{"id":{"repo_id":"unt","oai_identifier":"info:ark/67531/metadc4267"},"canonical_url":"https://search.dev.ndltd.org/etd/unt/info:ark/67531/metadc4267","repository":{"repo_id":"unt","name":"University of North Texas","base_url":"https://digital.library.unt.edu/oai/"},"display":{"title":"In Martha We Trust? The Cultural Significance of the Martha Stewart Phenomenon","abstract":"The thesis examines the relationship between Martha Stewart's rendition of domesticity and a broader cultural trend of the late 1990s U.S. domestic retreatism. It argues that the mode of construction and representation of the \"domestic dream\" in Stewart's programs cannot be examined outside of such concepts as class and ethnicity, whose understanding depends on the cultural, social, and political context of a given era, a context, in which they become transparent as aspects of the Western (white, patriarchal) status quo. Performing a deconstructive reading of these categories as employed by Stewart in the process of creation of her media persona, the thesis examines what the negative as well as positive reactions to \"Martha Stewart\" convey about the condition of American society of the late 1990s and early 2000s.","abstract_html":"The thesis examines the relationship between Martha Stewart's rendition of domesticity and a broader cultural trend of the late 1990s U.S. domestic retreatism. It argues that the mode of construction and representation of the "domestic dream" in Stewart's programs cannot be examined outside of such concepts as class and ethnicity, whose understanding depends on the cultural, social, and political context of a given era, a context, in which they become transparent as aspects of the Western (white, patriarchal) status quo. Performing a deconstructive reading of these categories as employed by Stewart in the process of creation of her media persona, the thesis examines what the negative as well as positive reactions to "Martha Stewart" convey about the condition of American society of the late 1990s and early 2000s.","abstract_has_math":false,"creators":["Chmielewska, Katarzyna"],"institution":"University of North Texas","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":["Benshoff, Harry","Kompare, Derek","Levin, C. Melinda"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2003,"date_issued":"2003-08","date_published":"2003-08","updated_at":"2026-07-24T05:35:09Z","subjects":["Stewart, Martha.","United States -- Social life and customs -- 1971-","Home -- United States -- History -- 20th century.","Mass media -- United States -- History -- 20th century.","domesticity","media studies","gender studies","ethnicity","television criticism"],"languages":["English"],"rights":["Use restricted to UNT Community","Copyright","Chmielewska, Katarzyna","Copyright is held by the author, unless otherwise noted. All rights reserved."],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["oclc: 53314919","https://digital.library.unt.edu/ark:/67531/metadc4267/","ark: ark:/67531/metadc4267"],"render_values":[{"text":"oclc: 53314919","href":null,"code":true},{"text":"https://digital.library.unt.edu/ark:/67531/metadc4267/","href":"https://digital.library.unt.edu/ark:/67531/metadc4267/","code":true},{"text":"ark: ark:/67531/metadc4267","href":null,"code":true}]}]},"links":{"outbound_url":"https://doi.org/10.12794/metadc4267","outbound_label":"DOI","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Benshoff, Harry","Kompare, Derek","Levin, C. 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Performing a deconstructive reading of these categories as employed by Stewart in the process of creation of her media persona, the thesis examines what the negative as well as positive reactions to \"Martha Stewart\" convey about the condition of American society of the late 1990s and early 2000s."]},{"key":"dc:format","label":"Dc Format","values":["Text"]},{"key":"dc:title","label":"Title","values":["In Martha We Trust? The Cultural Significance of the Martha Stewart Phenomenon"]}]}],"canonical_facts":{"dc:contributor":["Benshoff, Harry","Kompare, Derek","Levin, C. Melinda"],"dc:creator":["Chmielewska, Katarzyna"],"dc:date":["2003-08"],"dc:description":["The thesis examines the relationship between Martha Stewart's rendition of domesticity and a broader cultural trend of the late 1990s U.S. domestic retreatism. It argues that the mode of construction and representation of the \"domestic dream\" in Stewart's programs cannot be examined outside of such concepts as class and ethnicity, whose understanding depends on the cultural, social, and political context of a given era, a context, in which they become transparent as aspects of the Western (white, patriarchal) status quo. Performing a deconstructive reading of these categories as employed by Stewart in the process of creation of her media persona, the thesis examines what the negative as well as positive reactions to \"Martha Stewart\" convey about the condition of American society of the late 1990s and early 2000s."],"dc:format":["Text"],"dc:identifier":["oclc: 53314919","doi: 10.12794/metadc4267","https://digital.library.unt.edu/ark:/67531/metadc4267/","ark: ark:/67531/metadc4267"],"dc:language":["English"],"dc:publisher":["University of North Texas"],"dc:rights":["Use restricted to UNT Community","Copyright","Chmielewska, Katarzyna","Copyright is held by the author, unless otherwise noted. 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