{"id":{"repo_id":"unt","oai_identifier":"info:ark/67531/metadc4564"},"canonical_url":"https://search.dev.ndltd.org/etd/unt/info:ark/67531/metadc4564","repository":{"repo_id":"unt","name":"University of North Texas","base_url":"https://digital.library.unt.edu/oai/"},"display":{"title":"The Secret Art of Science: An Aural-Based Analysis of Jonty Harrison's Acousmatic Work \"Pair/Impair\"","abstract":"This paper observes the problems that impede meaningful analysis of form and structure in modern music, specifically electronic music. The premise of this research is to present methods, tools and practice for analyzing music whose visual interpretation, if any, do not represent the aural result of the composition. The means for suggesting a method are derived from documented observations in aural psychology, as well as composers' writings about musical perception. 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The results from the analysis of music by Parmegiani, Harvey, Vega and Harrison help prove the general applicability of this research.","abstract_has_math":false,"creators":["Vega, Henry"],"institution":"University of North Texas","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":["Nelson, Jon Christopher","Klein, Joseph, 1962-","Fisher, Dennis W."],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2004,"date_issued":"2004-08","date_published":"2004-08","updated_at":"2026-07-24T05:35:09Z","subjects":["Harrison, Jonty, 1952- Pair/Impair.","computer music analysis","modern music","electronic music","perception"],"languages":["English"],"rights":["Public","Copyright","Vega, Henry","Copyright is held by the author, unless otherwise noted. 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The premise of this research is to present methods, tools and practice for analyzing music whose visual interpretation, if any, do not represent the aural result of the composition. The means for suggesting a method are derived from documented observations in aural psychology, as well as composers' writings about musical perception. The result is an analytic model that focuses on the aural experience rather than the composers' compositional strategies which do not always agree with the resultant composition. The results from the analysis of music by Parmegiani, Harvey, Vega and Harrison help prove the general applicability of this research."],"dc:format":["Text"],"dc:identifier":["oclc: 57581096","doi: 10.12794/metadc4564","https://digital.library.unt.edu/ark:/67531/metadc4564/","ark: ark:/67531/metadc4564"],"dc:language":["English"],"dc:publisher":["University of North Texas"],"dc:rights":["Public","Copyright","Vega, Henry","Copyright is held by the author, unless otherwise noted. 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