{"id":{"repo_id":"unt","oai_identifier":"info:ark/67531/metadc4290"},"canonical_url":"https://search.dev.ndltd.org/etd/unt/info:ark/67531/metadc4290","repository":{"repo_id":"unt","name":"University of North Texas","base_url":"https://digital.library.unt.edu/oai/"},"display":{"title":"Till Millennial Kingdom: A Composition for Trumpet, Three Percussionists, and Tape","abstract":"Till Millennial Kingdom is a single-movement composition, eleven minutes in length, combining a trumpet, three percussionists, and tape. Throughout this text, use of the word \"tape\" will refer to pre-recorded audio on compact disk. This is also a programmatic composition, in that it uses music to depict a non-musical event. The form and instrumentation of Till Millennial Kingdom create a musical depiction of natural and supernatural events as they relate to biblical prophecy. The trumpet makes a significant thematic contribution throughout the work and particularly during the end of the piece. The use of percussion grants an element of rhythmic agitation, and the tape part provides a musical canvas upon which all sonic elements of the work are arranged. The combination of percussion and electro-acoustic gestures represents the programmatic concept of wrath and tribulation. Ironically, the closing stages of this work musically represent the beginning of eternity.","abstract_html":"Till Millennial Kingdom is a single-movement composition, eleven minutes in length, combining a trumpet, three percussionists, and tape. Throughout this text, use of the word "tape" will refer to pre-recorded audio on compact disk. This is also a programmatic composition, in that it uses music to depict a non-musical event. The form and instrumentation of Till Millennial Kingdom create a musical depiction of natural and supernatural events as they relate to biblical prophecy. The trumpet makes a significant thematic contribution throughout the work and particularly during the end of the piece. The use of percussion grants an element of rhythmic agitation, and the tape part provides a musical canvas upon which all sonic elements of the work are arranged. The combination of percussion and electro-acoustic gestures represents the programmatic concept of wrath and tribulation. Ironically, the closing stages of this work musically represent the beginning of eternity.","abstract_has_math":false,"creators":["Stegall, Jermaine Edward"],"institution":"University of North Texas","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":["McTee, Cindy, 1953-","Couturiaux, Clay","Klein, Joseph, 1962-"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2003,"date_issued":"2003-08","date_published":"2003-08","updated_at":"2026-07-24T05:35:09Z","subjects":["Quintets (Trumpet, percussion, electronics) -- Scores.","percussion","biblical prophecy","trumpet","tape","millennium"],"languages":["English"],"rights":["Public","Copyright","Stegall, Jermaine Edward","Copyright is held by the author, unless otherwise noted. All rights reserved."],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["oclc: 53893645","https://digital.library.unt.edu/ark:/67531/metadc4290/","ark: ark:/67531/metadc4290"],"render_values":[{"text":"oclc: 53893645","href":null,"code":true},{"text":"https://digital.library.unt.edu/ark:/67531/metadc4290/","href":"https://digital.library.unt.edu/ark:/67531/metadc4290/","code":true},{"text":"ark: ark:/67531/metadc4290","href":null,"code":true}]}]},"links":{"outbound_url":"https://doi.org/10.12794/metadc4290","outbound_label":"DOI","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["McTee, Cindy, 1953-","Couturiaux, Clay","Klein, Joseph, 1962-"]},{"key":"dc:creator","label":"Author","values":["Stegall, Jermaine Edward"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2003-08"]},{"key":"dc:publisher","label":"Institution","values":["University of North Texas"]},{"key":"dc:type","label":"Dc Type","values":["Thesis or Dissertation"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Quintets (Trumpet, percussion, electronics) -- Scores.","percussion","biblical prophecy","trumpet","tape","millennium"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English"]},{"key":"dc:rights","label":"Dc Rights","values":["Public","Copyright","Stegall, Jermaine Edward","Copyright is held by the author, unless otherwise noted. 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The use of percussion grants an element of rhythmic agitation, and the tape part provides a musical canvas upon which all sonic elements of the work are arranged. The combination of percussion and electro-acoustic gestures represents the programmatic concept of wrath and tribulation. Ironically, the closing stages of this work musically represent the beginning of eternity."]},{"key":"dc:format","label":"Dc Format","values":["Text"]},{"key":"dc:title","label":"Title","values":["Till Millennial Kingdom: A Composition for Trumpet, Three Percussionists, and Tape"]}]}],"canonical_facts":{"dc:contributor":["McTee, Cindy, 1953-","Couturiaux, Clay","Klein, Joseph, 1962-"],"dc:creator":["Stegall, Jermaine Edward"],"dc:date":["2003-08"],"dc:description":["Till Millennial Kingdom is a single-movement composition, eleven minutes in length, combining a trumpet, three percussionists, and tape. Throughout this text, use of the word \"tape\" will refer to pre-recorded audio on compact disk. This is also a programmatic composition, in that it uses music to depict a non-musical event. The form and instrumentation of Till Millennial Kingdom create a musical depiction of natural and supernatural events as they relate to biblical prophecy. The trumpet makes a significant thematic contribution throughout the work and particularly during the end of the piece. The use of percussion grants an element of rhythmic agitation, and the tape part provides a musical canvas upon which all sonic elements of the work are arranged. The combination of percussion and electro-acoustic gestures represents the programmatic concept of wrath and tribulation. Ironically, the closing stages of this work musically represent the beginning of eternity."],"dc:format":["Text"],"dc:identifier":["oclc: 53893645","doi: 10.12794/metadc4290","https://digital.library.unt.edu/ark:/67531/metadc4290/","ark: ark:/67531/metadc4290"],"dc:language":["English"],"dc:publisher":["University of North Texas"],"dc:rights":["Public","Copyright","Stegall, Jermaine Edward","Copyright is held by the author, unless otherwise noted. All rights reserved."],"dc:subject":["Quintets (Trumpet, percussion, electronics) -- Scores.","percussion","biblical prophecy","trumpet","tape","millennium"],"dc:title":["Till Millennial Kingdom: A Composition for Trumpet, Three Percussionists, and Tape"],"dc:type":["Thesis or Dissertation"]},"updated_at":"2026-07-24T05:35:09Z"}