{"id":{"repo_id":"uoit","oai_identifier":"oai:ontariotechu.scholaris.ca:10155/1679"},"canonical_url":"https://search.dev.ndltd.org/etd/uoit/oai:ontariotechu.scholaris.ca:10155/1679","repository":{"repo_id":"uoit","name":"Ontario Institute of Technology","base_url":"https://ontariotechu.scholaris.ca/server/oai/request"},"display":{"title":"An inquiry into virtual materiality","abstract":"“We shape our tools, and thereafter they shape us," this Mcluhanism demands that when we create, we do so thoughtfully. This thesis examines artists' relation to VR tools for 3D shape modelling and their needs regarding VR creativity. A new interaction model is presented for sculpting in VR featuring physicalized tools which interact with mass-conserving voxel `clay' material. The model is included in a pilot study comparing three sculpting methods using within-subject trials and a focus group with eight artists. Statistical analysis of questionnaire responses measuring six aspects of Creativity Support Index revealed that the new model was not favoured over industry-level software. Thematic analysis of feedback and observations characterized artists' experiences in VR sculpting. The analyses suggest future VR sculpting tools should improve 1. Haptic Response, including Pseudo-Haptic techniques, and 2. Kinetic Response, leveraging the emotive nuance in the body, and respecting VR as an alternative reality.","abstract_html":"“We shape our tools, and thereafter they shape us," this Mcluhanism demands that when we create, we do so thoughtfully. This thesis examines artists' relation to VR tools for 3D shape modelling and their needs regarding VR creativity. A new interaction model is presented for sculpting in VR featuring physicalized tools which interact with mass-conserving voxel `clay' material. The model is included in a pilot study comparing three sculpting methods using within-subject trials and a focus group with eight artists. Statistical analysis of questionnaire responses measuring six aspects of Creativity Support Index revealed that the new model was not favoured over industry-level software. Thematic analysis of feedback and observations characterized artists' experiences in VR sculpting. The analyses suggest future VR sculpting tools should improve 1. Haptic Response, including Pseudo-Haptic techniques, and 2. Kinetic Response, leveraging the emotive nuance in the body, and respecting VR as an alternative reality.","abstract_has_math":false,"creators":["Moo-Young, Joss Kingdom"],"institution":"University of Ontario Institute of Technology","degree_name":"Master of Science (MSc)","degree_level":null,"degree_discipline":"Computer Science","degree_department":null,"school":null,"contributors":[],"advisors":["Hogue, Andrew","Szkudlarek, Veronika"],"committee_chairs":[],"committee_members":[],"year":2023,"date_issued":"2023-08-01","date_published":"2023-08-01","updated_at":"2026-07-24T05:35:41Z","subjects":["Shape modelling","Digital sculpting","Human-computer interaction","Creativity support","Virtual reality"],"languages":["en"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/10155/1679","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Hogue, Andrew","Szkudlarek, Veronika"]},{"key":"dc:creator","label":"Author","values":["Moo-Young, Joss Kingdom"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2023-08-29T18:55:28Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2023-08-29T18:55:28Z"]},{"key":"dc:date.issued","label":"Date","values":["2023-08-01"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Computer Science"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Science (MSc)"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Ontario Institute of Technology"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Shape modelling","Digital sculpting","Human-computer interaction","Creativity support","Virtual reality"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://hdl.handle.net/10155/1679"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["“We shape our tools, and thereafter they shape us," this Mcluhanism demands that when we create, we do so thoughtfully. 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