This reading of Junot Díaz’s The Brief Wondrous Life of Oscar Wao argues that narrator Yunior’s failure to capture the authentic speech of Beli illuminates the failure of narrative generally to speak authentically for the subaltern. The writings of Mikhail Bakhtin, Gayatri Spivak, and Scott McCloud work together to uncover the political and ethical implications of Yunior’s willful erasure of Beli’s voice. In the sections detailing her early life, Yunior draws attention to the gaps in the information he gives readers and thus reminds them that all narrative excludes and distorts details to fulfill an objective. This reading argues that those gaps of information that Yunior calls “blank pages” function similarly to the gutters in comic books. The gutters Yunior creates force the readers to fill in the blank pages with their own interpretation of events, and, in the end, both Yunior and the readers are complicit in erasing Beli’s voice from her story.
","abstract_html":"<p>This reading of Junot Díaz’s <em>The Brief Wondrous Life of Oscar Wao</em> argues that narrator Yunior’s failure to capture the authentic speech of Beli illuminates the failure of narrative generally to speak authentically for the subaltern. The writings of Mikhail Bakhtin, Gayatri Spivak, and Scott McCloud work together to uncover the political and ethical implications of Yunior’s willful erasure of Beli’s voice. In the sections detailing her early life, Yunior draws attention to the gaps in the information he gives readers and thus reminds them that all narrative excludes and distorts details to fulfill an objective. This reading argues that those gaps of information that Yunior calls “blank pages” function similarly to the gutters in comic books. The gutters Yunior creates force the readers to fill in the blank pages with their own interpretation of events, and, in the end, both Yunior and the readers are complicit in erasing Beli’s voice from her story.</p>","abstract_has_math":false,"creators":["Holder, Rebecca Mae"],"institution":null,"degree_name":"Master of Arts (MA)","degree_level":"Masters Thesis","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Monika Gehlawat","Kate Cochran","Maureen Ryan"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2015,"date_issued":"2015-08-01T07:00:00Z","date_published":"2015-08-01T07:00:00Z","updated_at":"2026-07-24T05:44:34Z","subjects":["narrative","Dominican Republic","contemporary literature","Junot Diaz","comic books","subaltern","Literature in English, North America"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://aquila.usm.edu/masters_theses/115","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Monika Gehlawat","Kate Cochran","Maureen Ryan"]},{"key":"dc:creator","label":"Author","values":["Holder, Rebecca Mae"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2015-05-26T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Masters Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts (MA)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["narrative","Dominican Republic","contemporary literature","Junot Diaz","comic books","subaltern","Literature in English, North America"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://aquila.usm.edu/masters_theses/115"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This reading of Junot Díaz’s The Brief Wondrous Life of Oscar Wao argues that narrator Yunior’s failure to capture the authentic speech of Beli illuminates the failure of narrative generally to speak authentically for the subaltern. The writings of Mikhail Bakhtin, Gayatri Spivak, and Scott McCloud work together to uncover the political and ethical implications of Yunior’s willful erasure of Beli’s voice. In the sections detailing her early life, Yunior draws attention to the gaps in the information he gives readers and thus reminds them that all narrative excludes and distorts details to fulfill an objective. This reading argues that those gaps of information that Yunior calls “blank pages” function similarly to the gutters in comic books. The gutters Yunior creates force the readers to fill in the blank pages with their own interpretation of events, and, in the end, both Yunior and the readers are complicit in erasing Beli’s voice from her story.
"]},{"key":"dc:title","label":"Title","values":["\"Equal Partners in Crime\": Narration in The Brief Wondrous Life of Oscar Wao"]}]}],"canonical_facts":{"dc:contributor":["Monika Gehlawat","Kate Cochran","Maureen Ryan"],"dc:creator":["Holder, Rebecca Mae"],"dc:date.available":["2015-05-26T07:00:00Z"],"dc:description.abstract":["This reading of Junot Díaz’s The Brief Wondrous Life of Oscar Wao argues that narrator Yunior’s failure to capture the authentic speech of Beli illuminates the failure of narrative generally to speak authentically for the subaltern. The writings of Mikhail Bakhtin, Gayatri Spivak, and Scott McCloud work together to uncover the political and ethical implications of Yunior’s willful erasure of Beli’s voice. In the sections detailing her early life, Yunior draws attention to the gaps in the information he gives readers and thus reminds them that all narrative excludes and distorts details to fulfill an objective. This reading argues that those gaps of information that Yunior calls “blank pages” function similarly to the gutters in comic books. The gutters Yunior creates force the readers to fill in the blank pages with their own interpretation of events, and, in the end, both Yunior and the readers are complicit in erasing Beli’s voice from her story.
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