{"id":{"repo_id":"unt","oai_identifier":"info:ark/67531/metadc4935"},"canonical_url":"https://search.dev.ndltd.org/etd/unt/info:ark/67531/metadc4935","repository":{"repo_id":"unt","name":"University of North Texas","base_url":"https://digital.library.unt.edu/oai/"},"display":{"title":"Violin and voice as partners in three early twentieth-century English works for voice and violin.","abstract":"The purpose of this study is to examine three works for the unusual combination of violin and voice. Chamber music for violin and keyboard and violin and other instruments has been extant since the Baroque period. However, three English composers found a unique chamber grouping in the first decades of the twentieth century: Gustav Holst (1874-1934), Rebecca Clarke (1886-1979), and Ralph Vaughan Williams (1872-1958) each wrote works for violin and voice. Holst's Four Songs for Voice and Violin, Op. 35 (1917), Vaughan Williams' Along the Field, Eight Housman Songs for Voice and Violin (1927, revised 1954), and Clarke's Three Old English Songs (1924) each utilize the combination of violin and voice. The violin in each is not relegated to accompaniment but is instead a true partner. This study will investigate these works. A history of each composition will be chronicled. An analytical discussion of formal organization and significant style features will include consideration of the musical structure, harmonic language, and the use of text in select movements of each work. Finally, performance suggestions pertaining to technical and artistic issues offer specific recommendations as an aid in performance preparation. In order to provide historical and musical context, a brief overview of Late Romantic and early Twentieth-Century chamber music with strings and voice will be given. This overview will help to illuminate the uniqueness of the pairing of violin and voice. Discovery of the works discussed here makes possible an expanded repertoire of good music for both violinists and vocalists. It is also hoped that through the performance of these works a spark might be set with composers to create more pieces for this most intimate of duos.","abstract_html":"The purpose of this study is to examine three works for the unusual combination of violin and voice. Chamber music for violin and keyboard and violin and other instruments has been extant since the Baroque period. However, three English composers found a unique chamber grouping in the first decades of the twentieth century: Gustav Holst (1874-1934), Rebecca Clarke (1886-1979), and Ralph Vaughan Williams (1872-1958) each wrote works for violin and voice. Holst's Four Songs for Voice and Violin, Op. 35 (1917), Vaughan Williams' Along the Field, Eight Housman Songs for Voice and Violin (1927, revised 1954), and Clarke's Three Old English Songs (1924) each utilize the combination of violin and voice. The violin in each is not relegated to accompaniment but is instead a true partner. This study will investigate these works. A history of each composition will be chronicled. An analytical discussion of formal organization and significant style features will include consideration of the musical structure, harmonic language, and the use of text in select movements of each work. Finally, performance suggestions pertaining to technical and artistic issues offer specific recommendations as an aid in performance preparation. In order to provide historical and musical context, a brief overview of Late Romantic and early Twentieth-Century chamber music with strings and voice will be given. This overview will help to illuminate the uniqueness of the pairing of violin and voice. Discovery of the works discussed here makes possible an expanded repertoire of good music for both violinists and vocalists. It is also hoped that through the performance of these works a spark might be set with composers to create more pieces for this most intimate of duos.","abstract_has_math":false,"creators":["Rutland, John Paul"],"institution":"University of North Texas","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":["Lewis, Philip","Brothers, Lester","Dubois, Susan"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2005,"date_issued":"2005-12","date_published":"2005-12","updated_at":"2026-07-24T05:35:09Z","subjects":["Songs with violin -- History and criticism.","Holst, Gustav, 1874-1934. Songs, violin acc. op. 35.","Vaughan Williams, Ralph, 1872-1958. Along the field.","Clarke, Rebecca, 1886-1979. Old English songs.","violin","voice","Gustav Holst","chamber music","composers"],"languages":["English"],"rights":["Public","Copyright","Rutland, John Paul","Copyright is held by the author, unless otherwise noted. All rights reserved."],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["oclc: 70876461","https://digital.library.unt.edu/ark:/67531/metadc4935/","ark: ark:/67531/metadc4935"],"render_values":[{"text":"oclc: 70876461","href":null,"code":true},{"text":"https://digital.library.unt.edu/ark:/67531/metadc4935/","href":"https://digital.library.unt.edu/ark:/67531/metadc4935/","code":true},{"text":"ark: ark:/67531/metadc4935","href":null,"code":true}]}]},"links":{"outbound_url":"https://doi.org/10.12794/metadc4935","outbound_label":"DOI","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Lewis, Philip","Brothers, Lester","Dubois, Susan"]},{"key":"dc:creator","label":"Author","values":["Rutland, John Paul"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2005-12"]},{"key":"dc:publisher","label":"Institution","values":["University of North Texas"]},{"key":"dc:type","label":"Dc Type","values":["Thesis or Dissertation"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Songs with violin -- History and criticism.","Holst, Gustav, 1874-1934. Songs, violin acc. op. 35.","Vaughan Williams, Ralph, 1872-1958. Along the field.","Clarke, Rebecca, 1886-1979. Old English songs.","violin","voice","Gustav Holst","chamber music","composers"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English"]},{"key":"dc:rights","label":"Dc Rights","values":["Public","Copyright","Rutland, John Paul","Copyright is held by the author, unless otherwise noted. All rights reserved."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["oclc: 70876461","doi: 10.12794/metadc4935","https://digital.library.unt.edu/ark:/67531/metadc4935/","ark: ark:/67531/metadc4935"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["The purpose of this study is to examine three works for the unusual combination of violin and voice. Chamber music for violin and keyboard and violin and other instruments has been extant since the Baroque period. However, three English composers found a unique chamber grouping in the first decades of the twentieth century: Gustav Holst (1874-1934), Rebecca Clarke (1886-1979), and Ralph Vaughan Williams (1872-1958) each wrote works for violin and voice. Holst's Four Songs for Voice and Violin, Op. 35 (1917), Vaughan Williams' Along the Field, Eight Housman Songs for Voice and Violin (1927, revised 1954), and Clarke's Three Old English Songs (1924) each utilize the combination of violin and voice. The violin in each is not relegated to accompaniment but is instead a true partner. This study will investigate these works. A history of each composition will be chronicled. An analytical discussion of formal organization and significant style features will include consideration of the musical structure, harmonic language, and the use of text in select movements of each work. Finally, performance suggestions pertaining to technical and artistic issues offer specific recommendations as an aid in performance preparation. In order to provide historical and musical context, a brief overview of Late Romantic and early Twentieth-Century chamber music with strings and voice will be given. This overview will help to illuminate the uniqueness of the pairing of violin and voice. Discovery of the works discussed here makes possible an expanded repertoire of good music for both violinists and vocalists. It is also hoped that through the performance of these works a spark might be set with composers to create more pieces for this most intimate of duos."]},{"key":"dc:format","label":"Dc Format","values":["Text"]},{"key":"dc:title","label":"Title","values":["Violin and voice as partners in three early twentieth-century English works for voice and violin."]}]}],"canonical_facts":{"dc:contributor":["Lewis, Philip","Brothers, Lester","Dubois, Susan"],"dc:creator":["Rutland, John Paul"],"dc:date":["2005-12"],"dc:description":["The purpose of this study is to examine three works for the unusual combination of violin and voice. Chamber music for violin and keyboard and violin and other instruments has been extant since the Baroque period. However, three English composers found a unique chamber grouping in the first decades of the twentieth century: Gustav Holst (1874-1934), Rebecca Clarke (1886-1979), and Ralph Vaughan Williams (1872-1958) each wrote works for violin and voice. Holst's Four Songs for Voice and Violin, Op. 35 (1917), Vaughan Williams' Along the Field, Eight Housman Songs for Voice and Violin (1927, revised 1954), and Clarke's Three Old English Songs (1924) each utilize the combination of violin and voice. The violin in each is not relegated to accompaniment but is instead a true partner. This study will investigate these works. A history of each composition will be chronicled. An analytical discussion of formal organization and significant style features will include consideration of the musical structure, harmonic language, and the use of text in select movements of each work. Finally, performance suggestions pertaining to technical and artistic issues offer specific recommendations as an aid in performance preparation. In order to provide historical and musical context, a brief overview of Late Romantic and early Twentieth-Century chamber music with strings and voice will be given. This overview will help to illuminate the uniqueness of the pairing of violin and voice. Discovery of the works discussed here makes possible an expanded repertoire of good music for both violinists and vocalists. It is also hoped that through the performance of these works a spark might be set with composers to create more pieces for this most intimate of duos."],"dc:format":["Text"],"dc:identifier":["oclc: 70876461","doi: 10.12794/metadc4935","https://digital.library.unt.edu/ark:/67531/metadc4935/","ark: ark:/67531/metadc4935"],"dc:language":["English"],"dc:publisher":["University of North Texas"],"dc:rights":["Public","Copyright","Rutland, John Paul","Copyright is held by the author, unless otherwise noted. All rights reserved."],"dc:subject":["Songs with violin -- History and criticism.","Holst, Gustav, 1874-1934. Songs, violin acc. op. 35.","Vaughan Williams, Ralph, 1872-1958. Along the field.","Clarke, Rebecca, 1886-1979. Old English songs.","violin","voice","Gustav Holst","chamber music","composers"],"dc:title":["Violin and voice as partners in three early twentieth-century English works for voice and violin."],"dc:type":["Thesis or Dissertation"]},"updated_at":"2026-07-24T05:35:09Z"}