Distances

I provide in my preface a brief account of my development as a creative writer. Through this development I draw an analogy to the evolution of modern science by stating that my need for personal clarity is analogous to the charge for empirical clarity of modern science. Furthermore, I contrast the objectivism of modern science to the subjectivism of creative writing. The four short stories in my thesis range from a semi-autobiographical story, to two short stories that stem out further and further from the subjective origin of the first story. The story of greatest distance is “Fireflies,” which is not semi-autobiographical, but pure fiction. The final short story returns to the subjective origin of the first. The drive of Distances is thereby to create a sort parabola: a subjective, semi-autobiographical origin, to an objective, purely fictional crest, then a return to that subjective, semi-autobiographical origin. The entire collection is a holistic, ultimately subjective, and therefore personal experience; yet, through the use certain tropes,metaphors others can relate to, the stories are paradoxically sharable.

Grantor dc:publisher

University of North Texas

Year dc:date

2007

Author dc:creator

• Esteves, Jason

Contributors dc:contributor

• Tait, John, 1969-
• Simpkins, Scott, 1958-
• Peters, John G.
• Armintor, Marshall Needleman

• autonomy
• modern science
• reductionism
• ethnic
• clarity
• subjectivism

Statement dc:rights

• Public
• Copyright
• Esteves, Jason
• Copyright is held by the author, unless otherwise noted. All rights reserved.

Language dc:language

English

Identifier

oclc: 180094902
https://digital.library.unt.edu/ark:/67531/metadc3675/
ark: ark:/67531/metadc3675

OAI identifier oai:identifier

info:ark/67531/metadc3675