{"id":{"repo_id":"unt","oai_identifier":"info:ark/67531/metadc4495"},"canonical_url":"https://search.dev.ndltd.org/etd/unt/info:ark/67531/metadc4495","repository":{"repo_id":"unt","name":"University of North Texas","base_url":"https://digital.library.unt.edu/oai/"},"display":{"title":"Sibelius's Seventh Symphony: Genesis, Design, Structure, and Meaning","abstract":"This study explores Sibelius's last and, perhaps, most enigmatic Symphony from historical (source-critical), Schenkerian, and transtextual perspectives. Through a detailed study of its genesis, musical architecture, and meaning, the author maintains that the Seventh, its composer, and its generative process, can best be understood as a series of verges: conceptual points of interaction between two or more forces. Verges between Sibelius's nature mysticism and the dramatic biographical circumstances of the period (1914-1924), between inspired and reasoned modes of composition, between genres (symphony and fantasy), between various form types, between tragic despair and hopeful yearning, between innovation and classicism, and between a host of other seeming oppositions, all define the Seventh Symphony and illuminate various facets of the composer's life and thought.","abstract_html":"This study explores Sibelius's last and, perhaps, most enigmatic Symphony from historical (source-critical), Schenkerian, and transtextual perspectives. Through a detailed study of its genesis, musical architecture, and meaning, the author maintains that the Seventh, its composer, and its generative process, can best be understood as a series of verges: conceptual points of interaction between two or more forces. Verges between Sibelius's nature mysticism and the dramatic biographical circumstances of the period (1914-1924), between inspired and reasoned modes of composition, between genres (symphony and fantasy), between various form types, between tragic despair and hopeful yearning, between innovation and classicism, and between a host of other seeming oppositions, all define the Seventh Symphony and illuminate various facets of the composer's life and thought.","abstract_has_math":false,"creators":["Pavlak, F. William"],"institution":"University of North Texas","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":["Jackson, Timothy L.","Cooper, J. Michael","Slottow, Stephen P."],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2004,"date_issued":"2004-05","date_published":"2004-05","updated_at":"2026-07-24T05:35:09Z","subjects":["Sibelius, Jean, 1865-1957. Symphonies, no. 7, op. 105, C major.","Jean Sibelius","Symphony No. 7","Schenkerian analysis","musical genesis","meaning"],"languages":["English"],"rights":["Public","Copyright","Pavlak, F. William, II","Copyright is held by the author, unless otherwise noted. All rights reserved."],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["oclc: 57203497","https://digital.library.unt.edu/ark:/67531/metadc4495/","ark: ark:/67531/metadc4495"],"render_values":[{"text":"oclc: 57203497","href":null,"code":true},{"text":"https://digital.library.unt.edu/ark:/67531/metadc4495/","href":"https://digital.library.unt.edu/ark:/67531/metadc4495/","code":true},{"text":"ark: ark:/67531/metadc4495","href":null,"code":true}]}]},"links":{"outbound_url":"https://doi.org/10.12794/metadc4495","outbound_label":"DOI","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Jackson, Timothy L.","Cooper, J. Michael","Slottow, Stephen P."]},{"key":"dc:creator","label":"Author","values":["Pavlak, F. 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Verges between Sibelius's nature mysticism and the dramatic biographical circumstances of the period (1914-1924), between inspired and reasoned modes of composition, between genres (symphony and fantasy), between various form types, between tragic despair and hopeful yearning, between innovation and classicism, and between a host of other seeming oppositions, all define the Seventh Symphony and illuminate various facets of the composer's life and thought."]},{"key":"dc:format","label":"Dc Format","values":["Text"]},{"key":"dc:title","label":"Title","values":["Sibelius's Seventh Symphony: Genesis, Design, Structure, and Meaning"]}]}],"canonical_facts":{"dc:contributor":["Jackson, Timothy L.","Cooper, J. Michael","Slottow, Stephen P."],"dc:creator":["Pavlak, F. William"],"dc:date":["2004-05"],"dc:description":["This study explores Sibelius's last and, perhaps, most enigmatic Symphony from historical (source-critical), Schenkerian, and transtextual perspectives. Through a detailed study of its genesis, musical architecture, and meaning, the author maintains that the Seventh, its composer, and its generative process, can best be understood as a series of verges: conceptual points of interaction between two or more forces. Verges between Sibelius's nature mysticism and the dramatic biographical circumstances of the period (1914-1924), between inspired and reasoned modes of composition, between genres (symphony and fantasy), between various form types, between tragic despair and hopeful yearning, between innovation and classicism, and between a host of other seeming oppositions, all define the Seventh Symphony and illuminate various facets of the composer's life and thought."],"dc:format":["Text"],"dc:identifier":["oclc: 57203497","doi: 10.12794/metadc4495","https://digital.library.unt.edu/ark:/67531/metadc4495/","ark: ark:/67531/metadc4495"],"dc:language":["English"],"dc:publisher":["University of North Texas"],"dc:rights":["Public","Copyright","Pavlak, F. William, II","Copyright is held by the author, unless otherwise noted. All rights reserved."],"dc:subject":["Sibelius, Jean, 1865-1957. 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