This study of Oscar Wilde’s The Picture of Dorian Gray argues that the novel participates in a Gothic subversion of the archetypal hero’s journey. The novel employs Gothic devices to supplant heroic narremes. As the novel progresses, both Dorian (as a type of hero-character) and the narrative repeatedly deny or subvert the normative idea of heroism later reified in Joseph Campbell’s archetypal theory. While Campbell’s hero attempts to secure and universalize a heterosocial story, Wilde’s hero is recuperated through a reconfiguring of normative failure as queer success. What is ostensibly a failure of the normative hero to achieve his quest is actually the queer Gothic hero’s interrogation of Victorian London and its conception of heroism along untenable gender norms.
","abstract_html":"<p>This study of Oscar Wilde’s The Picture of Dorian Gray argues that the novel participates in a Gothic subversion of the archetypal hero’s journey. The novel employs Gothic devices to supplant heroic narremes. As the novel progresses, both Dorian (as a type of hero-character) and the narrative repeatedly deny or subvert the normative idea of heroism later reified in Joseph Campbell’s archetypal theory. While Campbell’s hero attempts to secure and universalize a heterosocial story, Wilde’s hero is recuperated through a reconfiguring of normative failure as queer success. What is ostensibly a failure of the normative hero to achieve his quest is actually the queer Gothic hero’s interrogation of Victorian London and its conception of heroism along untenable gender norms.</p>","abstract_has_math":false,"creators":["Ethridge, Kyle Leon"],"institution":null,"degree_name":"Master of Arts (MA)","degree_level":"Masters Thesis","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Alexandra Valint","Martina Sciolino","Eric Tribunella"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2014,"date_issued":"2014-08-01T07:00:00Z","date_published":"2014-08-01T07:00:00Z","updated_at":"2026-07-24T05:44:27Z","subjects":["queer","Gothic","Oscar Wilde","Joseph Campbell","hero's journey","English Language and Literature","Literature in English, British Isles"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://aquila.usm.edu/masters_theses/48","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Alexandra Valint","Martina Sciolino","Eric Tribunella"]},{"key":"dc:creator","label":"Author","values":["Ethridge, Kyle Leon"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2014-08-01T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Masters Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts (MA)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["queer","Gothic","Oscar Wilde","Joseph Campbell","hero's journey","English Language and Literature","Literature in English, British Isles"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://aquila.usm.edu/masters_theses/48"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This study of Oscar Wilde’s The Picture of Dorian Gray argues that the novel participates in a Gothic subversion of the archetypal hero’s journey. The novel employs Gothic devices to supplant heroic narremes. As the novel progresses, both Dorian (as a type of hero-character) and the narrative repeatedly deny or subvert the normative idea of heroism later reified in Joseph Campbell’s archetypal theory. While Campbell’s hero attempts to secure and universalize a heterosocial story, Wilde’s hero is recuperated through a reconfiguring of normative failure as queer success. What is ostensibly a failure of the normative hero to achieve his quest is actually the queer Gothic hero’s interrogation of Victorian London and its conception of heroism along untenable gender norms.
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