Film is arguably a model of reflection and reinforcement of cultural, social, and political values of audience members. Therefore, the images and messages displayed in films are of importance. In this study, film is analyzed in order to determine if Charles Mills’ racial contract is depicted in popular films of 2000-2015. The Racial Contract (1997) suggests that only some people, specifically white people, agree to form a state in which their absolute privileges in the political, economic, and social arenas are guaranteed by virtue of being white. This theory was used to understand the role of black people in American society and, as this study explored, in film. Films which earned the highest box office sales in each year were analyzed, and the roles of black characters and the attitudes towards them were coded. The main question posed is whether black characters are portrayed as authority figures in popular film or are they are restrained by sub-personhood, as the racial contract would suggest. Furthermore, is the racial contract reinforced by this portrayal in a modern age? It was concluded that black authority figures were portrayed actively and successfully in popular film, with a general attitude of support from other characters. Thus, the racial contract was not reflected.
","abstract_html":"<p>Film is arguably a model of reflection and reinforcement of cultural, social, and political values of audience members. Therefore, the images and messages displayed in films are of importance. In this study, film is analyzed in order to determine if Charles Mills’ racial contract is depicted in popular films of 2000-2015. The Racial Contract (1997) suggests that only some people, specifically white people, agree to form a state in which their absolute privileges in the political, economic, and social arenas are guaranteed by virtue of being white. This theory was used to understand the role of black people in American society and, as this study explored, in film. Films which earned the highest box office sales in each year were analyzed, and the roles of black characters and the attitudes towards them were coded. The main question posed is whether black characters are portrayed as authority figures in popular film or are they are restrained by sub-personhood, as the racial contract would suggest. Furthermore, is the racial contract reinforced by this portrayal in a modern age? It was concluded that black authority figures were portrayed actively and successfully in popular film, with a general attitude of support from other characters. Thus, the racial contract was not reflected.</p>","abstract_has_math":false,"creators":["Wyman, Solai N."],"institution":null,"degree_name":"Master of Arts (MA)","degree_level":"Masters Thesis","degree_discipline":"Political Science, International Development, and International Affairs","degree_department":null,"school":null,"contributors":["Allan McBride","Marek Steedman","Joseph Weinberg"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2017,"date_issued":"2017-05-01T07:00:00Z","date_published":"2017-05-01T07:00:00Z","updated_at":"2026-07-24T05:44:41Z","subjects":["Film","popular culture","race","authority","Film and Media Studies","Political Science"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://aquila.usm.edu/masters_theses/292","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Allan McBride","Marek Steedman","Joseph Weinberg"]},{"key":"dc:creator","label":"Author","values":["Wyman, Solai N."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2017-03-28T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Political Science, International Development, and International Affairs"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Masters Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts (MA)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Film","popular culture","race","authority","Film and Media Studies","Political Science"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://aquila.usm.edu/masters_theses/292"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Film is arguably a model of reflection and reinforcement of cultural, social, and political values of audience members. Therefore, the images and messages displayed in films are of importance. In this study, film is analyzed in order to determine if Charles Mills’ racial contract is depicted in popular films of 2000-2015. The Racial Contract (1997) suggests that only some people, specifically white people, agree to form a state in which their absolute privileges in the political, economic, and social arenas are guaranteed by virtue of being white. This theory was used to understand the role of black people in American society and, as this study explored, in film. Films which earned the highest box office sales in each year were analyzed, and the roles of black characters and the attitudes towards them were coded. The main question posed is whether black characters are portrayed as authority figures in popular film or are they are restrained by sub-personhood, as the racial contract would suggest. Furthermore, is the racial contract reinforced by this portrayal in a modern age? It was concluded that black authority figures were portrayed actively and successfully in popular film, with a general attitude of support from other characters. Thus, the racial contract was not reflected.
"]},{"key":"dc:title","label":"Title","values":["Nick Fury, Will Smith, and Other Black Authority Figures Breaking the Racial Contract in Popular Films of 2000-2015"]}]}],"canonical_facts":{"dc:contributor":["Allan McBride","Marek Steedman","Joseph Weinberg"],"dc:creator":["Wyman, Solai N."],"dc:date.available":["2017-03-28T07:00:00Z"],"dc:description.abstract":["Film is arguably a model of reflection and reinforcement of cultural, social, and political values of audience members. Therefore, the images and messages displayed in films are of importance. In this study, film is analyzed in order to determine if Charles Mills’ racial contract is depicted in popular films of 2000-2015. The Racial Contract (1997) suggests that only some people, specifically white people, agree to form a state in which their absolute privileges in the political, economic, and social arenas are guaranteed by virtue of being white. This theory was used to understand the role of black people in American society and, as this study explored, in film. Films which earned the highest box office sales in each year were analyzed, and the roles of black characters and the attitudes towards them were coded. The main question posed is whether black characters are portrayed as authority figures in popular film or are they are restrained by sub-personhood, as the racial contract would suggest. Furthermore, is the racial contract reinforced by this portrayal in a modern age? It was concluded that black authority figures were portrayed actively and successfully in popular film, with a general attitude of support from other characters. Thus, the racial contract was not reflected.
"],"dc:identifier":["https://aquila.usm.edu/masters_theses/292"],"dc:subject":["Film","popular culture","race","authority","Film and Media Studies","Political Science"],"dc:title":["Nick Fury, Will Smith, and Other Black Authority Figures Breaking the Racial Contract in Popular Films of 2000-2015"],"thesis:degree_discipline":["Political Science, International Development, and International Affairs"],"thesis:degree_level":["Masters Thesis"],"thesis:degree_name":["Master of Arts (MA)"]},"updated_at":"2026-07-24T05:44:41Z"}