{"id":{"repo_id":"usd-thes","oai_identifier":"oai:digital.sandiego.edu:dissertations-2042"},"canonical_url":"https://search.dev.ndltd.org/etd/usd-thes/oai:digital.sandiego.edu:dissertations-2042","repository":{"repo_id":"usd-thes","name":"University of San Diego","base_url":"https://digital.sandiego.edu/do/oai/"},"display":{"title":"The Rhythms and Rituals of a Sacred Epistolary: Expressing my Experiences in Holistic and Embodied Ways","abstract":"<p>This dissertation offers readers a spiritual and intellectual journey through the <em>Saturday Morning Letters</em>, an autoethnographic exploration grounded in endarkened feminist epistemology and the improvisational move—tarrying.</p> <p>I join Dillard (2006), who argued “our methodological choices are spiritual choices, interrelated, and whole” (p.86). Therefore, I offer three interlinked manuscripts to present this work rooted in Black women's onto-epistemologies, concerned with Black womanhood, embodiment, and spirituality.</p> <p>The first paper traces the lineage of Black women's intellectual legacy, positioning <em>Saturday Morning Letters</em>, a ceremonial and digital letter-writing project within the continuum of Black feminist scholarship and public intellectualism. It sets the foundation for a study that not only interrogates historical and contemporary forms of knowledge production but also reimagines them through the praxis of personal and communal liberation.</p> <p>The anthology presented in the second manuscript is the heart of the project, a compilation of letters written to my co-journeyers (readers) that weave together my multifaceted narratives. This manuscript serves as both a reflection on and a celebration of the communal bonds forged through the act of contemplative storytelling, which underscores the project's role in co-creating a shared space for spiritual dialogue and reflection.</p> <p>The third manuscript critically examines the methodology of surrender as a guiding principle in the conceptualization, writing, dissemination, and reception of the letters. By analyzing the tenets of love, compassion, reciprocity, and ritual, it highlights how the project facilitates a unique form of communal solidarity through sincere connections and healing.</p> <p>Collectively, these manuscripts contribute to the discourse on autoethnography, critical qualitative methodologies, and Black feminist scholarship. <em>Saturday Morning Letters</em>' significance lies in its sincerity, methodological innovation, and cultural congruence. May this work serve as permission for us all to collectively embrace the wisdom that shapes our individual and shared realities.</p>","abstract_html":"&lt;p&gt;This dissertation offers readers a spiritual and intellectual journey through the &lt;em&gt;Saturday Morning Letters&lt;/em&gt;, an autoethnographic exploration grounded in endarkened feminist epistemology and the improvisational move—tarrying.&lt;/p&gt; &lt;p&gt;I join Dillard (2006), who argued “our methodological choices are spiritual choices, interrelated, and whole” (p.86). Therefore, I offer three interlinked manuscripts to present this work rooted in Black women&#x27;s onto-epistemologies, concerned with Black womanhood, embodiment, and spirituality.&lt;/p&gt; &lt;p&gt;The first paper traces the lineage of Black women&#x27;s intellectual legacy, positioning &lt;em&gt;Saturday Morning Letters&lt;/em&gt;, a ceremonial and digital letter-writing project within the continuum of Black feminist scholarship and public intellectualism. It sets the foundation for a study that not only interrogates historical and contemporary forms of knowledge production but also reimagines them through the praxis of personal and communal liberation.&lt;/p&gt; &lt;p&gt;The anthology presented in the second manuscript is the heart of the project, a compilation of letters written to my co-journeyers (readers) that weave together my multifaceted narratives. This manuscript serves as both a reflection on and a celebration of the communal bonds forged through the act of contemplative storytelling, which underscores the project&#x27;s role in co-creating a shared space for spiritual dialogue and reflection.&lt;/p&gt; &lt;p&gt;The third manuscript critically examines the methodology of surrender as a guiding principle in the conceptualization, writing, dissemination, and reception of the letters. By analyzing the tenets of love, compassion, reciprocity, and ritual, it highlights how the project facilitates a unique form of communal solidarity through sincere connections and healing.&lt;/p&gt; &lt;p&gt;Collectively, these manuscripts contribute to the discourse on autoethnography, critical qualitative methodologies, and Black feminist scholarship. &lt;em&gt;Saturday Morning Letters&lt;/em&gt;&#x27; significance lies in its sincerity, methodological innovation, and cultural congruence. May this work serve as permission for us all to collectively embrace the wisdom that shapes our individual and shared realities.&lt;/p&gt;","abstract_has_math":false,"creators":["Ii, Khalia"],"institution":null,"degree_name":"PhD Leadership Studies","degree_level":"Dissertation: Open Access","degree_discipline":"Leadership Studies","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2024,"date_issued":"2024-05-19T07:00:00Z","date_published":"2024-05-19T07:00:00Z","updated_at":"2026-07-24T05:41:55Z","subjects":["Writing","Epistolary","Black womanhood","Spirituality","Higher Education","PhD program","contemplation","autoethnography","endarkened feminist epistemology","Black feminism","surrender","African American Studies","Christianity","Critical and Cultural Studies","Digital Humanities","Gender, Race, Sexuality, and Ethnicity in Communication","Nonfiction","Quantitative, Qualitative, Comparative, and Historical Methodologies","Race and Ethnicity","Social Justice","Speech and Rhetorical Studies","Women's Studies"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://digital.sandiego.edu/dissertations/1026","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Ii, Khalia"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2027-05-09T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Leadership Studies"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Dissertation: Open Access"]},{"key":"thesis:degree_name","label":"Degree Name","values":["PhD Leadership Studies"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Writing","Epistolary","Black womanhood","Spirituality","Higher Education","PhD program","contemplation","autoethnography","endarkened feminist epistemology","Black feminism","surrender","African American Studies","Christianity","Critical and Cultural Studies","Digital Humanities","Gender, Race, Sexuality, and Ethnicity in Communication","Nonfiction","Quantitative, Qualitative, Comparative, and Historical Methodologies","Race and Ethnicity","Social Justice","Speech and Rhetorical Studies","Women's Studies"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://digital.sandiego.edu/dissertations/1026"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>This dissertation offers readers a spiritual and intellectual journey through the <em>Saturday Morning Letters</em>, an autoethnographic exploration grounded in endarkened feminist epistemology and the improvisational move—tarrying.</p> <p>I join Dillard (2006), who argued “our methodological choices are spiritual choices, interrelated, and whole” (p.86). Therefore, I offer three interlinked manuscripts to present this work rooted in Black women's onto-epistemologies, concerned with Black womanhood, embodiment, and spirituality.</p> <p>The first paper traces the lineage of Black women's intellectual legacy, positioning <em>Saturday Morning Letters</em>, a ceremonial and digital letter-writing project within the continuum of Black feminist scholarship and public intellectualism. It sets the foundation for a study that not only interrogates historical and contemporary forms of knowledge production but also reimagines them through the praxis of personal and communal liberation.</p> <p>The anthology presented in the second manuscript is the heart of the project, a compilation of letters written to my co-journeyers (readers) that weave together my multifaceted narratives. This manuscript serves as both a reflection on and a celebration of the communal bonds forged through the act of contemplative storytelling, which underscores the project's role in co-creating a shared space for spiritual dialogue and reflection.</p> <p>The third manuscript critically examines the methodology of surrender as a guiding principle in the conceptualization, writing, dissemination, and reception of the letters. By analyzing the tenets of love, compassion, reciprocity, and ritual, it highlights how the project facilitates a unique form of communal solidarity through sincere connections and healing.</p> <p>Collectively, these manuscripts contribute to the discourse on autoethnography, critical qualitative methodologies, and Black feminist scholarship. <em>Saturday Morning Letters</em>' significance lies in its sincerity, methodological innovation, and cultural congruence. May this work serve as permission for us all to collectively embrace the wisdom that shapes our individual and shared realities.</p>"]},{"key":"dc:title","label":"Title","values":["The Rhythms and Rituals of a Sacred Epistolary: Expressing my Experiences in Holistic and Embodied Ways"]}]}],"canonical_facts":{"dc:creator":["Ii, Khalia"],"dc:date.available":["2027-05-09T07:00:00Z"],"dc:description.abstract":["<p>This dissertation offers readers a spiritual and intellectual journey through the <em>Saturday Morning Letters</em>, an autoethnographic exploration grounded in endarkened feminist epistemology and the improvisational move—tarrying.</p> <p>I join Dillard (2006), who argued “our methodological choices are spiritual choices, interrelated, and whole” (p.86). Therefore, I offer three interlinked manuscripts to present this work rooted in Black women's onto-epistemologies, concerned with Black womanhood, embodiment, and spirituality.</p> <p>The first paper traces the lineage of Black women's intellectual legacy, positioning <em>Saturday Morning Letters</em>, a ceremonial and digital letter-writing project within the continuum of Black feminist scholarship and public intellectualism. It sets the foundation for a study that not only interrogates historical and contemporary forms of knowledge production but also reimagines them through the praxis of personal and communal liberation.</p> <p>The anthology presented in the second manuscript is the heart of the project, a compilation of letters written to my co-journeyers (readers) that weave together my multifaceted narratives. This manuscript serves as both a reflection on and a celebration of the communal bonds forged through the act of contemplative storytelling, which underscores the project's role in co-creating a shared space for spiritual dialogue and reflection.</p> <p>The third manuscript critically examines the methodology of surrender as a guiding principle in the conceptualization, writing, dissemination, and reception of the letters. By analyzing the tenets of love, compassion, reciprocity, and ritual, it highlights how the project facilitates a unique form of communal solidarity through sincere connections and healing.</p> <p>Collectively, these manuscripts contribute to the discourse on autoethnography, critical qualitative methodologies, and Black feminist scholarship. <em>Saturday Morning Letters</em>' significance lies in its sincerity, methodological innovation, and cultural congruence. May this work serve as permission for us all to collectively embrace the wisdom that shapes our individual and shared realities.</p>"],"dc:identifier":["https://digital.sandiego.edu/dissertations/1026"],"dc:subject":["Writing","Epistolary","Black womanhood","Spirituality","Higher Education","PhD program","contemplation","autoethnography","endarkened feminist epistemology","Black feminism","surrender","African American Studies","Christianity","Critical and Cultural Studies","Digital Humanities","Gender, Race, Sexuality, and Ethnicity in Communication","Nonfiction","Quantitative, Qualitative, Comparative, and Historical Methodologies","Race and Ethnicity","Social Justice","Speech and Rhetorical Studies","Women's Studies"],"dc:title":["The Rhythms and Rituals of a Sacred Epistolary: Expressing my Experiences in Holistic and Embodied Ways"],"thesis:degree_discipline":["Leadership Studies"],"thesis:degree_level":["Dissertation: Open Access"],"thesis:degree_name":["PhD Leadership Studies"]},"updated_at":"2026-07-24T05:41:55Z"}