{"id":{"repo_id":"unt","oai_identifier":"info:ark/67531/metadc4782"},"canonical_url":"https://search.dev.ndltd.org/etd/unt/info:ark/67531/metadc4782","repository":{"repo_id":"unt","name":"University of North Texas","base_url":"https://digital.library.unt.edu/oai/"},"display":{"title":"RevealingReveilingReveling","abstract":"This thesis explores the possibilities of communication in the context of a sound composition. In RevealingReveilingReveling, a series of questions concerning communication posed by John Cage, coupled with an extension of those questions posed by myself, are set to recorded sounds-in-the-world. The intention is to create a greater awareness of that which there is to listen in our world. The first part of this essay discusses influences of philosophical thought during the process of composing RevealingReveilingReveling. Two distinct twentieth-century thinkers that have impacted the creation of this piece and their areas of thought are Martin Heidegger: language and Being; and John Cage: sound, silence, and awareness. The second part of the essay is a structural analysis of the piece, discussing the recording of Cage's questions, sounds-in-the-world, sound-manipulation techniques and thought-processes, as well as periodic mention the aesthetic decisions made.","abstract_html":"This thesis explores the possibilities of communication in the context of a sound composition. In RevealingReveilingReveling, a series of questions concerning communication posed by John Cage, coupled with an extension of those questions posed by myself, are set to recorded sounds-in-the-world. The intention is to create a greater awareness of that which there is to listen in our world. The first part of this essay discusses influences of philosophical thought during the process of composing RevealingReveilingReveling. Two distinct twentieth-century thinkers that have impacted the creation of this piece and their areas of thought are Martin Heidegger: language and Being; and John Cage: sound, silence, and awareness. The second part of the essay is a structural analysis of the piece, discussing the recording of Cage's questions, sounds-in-the-world, sound-manipulation techniques and thought-processes, as well as periodic mention the aesthetic decisions made.","abstract_has_math":false,"creators":["Colaruotolo, John"],"institution":"University of North Texas","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":["Winsor, Phil, 1938-2012","Klaver, Irene","Klein, Joseph, 1962-"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2005,"date_issued":"2005-05","date_published":"2005-05","updated_at":"2026-07-24T05:35:09Z","subjects":["Aleatory music.","communication","philosophy","sound-manipulation techniques","John Cage","musique concrete"],"languages":["English"],"rights":["Public","Copyright","Colaruotolo, John","Copyright is held by the author, unless otherwise noted. All rights reserved."],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["oclc: 70876266","https://digital.library.unt.edu/ark:/67531/metadc4782/","ark: ark:/67531/metadc4782"],"render_values":[{"text":"oclc: 70876266","href":null,"code":true},{"text":"https://digital.library.unt.edu/ark:/67531/metadc4782/","href":"https://digital.library.unt.edu/ark:/67531/metadc4782/","code":true},{"text":"ark: ark:/67531/metadc4782","href":null,"code":true}]}]},"links":{"outbound_url":"https://doi.org/10.12794/metadc4782","outbound_label":"DOI","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Winsor, Phil, 1938-2012","Klaver, Irene","Klein, Joseph, 1962-"]},{"key":"dc:creator","label":"Author","values":["Colaruotolo, John"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2005-05"]},{"key":"dc:publisher","label":"Institution","values":["University of North Texas"]},{"key":"dc:type","label":"Dc Type","values":["Thesis or Dissertation"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Aleatory music.","communication","philosophy","sound-manipulation techniques","John Cage","musique concrete"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English"]},{"key":"dc:rights","label":"Dc Rights","values":["Public","Copyright","Colaruotolo, John","Copyright is held by the author, unless otherwise noted. 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Two distinct twentieth-century thinkers that have impacted the creation of this piece and their areas of thought are Martin Heidegger: language and Being; and John Cage: sound, silence, and awareness. The second part of the essay is a structural analysis of the piece, discussing the recording of Cage's questions, sounds-in-the-world, sound-manipulation techniques and thought-processes, as well as periodic mention the aesthetic decisions made."]},{"key":"dc:format","label":"Dc Format","values":["Text"]},{"key":"dc:title","label":"Title","values":["RevealingReveilingReveling"]}]}],"canonical_facts":{"dc:contributor":["Winsor, Phil, 1938-2012","Klaver, Irene","Klein, Joseph, 1962-"],"dc:creator":["Colaruotolo, John"],"dc:date":["2005-05"],"dc:description":["This thesis explores the possibilities of communication in the context of a sound composition. 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