{"id":{"repo_id":"unt","oai_identifier":"info:ark/67531/metadc3909"},"canonical_url":"https://search.dev.ndltd.org/etd/unt/info:ark/67531/metadc3909","repository":{"repo_id":"unt","name":"University of North Texas","base_url":"https://digital.library.unt.edu/oai/"},"display":{"title":"Manuel M. Ponce: A critical study of his Concierto Romántico for piano and orchestra.","abstract":"The Concierto Romántico for Piano and Orchestra is one of Manuel M. Ponce's outstanding compositional accomplishments from his Romantic period, reflecting both the state of Mexican music at the turn of the 20th century, and his early nationalist tendencies. However, it remains the only concerto in Ponce's output in need of a more comprehensive analysis. This treatise focuses on a global investigative that examines descriptive and analytic references to the work, as well as a comparison and clarification of the existing score sources. An analytical and stylistic musical study using conventional theoretical techniques leads to a musicological interpretation of the work's extra-musical meaning, based on close assessments of Ponce's compositional practice and social principles.","abstract_html":"The Concierto Romántico for Piano and Orchestra is one of Manuel M. Ponce's outstanding compositional accomplishments from his Romantic period, reflecting both the state of Mexican music at the turn of the 20th century, and his early nationalist tendencies. However, it remains the only concerto in Ponce's output in need of a more comprehensive analysis. This treatise focuses on a global investigative that examines descriptive and analytic references to the work, as well as a comparison and clarification of the existing score sources. An analytical and stylistic musical study using conventional theoretical techniques leads to a musicological interpretation of the work's extra-musical meaning, based on close assessments of Ponce's compositional practice and social principles.","abstract_has_math":false,"creators":["Vázquez, Carlos Balam"],"institution":"University of North Texas","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":["Romero, Gustavo","Anderson, Mark","Schwarz, David, 1952-"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2007,"date_issued":"2007-08","date_published":"2007-08","updated_at":"2026-07-24T05:35:09Z","subjects":["score sources","Concierto Romántico","concertos","piano","orchestra","Ponce, Manuel M. (Manuel María), 1882-1948. Concierto romántico."],"languages":["English"],"rights":["Public","Copyright","Vázquez, Carlos Balam","Copyright is held by the author, unless otherwise noted. All rights reserved."],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["oclc: 212624708","https://digital.library.unt.edu/ark:/67531/metadc3909/","ark: ark:/67531/metadc3909"],"render_values":[{"text":"oclc: 212624708","href":null,"code":true},{"text":"https://digital.library.unt.edu/ark:/67531/metadc3909/","href":"https://digital.library.unt.edu/ark:/67531/metadc3909/","code":true},{"text":"ark: ark:/67531/metadc3909","href":null,"code":true}]}]},"links":{"outbound_url":"https://doi.org/10.12794/metadc3909","outbound_label":"DOI","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Romero, Gustavo","Anderson, Mark","Schwarz, David, 1952-"]},{"key":"dc:creator","label":"Author","values":["Vázquez, Carlos Balam"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2007-08"]},{"key":"dc:publisher","label":"Institution","values":["University of North Texas"]},{"key":"dc:type","label":"Dc Type","values":["Thesis or Dissertation"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["score sources","Concierto Romántico","concertos","piano","orchestra","Ponce, Manuel M. (Manuel María), 1882-1948. Concierto romántico."]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English"]},{"key":"dc:rights","label":"Dc Rights","values":["Public","Copyright","Vázquez, Carlos Balam","Copyright is held by the author, unless otherwise noted. All rights reserved."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["oclc: 212624708","doi: 10.12794/metadc3909","https://digital.library.unt.edu/ark:/67531/metadc3909/","ark: ark:/67531/metadc3909"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["The Concierto Romántico for Piano and Orchestra is one of Manuel M. Ponce's outstanding compositional accomplishments from his Romantic period, reflecting both the state of Mexican music at the turn of the 20th century, and his early nationalist tendencies. However, it remains the only concerto in Ponce's output in need of a more comprehensive analysis. This treatise focuses on a global investigative that examines descriptive and analytic references to the work, as well as a comparison and clarification of the existing score sources. An analytical and stylistic musical study using conventional theoretical techniques leads to a musicological interpretation of the work's extra-musical meaning, based on close assessments of Ponce's compositional practice and social principles."]},{"key":"dc:format","label":"Dc Format","values":["Text"]},{"key":"dc:title","label":"Title","values":["Manuel M. Ponce: A critical study of his Concierto Romántico for piano and orchestra."]}]}],"canonical_facts":{"dc:contributor":["Romero, Gustavo","Anderson, Mark","Schwarz, David, 1952-"],"dc:creator":["Vázquez, Carlos Balam"],"dc:date":["2007-08"],"dc:description":["The Concierto Romántico for Piano and Orchestra is one of Manuel M. Ponce's outstanding compositional accomplishments from his Romantic period, reflecting both the state of Mexican music at the turn of the 20th century, and his early nationalist tendencies. However, it remains the only concerto in Ponce's output in need of a more comprehensive analysis. This treatise focuses on a global investigative that examines descriptive and analytic references to the work, as well as a comparison and clarification of the existing score sources. An analytical and stylistic musical study using conventional theoretical techniques leads to a musicological interpretation of the work's extra-musical meaning, based on close assessments of Ponce's compositional practice and social principles."],"dc:format":["Text"],"dc:identifier":["oclc: 212624708","doi: 10.12794/metadc3909","https://digital.library.unt.edu/ark:/67531/metadc3909/","ark: ark:/67531/metadc3909"],"dc:language":["English"],"dc:publisher":["University of North Texas"],"dc:rights":["Public","Copyright","Vázquez, Carlos Balam","Copyright is held by the author, unless otherwise noted. All rights reserved."],"dc:subject":["score sources","Concierto Romántico","concertos","piano","orchestra","Ponce, Manuel M. (Manuel María), 1882-1948. Concierto romántico."],"dc:title":["Manuel M. Ponce: A critical study of his Concierto Romántico for piano and orchestra."],"dc:type":["Thesis or Dissertation"]},"updated_at":"2026-07-24T05:35:09Z"}