enduring worth. Four songs were selected for analysis based on their importance in Jobim’s career and their centrality to the bossa nova genre, “Chega de Saudade,” “Corcovado,” “Insensatez,” and “Garota de Ipanema.” They are among the most recorded and widely-recognized of Jobim’s output. The music has not disappointed. Beautiful alterations in form were noted by comparing the various musical domains of melody, harmony, rhythm, and text. A variety of standard analysis methods with minimal modification were sufficient touncover much beauty in these pieces. The subtle simplicity of the surface was shown to cover layers of complexity which held up impeccably to scrutiny. This study will afford its readers a deeper appreciation of this unique corpus of music.
","abstract_html":"<p>The songs of Antônio Carlos Jobim are a national treasure of Brazil, beloved around the world. Their beauty and subtle simplicity have enthralled audiences for the last 60 years, yet they often reveal some unusual construction. Following the lead of other Brazilian theorists, this study was commenced with the belief that applying rigorous theoretical analysis to bossa nova would show its qualityand enduring worth. Four songs were selected for analysis based on their importance in Jobim’s career and their centrality to the bossa nova genre, “Chega de Saudade,” “Corcovado,” “Insensatez,” and “Garota de Ipanema.” They are among the most recorded and widely-recognized of Jobim’s output. The music has not disappointed. Beautiful alterations in form were noted by comparing the various musical domains of melody, harmony, rhythm, and text. A variety of standard analysis methods with minimal modification were sufficient touncover much beauty in these pieces. The subtle simplicity of the surface was shown to cover layers of complexity which held up impeccably to scrutiny. This study will afford its readers a deeper appreciation of this unique corpus of music.</p>","abstract_has_math":false,"creators":["Rogers, Rachel"],"institution":null,"degree_name":"Master of Music (MM)","degree_level":"Masters Thesis","degree_discipline":null,"degree_department":null,"school":null,"contributors":["Douglas Rust","Danny Beard","Joseph Brumbeloe"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2018,"date_issued":"2018-12-01T08:00:00Z","date_published":"2018-12-01T08:00:00Z","updated_at":"2026-07-24T05:44:50Z","subjects":["music theory","bossa nova","Brazil","popular music","Tom Jobim"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://aquila.usm.edu/masters_theses/596","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Douglas Rust","Danny Beard","Joseph Brumbeloe"]},{"key":"dc:creator","label":"Author","values":["Rogers, Rachel"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2018-10-18T07:00:00Z"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Masters Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Music (MM)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["music theory","bossa nova","Brazil","popular music","Tom Jobim"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://aquila.usm.edu/masters_theses/596"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["The songs of Antônio Carlos Jobim are a national treasure of Brazil, beloved around the world. Their beauty and subtle simplicity have enthralled audiences for the last 60 years, yet they often reveal some unusual construction. Following the lead of other Brazilian theorists, this study was commenced with the belief that applying rigorous theoretical analysis to bossa nova would show its qualityand enduring worth. Four songs were selected for analysis based on their importance in Jobim’s career and their centrality to the bossa nova genre, “Chega de Saudade,” “Corcovado,” “Insensatez,” and “Garota de Ipanema.” They are among the most recorded and widely-recognized of Jobim’s output. The music has not disappointed. Beautiful alterations in form were noted by comparing the various musical domains of melody, harmony, rhythm, and text. A variety of standard analysis methods with minimal modification were sufficient touncover much beauty in these pieces. The subtle simplicity of the surface was shown to cover layers of complexity which held up impeccably to scrutiny. This study will afford its readers a deeper appreciation of this unique corpus of music.
"]},{"key":"dc:title","label":"Title","values":["The Song Style of Antonio Carlos Jobim: An Analysis of Four Songs"]}]}],"canonical_facts":{"dc:contributor":["Douglas Rust","Danny Beard","Joseph Brumbeloe"],"dc:creator":["Rogers, Rachel"],"dc:date.available":["2018-10-18T07:00:00Z"],"dc:description.abstract":["The songs of Antônio Carlos Jobim are a national treasure of Brazil, beloved around the world. Their beauty and subtle simplicity have enthralled audiences for the last 60 years, yet they often reveal some unusual construction. Following the lead of other Brazilian theorists, this study was commenced with the belief that applying rigorous theoretical analysis to bossa nova would show its qualityand enduring worth. Four songs were selected for analysis based on their importance in Jobim’s career and their centrality to the bossa nova genre, “Chega de Saudade,” “Corcovado,” “Insensatez,” and “Garota de Ipanema.” They are among the most recorded and widely-recognized of Jobim’s output. The music has not disappointed. Beautiful alterations in form were noted by comparing the various musical domains of melody, harmony, rhythm, and text. A variety of standard analysis methods with minimal modification were sufficient touncover much beauty in these pieces. The subtle simplicity of the surface was shown to cover layers of complexity which held up impeccably to scrutiny. This study will afford its readers a deeper appreciation of this unique corpus of music.
"],"dc:identifier":["https://aquila.usm.edu/masters_theses/596"],"dc:subject":["music theory","bossa nova","Brazil","popular music","Tom Jobim"],"dc:title":["The Song Style of Antonio Carlos Jobim: An Analysis of Four Songs"],"thesis:degree_level":["Masters Thesis"],"thesis:degree_name":["Master of Music (MM)"]},"updated_at":"2026-07-24T05:44:50Z"}