{"id":{"repo_id":"unt","oai_identifier":"info:ark/67531/metadc4183"},"canonical_url":"https://search.dev.ndltd.org/etd/unt/info:ark/67531/metadc4183","repository":{"repo_id":"unt","name":"University of North Texas","base_url":"https://digital.library.unt.edu/oai/"},"display":{"title":"Martha Gellhorn and Ernest Hemingway: A Literary Relationship","abstract":"Martha Gellhorn and Ernest Hemingway met in Key West in 1937, married in 1941, and divorced in 1945. Gellhorn's work exhibits a strong influence from Hemingway's work, including collaboration on her work during their marriage. I will discuss three of her six novels: WMP (1934), Liana (1944), and Point of No Return (1948). The areas of influence that I will rely on in many ways follow the stages Harold Bloom outlines in Anxiety of Influence. Gellhorn's work exposes a stage of influence that Bloom does not describe-which I term collaborative. By looking at Hemingway's influence in Gellhorn's writing the difference between traditional literary influence and collaborative influence can be compared and analyzed, revealing the footprints left in a work by a collaborating author as opposed to simply an influential one.","abstract_html":"Martha Gellhorn and Ernest Hemingway met in Key West in 1937, married in 1941, and divorced in 1945. Gellhorn's work exhibits a strong influence from Hemingway's work, including collaboration on her work during their marriage. I will discuss three of her six novels: WMP (1934), Liana (1944), and Point of No Return (1948). The areas of influence that I will rely on in many ways follow the stages Harold Bloom outlines in Anxiety of Influence. Gellhorn's work exposes a stage of influence that Bloom does not describe-which I term collaborative. By looking at Hemingway's influence in Gellhorn's writing the difference between traditional literary influence and collaborative influence can be compared and analyzed, revealing the footprints left in a work by a collaborating author as opposed to simply an influential one.","abstract_has_math":false,"creators":["Salmon, H. L."],"institution":"University of North Texas","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":["Parrish, Timothy","Shillingsburg, Peter","Vanhoutte, Jacqueline, 1968-"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2003,"date_issued":"2003-05","date_published":"2003-05","updated_at":"2026-07-24T05:35:09Z","subjects":["Gellhorn, Martha, 1908-1998 -- Criticism and interpretation.","Hemingway, Ernest, 1899-1961 -- Influence.","Liana","WMP","Martha Gellhorn","Ernest Hemingway","influence"],"languages":["English"],"rights":["Public","Copyright","Salmon, H. L.","Copyright is held by the author, unless otherwise noted. All rights reserved."],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["oclc: 53126303","https://digital.library.unt.edu/ark:/67531/metadc4183/","ark: ark:/67531/metadc4183"],"render_values":[{"text":"oclc: 53126303","href":null,"code":true},{"text":"https://digital.library.unt.edu/ark:/67531/metadc4183/","href":"https://digital.library.unt.edu/ark:/67531/metadc4183/","code":true},{"text":"ark: ark:/67531/metadc4183","href":null,"code":true}]}]},"links":{"outbound_url":"https://doi.org/10.12794/metadc4183","outbound_label":"DOI","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Parrish, Timothy","Shillingsburg, Peter","Vanhoutte, Jacqueline, 1968-"]},{"key":"dc:creator","label":"Author","values":["Salmon, H. L."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2003-05"]},{"key":"dc:publisher","label":"Institution","values":["University of North Texas"]},{"key":"dc:type","label":"Dc Type","values":["Thesis or Dissertation"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Gellhorn, Martha, 1908-1998 -- Criticism and interpretation.","Hemingway, Ernest, 1899-1961 -- Influence.","Liana","WMP","Martha Gellhorn","Ernest Hemingway","influence"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English"]},{"key":"dc:rights","label":"Dc Rights","values":["Public","Copyright","Salmon, H. L.","Copyright is held by the author, unless otherwise noted. All rights reserved."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["oclc: 53126303","doi: 10.12794/metadc4183","https://digital.library.unt.edu/ark:/67531/metadc4183/","ark: ark:/67531/metadc4183"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Martha Gellhorn and Ernest Hemingway met in Key West in 1937, married in 1941, and divorced in 1945. Gellhorn's work exhibits a strong influence from Hemingway's work, including collaboration on her work during their marriage. I will discuss three of her six novels: WMP (1934), Liana (1944), and Point of No Return (1948). The areas of influence that I will rely on in many ways follow the stages Harold Bloom outlines in Anxiety of Influence. Gellhorn's work exposes a stage of influence that Bloom does not describe-which I term collaborative. By looking at Hemingway's influence in Gellhorn's writing the difference between traditional literary influence and collaborative influence can be compared and analyzed, revealing the footprints left in a work by a collaborating author as opposed to simply an influential one."]},{"key":"dc:format","label":"Dc Format","values":["Text"]},{"key":"dc:title","label":"Title","values":["Martha Gellhorn and Ernest Hemingway: A Literary Relationship"]}]}],"canonical_facts":{"dc:contributor":["Parrish, Timothy","Shillingsburg, Peter","Vanhoutte, Jacqueline, 1968-"],"dc:creator":["Salmon, H. L."],"dc:date":["2003-05"],"dc:description":["Martha Gellhorn and Ernest Hemingway met in Key West in 1937, married in 1941, and divorced in 1945. Gellhorn's work exhibits a strong influence from Hemingway's work, including collaboration on her work during their marriage. I will discuss three of her six novels: WMP (1934), Liana (1944), and Point of No Return (1948). The areas of influence that I will rely on in many ways follow the stages Harold Bloom outlines in Anxiety of Influence. Gellhorn's work exposes a stage of influence that Bloom does not describe-which I term collaborative. By looking at Hemingway's influence in Gellhorn's writing the difference between traditional literary influence and collaborative influence can be compared and analyzed, revealing the footprints left in a work by a collaborating author as opposed to simply an influential one."],"dc:format":["Text"],"dc:identifier":["oclc: 53126303","doi: 10.12794/metadc4183","https://digital.library.unt.edu/ark:/67531/metadc4183/","ark: ark:/67531/metadc4183"],"dc:language":["English"],"dc:publisher":["University of North Texas"],"dc:rights":["Public","Copyright","Salmon, H. L.","Copyright is held by the author, unless otherwise noted. All rights reserved."],"dc:subject":["Gellhorn, Martha, 1908-1998 -- Criticism and interpretation.","Hemingway, Ernest, 1899-1961 -- Influence.","Liana","WMP","Martha Gellhorn","Ernest Hemingway","influence"],"dc:title":["Martha Gellhorn and Ernest Hemingway: A Literary Relationship"],"dc:type":["Thesis or Dissertation"]},"updated_at":"2026-07-24T05:35:09Z"}