{"id":{"repo_id":"unt","oai_identifier":"info:ark/67531/metadc4612"},"canonical_url":"https://search.dev.ndltd.org/etd/unt/info:ark/67531/metadc4612","repository":{"repo_id":"unt","name":"University of North Texas","base_url":"https://digital.library.unt.edu/oai/"},"display":{"title":"Symphonic Fantasia Han-Kook Oui Ja-Yeon (Nature in Korea): Score and Critical Commentary","abstract":"The Symphonic Fantasia Han-Kook oui Ja-Yeon (Nature in Korea ) is a single-movement orchestral piece, which is divided into 5 characteristic sections - each section has programmatic subtitles (Rocks, River, Sea, Wind, and Mountain) and its own idée fixe motive. The degree of texture (homophonic/polyphonic), dynamics (strong/weak), density (thick/thin), velocity (fast/slow), and orchestration (emphasizing various sections of the orchestra) is determined by depiction of the subtitles. The critical commentary of the Symphonic Fantasia Han-Kook oui Ja-Yeon (Nature in Korea ) includes a discussion of form, pitch content (melodic and harmonic), and texture of the piece. The commentary also includes a discussion of the use of programmatic subtitles (Rocks, River, Sea, Wind, and Mountain) and depiction of these concepts in the orchestration of the work. A comparison with other orchestral works is added for explanation and support of the composer's concept. Some of the other composers who are discussed in this paper include Richard Strauss (Alpine Symphony), Gustav Holst (The Planets), Frank Bridge (The Sea), Aaron Copland (Billy the Kid), and Joseph Klein (Pathways: Interior Shadows).","abstract_html":"The Symphonic Fantasia Han-Kook oui Ja-Yeon (Nature in Korea ) is a single-movement orchestral piece, which is divided into 5 characteristic sections - each section has programmatic subtitles (Rocks, River, Sea, Wind, and Mountain) and its own idée fixe motive. The degree of texture (homophonic/polyphonic), dynamics (strong/weak), density (thick/thin), velocity (fast/slow), and orchestration (emphasizing various sections of the orchestra) is determined by depiction of the subtitles. The critical commentary of the Symphonic Fantasia Han-Kook oui Ja-Yeon (Nature in Korea ) includes a discussion of form, pitch content (melodic and harmonic), and texture of the piece. The commentary also includes a discussion of the use of programmatic subtitles (Rocks, River, Sea, Wind, and Mountain) and depiction of these concepts in the orchestration of the work. A comparison with other orchestral works is added for explanation and support of the composer's concept. Some of the other composers who are discussed in this paper include Richard Strauss (Alpine Symphony), Gustav Holst (The Planets), Frank Bridge (The Sea), Aaron Copland (Billy the Kid), and Joseph Klein (Pathways: Interior Shadows).","abstract_has_math":false,"creators":["Han, Sang-Eun"],"institution":"University of North Texas","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":["Klein, Joseph, 1962-","Phipps, Graham Howard","McTee, Cindy, 1953-"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2004,"date_issued":"2004-08","date_published":"2004-08","updated_at":"2026-07-24T05:35:09Z","subjects":["Symphonic poems -- Scores.","texture","orchestration","orchestral music","instrument","composers"],"languages":["English"],"rights":["Public","Copyright","Han, Sang-Eun","Copyright is held by the author, unless otherwise noted. All rights reserved."],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["oclc: 57581070","https://digital.library.unt.edu/ark:/67531/metadc4612/","ark: ark:/67531/metadc4612"],"render_values":[{"text":"oclc: 57581070","href":null,"code":true},{"text":"https://digital.library.unt.edu/ark:/67531/metadc4612/","href":"https://digital.library.unt.edu/ark:/67531/metadc4612/","code":true},{"text":"ark: ark:/67531/metadc4612","href":null,"code":true}]}]},"links":{"outbound_url":"https://doi.org/10.12794/metadc4612","outbound_label":"DOI","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Klein, Joseph, 1962-","Phipps, Graham Howard","McTee, Cindy, 1953-"]},{"key":"dc:creator","label":"Author","values":["Han, Sang-Eun"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2004-08"]},{"key":"dc:publisher","label":"Institution","values":["University of North Texas"]},{"key":"dc:type","label":"Dc Type","values":["Thesis or Dissertation"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Symphonic poems -- Scores.","texture","orchestration","orchestral music","instrument","composers"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English"]},{"key":"dc:rights","label":"Dc Rights","values":["Public","Copyright","Han, Sang-Eun","Copyright is held by the author, unless otherwise noted. 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The critical commentary of the Symphonic Fantasia Han-Kook oui Ja-Yeon (Nature in Korea ) includes a discussion of form, pitch content (melodic and harmonic), and texture of the piece. The commentary also includes a discussion of the use of programmatic subtitles (Rocks, River, Sea, Wind, and Mountain) and depiction of these concepts in the orchestration of the work. A comparison with other orchestral works is added for explanation and support of the composer's concept. Some of the other composers who are discussed in this paper include Richard Strauss (Alpine Symphony), Gustav Holst (The Planets), Frank Bridge (The Sea), Aaron Copland (Billy the Kid), and Joseph Klein (Pathways: Interior Shadows)."]},{"key":"dc:format","label":"Dc Format","values":["Text"]},{"key":"dc:title","label":"Title","values":["Symphonic Fantasia Han-Kook Oui Ja-Yeon (Nature in Korea): Score and Critical Commentary"]}]}],"canonical_facts":{"dc:contributor":["Klein, Joseph, 1962-","Phipps, Graham Howard","McTee, Cindy, 1953-"],"dc:creator":["Han, Sang-Eun"],"dc:date":["2004-08"],"dc:description":["The Symphonic Fantasia Han-Kook oui Ja-Yeon (Nature in Korea ) is a single-movement orchestral piece, which is divided into 5 characteristic sections - each section has programmatic subtitles (Rocks, River, Sea, Wind, and Mountain) and its own idée fixe motive. The degree of texture (homophonic/polyphonic), dynamics (strong/weak), density (thick/thin), velocity (fast/slow), and orchestration (emphasizing various sections of the orchestra) is determined by depiction of the subtitles. The critical commentary of the Symphonic Fantasia Han-Kook oui Ja-Yeon (Nature in Korea ) includes a discussion of form, pitch content (melodic and harmonic), and texture of the piece. The commentary also includes a discussion of the use of programmatic subtitles (Rocks, River, Sea, Wind, and Mountain) and depiction of these concepts in the orchestration of the work. A comparison with other orchestral works is added for explanation and support of the composer's concept. Some of the other composers who are discussed in this paper include Richard Strauss (Alpine Symphony), Gustav Holst (The Planets), Frank Bridge (The Sea), Aaron Copland (Billy the Kid), and Joseph Klein (Pathways: Interior Shadows)."],"dc:format":["Text"],"dc:identifier":["oclc: 57581070","doi: 10.12794/metadc4612","https://digital.library.unt.edu/ark:/67531/metadc4612/","ark: ark:/67531/metadc4612"],"dc:language":["English"],"dc:publisher":["University of North Texas"],"dc:rights":["Public","Copyright","Han, Sang-Eun","Copyright is held by the author, unless otherwise noted. All rights reserved."],"dc:subject":["Symphonic poems -- Scores.","texture","orchestration","orchestral music","instrument","composers"],"dc:title":["Symphonic Fantasia Han-Kook Oui Ja-Yeon (Nature in Korea): Score and Critical Commentary"],"dc:type":["Thesis or Dissertation"]},"updated_at":"2026-07-24T05:35:09Z"}