{"id":{"repo_id":"unt","oai_identifier":"info:ark/67531/metadc4584"},"canonical_url":"https://search.dev.ndltd.org/etd/unt/info:ark/67531/metadc4584","repository":{"repo_id":"unt","name":"University of North Texas","base_url":"https://digital.library.unt.edu/oai/"},"display":{"title":"Prayers of Adoration, Confession, Thanksgiving and Supplication: A Composition for Soprano and Chamber Ensemble","abstract":"This paper examines the relationship between text and music in Prayers of Adoration, Confession, Thanksgiving and Supplication - a four-movement composition, fourteen minutes in length, for soprano, clarinet, bassoon, trumpet, trombone, violin, double bass, and percussion. The text of the composition is taken from the Psalms and The Book of Common Prayer. The names and themes of the movements follow an ancient pattern for prayer identified by the acronym, A.C.T.S. Compositional considerations are contrasted to those of Igor Stravinsky and Steve Reich, with special emphasis on the use of musical structures, motives, and text-painting to highlight the meaning of religious texts.","abstract_html":"This paper examines the relationship between text and music in Prayers of Adoration, Confession, Thanksgiving and Supplication - a four-movement composition, fourteen minutes in length, for soprano, clarinet, bassoon, trumpet, trombone, violin, double bass, and percussion. The text of the composition is taken from the Psalms and The Book of Common Prayer. The names and themes of the movements follow an ancient pattern for prayer identified by the acronym, A.C.T.S. Compositional considerations are contrasted to those of Igor Stravinsky and Steve Reich, with special emphasis on the use of musical structures, motives, and text-painting to highlight the meaning of religious texts.","abstract_has_math":false,"creators":["Monroe, Deborah J."],"institution":"University of North Texas","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":["Clark, Thomas","Nelson, Jon Christopher","Klein, Joseph, 1962-"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2004,"date_issued":"2004-08","date_published":"2004-08","updated_at":"2026-07-24T05:35:09Z","subjects":["Sacred songs (High voice) with instrumental ensemble -- Scores.","thanksgiving","ACTS","prayers","adoration","confession"],"languages":["English"],"rights":["Public","Copyright","Monroe, Deborah J.","Copyright is held by the author, unless otherwise noted. All rights reserved."],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["oclc: 57581093","https://digital.library.unt.edu/ark:/67531/metadc4584/","ark: ark:/67531/metadc4584"],"render_values":[{"text":"oclc: 57581093","href":null,"code":true},{"text":"https://digital.library.unt.edu/ark:/67531/metadc4584/","href":"https://digital.library.unt.edu/ark:/67531/metadc4584/","code":true},{"text":"ark: ark:/67531/metadc4584","href":null,"code":true}]}]},"links":{"outbound_url":"https://doi.org/10.12794/metadc4584","outbound_label":"DOI","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Clark, Thomas","Nelson, Jon Christopher","Klein, Joseph, 1962-"]},{"key":"dc:creator","label":"Author","values":["Monroe, Deborah J."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2004-08"]},{"key":"dc:publisher","label":"Institution","values":["University of North Texas"]},{"key":"dc:type","label":"Dc Type","values":["Thesis or Dissertation"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Sacred songs (High voice) with instrumental ensemble -- Scores.","thanksgiving","ACTS","prayers","adoration","confession"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English"]},{"key":"dc:rights","label":"Dc Rights","values":["Public","Copyright","Monroe, Deborah J.","Copyright is held by the author, unless otherwise noted. All rights reserved."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["oclc: 57581093","doi: 10.12794/metadc4584","https://digital.library.unt.edu/ark:/67531/metadc4584/","ark: ark:/67531/metadc4584"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["This paper examines the relationship between text and music in Prayers of Adoration, Confession, Thanksgiving and Supplication - a four-movement composition, fourteen minutes in length, for soprano, clarinet, bassoon, trumpet, trombone, violin, double bass, and percussion. The text of the composition is taken from the Psalms and The Book of Common Prayer. The names and themes of the movements follow an ancient pattern for prayer identified by the acronym, A.C.T.S. Compositional considerations are contrasted to those of Igor Stravinsky and Steve Reich, with special emphasis on the use of musical structures, motives, and text-painting to highlight the meaning of religious texts."]},{"key":"dc:format","label":"Dc Format","values":["Text"]},{"key":"dc:title","label":"Title","values":["Prayers of Adoration, Confession, Thanksgiving and Supplication: A Composition for Soprano and Chamber Ensemble"]}]}],"canonical_facts":{"dc:contributor":["Clark, Thomas","Nelson, Jon Christopher","Klein, Joseph, 1962-"],"dc:creator":["Monroe, Deborah J."],"dc:date":["2004-08"],"dc:description":["This paper examines the relationship between text and music in Prayers of Adoration, Confession, Thanksgiving and Supplication - a four-movement composition, fourteen minutes in length, for soprano, clarinet, bassoon, trumpet, trombone, violin, double bass, and percussion. The text of the composition is taken from the Psalms and The Book of Common Prayer. The names and themes of the movements follow an ancient pattern for prayer identified by the acronym, A.C.T.S. Compositional considerations are contrasted to those of Igor Stravinsky and Steve Reich, with special emphasis on the use of musical structures, motives, and text-painting to highlight the meaning of religious texts."],"dc:format":["Text"],"dc:identifier":["oclc: 57581093","doi: 10.12794/metadc4584","https://digital.library.unt.edu/ark:/67531/metadc4584/","ark: ark:/67531/metadc4584"],"dc:language":["English"],"dc:publisher":["University of North Texas"],"dc:rights":["Public","Copyright","Monroe, Deborah J.","Copyright is held by the author, unless otherwise noted. All rights reserved."],"dc:subject":["Sacred songs (High voice) with instrumental ensemble -- Scores.","thanksgiving","ACTS","prayers","adoration","confession"],"dc:title":["Prayers of Adoration, Confession, Thanksgiving and Supplication: A Composition for Soprano and Chamber Ensemble"],"dc:type":["Thesis or Dissertation"]},"updated_at":"2026-07-24T05:35:09Z"}