{"id":{"repo_id":"usfca","oai_identifier":"oai:repository.usfca.edu:capstone-1266"},"canonical_url":"https://search.dev.ndltd.org/etd/usfca/oai:repository.usfca.edu:capstone-1266","repository":{"repo_id":"usfca","name":"University of San Francisco","base_url":"https://repository.usfca.edu/do/oai/"},"display":{"title":"The Artists' Oral History Project","abstract":"<p>This project explores how an artist’s oral history can contribute to the visitor’s experience of museum exhibitions. Oral history can be a powerful tool to tell a story about the motivations, inspirations and process of creating art. These stories can give museum visitors an access point to gain a deeper understanding of art pieces and exhibitions. This project draws from research on oral history, artists’ voices, and artists’ biographies; it offers guidelines for the oral history component of an art exhibition as well as a project management plan to: research established oral histories, conduct interviews with artists and archive the content collected. After compiling, synthesizing and interpreting these oral histories, curators, museum educators, exhibition designers and other museum content creators can incorporate artists’ narratives into exhibition spaces.</p>","abstract_html":"&lt;p&gt;This project explores how an artist’s oral history can contribute to the visitor’s experience of museum exhibitions. Oral history can be a powerful tool to tell a story about the motivations, inspirations and process of creating art. These stories can give museum visitors an access point to gain a deeper understanding of art pieces and exhibitions. This project draws from research on oral history, artists’ voices, and artists’ biographies; it offers guidelines for the oral history component of an art exhibition as well as a project management plan to: research established oral histories, conduct interviews with artists and archive the content collected. After compiling, synthesizing and interpreting these oral histories, curators, museum educators, exhibition designers and other museum content creators can incorporate artists’ narratives into exhibition spaces.&lt;/p&gt;","abstract_has_math":false,"creators":["Blumenfeld, Miriam B"],"institution":null,"degree_name":"Master of Arts in Museum Studies","degree_level":"Restricted Project/Capstone - USF access only","degree_discipline":"Museum Studies","degree_department":null,"school":null,"contributors":["Marjorie Schwarzer","Paula Birnbaum","Stephanie Brown"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2015,"date_issued":"2015-12-18T08:00:00Z","date_published":"2015-12-18T08:00:00Z","updated_at":"2026-07-24T05:43:24Z","subjects":["museum studies","oral history","art exhibition narrative","artists’ voices","art interpretation","Contemporary Art","Fine Arts","Interdisciplinary Arts and Media","Other History of Art, Architecture, and Archaeology"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://repository.usfca.edu/capstone/253","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Marjorie Schwarzer","Paula Birnbaum","Stephanie Brown"]},{"key":"dc:creator","label":"Author","values":["Blumenfeld, Miriam B"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2015-12-16T08:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Museum Studies"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Restricted Project/Capstone - USF access only"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts in Museum Studies"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["museum studies","oral history","art exhibition narrative","artists’ voices","art interpretation","Contemporary Art","Fine Arts","Interdisciplinary Arts and Media","Other History of Art, Architecture, and Archaeology"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://repository.usfca.edu/capstone/253"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>This project explores how an artist’s oral history can contribute to the visitor’s experience of museum exhibitions. Oral history can be a powerful tool to tell a story about the motivations, inspirations and process of creating art. These stories can give museum visitors an access point to gain a deeper understanding of art pieces and exhibitions. This project draws from research on oral history, artists’ voices, and artists’ biographies; it offers guidelines for the oral history component of an art exhibition as well as a project management plan to: research established oral histories, conduct interviews with artists and archive the content collected. After compiling, synthesizing and interpreting these oral histories, curators, museum educators, exhibition designers and other museum content creators can incorporate artists’ narratives into exhibition spaces.</p>"]},{"key":"dc:title","label":"Title","values":["The Artists' Oral History Project"]}]}],"canonical_facts":{"dc:contributor":["Marjorie Schwarzer","Paula Birnbaum","Stephanie Brown"],"dc:creator":["Blumenfeld, Miriam B"],"dc:date.available":["2015-12-16T08:00:00Z"],"dc:description.abstract":["<p>This project explores how an artist’s oral history can contribute to the visitor’s experience of museum exhibitions. Oral history can be a powerful tool to tell a story about the motivations, inspirations and process of creating art. These stories can give museum visitors an access point to gain a deeper understanding of art pieces and exhibitions. This project draws from research on oral history, artists’ voices, and artists’ biographies; it offers guidelines for the oral history component of an art exhibition as well as a project management plan to: research established oral histories, conduct interviews with artists and archive the content collected. After compiling, synthesizing and interpreting these oral histories, curators, museum educators, exhibition designers and other museum content creators can incorporate artists’ narratives into exhibition spaces.</p>"],"dc:identifier":["https://repository.usfca.edu/capstone/253"],"dc:subject":["museum studies","oral history","art exhibition narrative","artists’ voices","art interpretation","Contemporary Art","Fine Arts","Interdisciplinary Arts and Media","Other History of Art, Architecture, and Archaeology"],"dc:title":["The Artists' Oral History Project"],"thesis:degree_discipline":["Museum Studies"],"thesis:degree_level":["Restricted Project/Capstone - USF access only"],"thesis:degree_name":["Master of Arts in Museum Studies"]},"updated_at":"2026-07-24T05:43:24Z"}