Shaken, Not Stirred: Espionage, Fantasy, and British Masculinity During the Cold War
type: CreativeWork
description: This project seeks to define and explore the development of Cold War British masculinity and national identity in response to decolonization. Following World War II, Great Britain experienced a time of political and cultural rebuilding. This project argues that following World War II, Britain had to renegotiate gender and national identity within the context of decolonization, the rise of the welfare state, and Britain’s diminished role in global politics, and the tensions within gender and national identity were expressed in Britain’s interest in espionage narratives both real and fictionalized. British spy novels by Ian Fleming, Desmond Cory, and John Le Carré dominated fiction, and the real-life drama of the Cambridge Five captivated the news media. The James Bond films of the 1960s were the negotiating of the new British masculinity and American masculinity on the silver screen. This project builds on and bridges gaps between the historiographies on espionage, popular culture, gender, and empire. The cultural impact of James Bond is well documented by Jeremy Black and James Chapman. Black draws connections between the popularity of James Bond and Cold War foreign policy, and Chapman analyzes the cultural impact of the James Bond films. This project seeks to look beyond Chapman and Black, and present a new analysis of how the British man developed into the British Cold War Hero represented by the James Bond films.
abstract: This project seeks to define and explore the development of Cold War British masculinity and national identity in response to decolonization. Following World War II, Great Britain experienced a time of political and cultural rebuilding. This project argues that following World War II, Britain had to renegotiate gender and national identity within the context of decolonization, the rise of the welfare state, and Britain’s diminished role in global politics, and the tensions within gender and national identity were expressed in Britain’s interest in espionage narratives both real and fictionalized. British spy novels by Ian Fleming, Desmond Cory, and John Le Carré dominated fiction, and the real-life drama of the Cambridge Five captivated the news media. The James Bond films of the 1960s were the negotiating of the new British masculinity and American masculinity on the silver screen. This project builds on and bridges gaps between the historiographies on espionage, popular culture, gender, and empire. The cultural impact of James Bond is well documented by Jeremy Black and James Chapman. Black draws connections between the popularity of James Bond and Cold War foreign policy, and Chapman analyzes the cultural impact of the James Bond films. This project seeks to look beyond Chapman and Black, and present a new analysis of how the British man developed into the British Cold War Hero represented by the James Bond films.
author: Nelson, Anna Rikki
keywords: Cold War, Great Britain, James Bond, Espionage, Playboy, Masculinity, Cultural History, European History, History of Gender, Other Feminist, Gender, and Sexuality Studies, Other Film and Media Studies, Public History
date published: 2016-08-01T07:00:00Z
date modified: 2026-07-24T05:44:34Z
provider: University of Southern Mississippi
publisher: Networked Digital Library of Theses and Dissertations
type: WebPage
source organization: University of Southern Mississippi