University of North Texas
Scoring for the Specter: Dualities in the Music of the Ghost Scene in Four Film Adaptations of Hamlet
Abstract
dc:descriptionThis document's purpose is to analyze dualities found in different films of Shakespeare's Hamlet. Each version brings different ideas to it. By analyzing each version and focusing on the Ghost Scene, comparisons of the scene's symbolism are made between the musical scores. The beginning chapters provide a history of film, film music, the play, and events up to the ghost scene. After these chapters come analyses of the scene itself. Each version uses different parts of the play for its own purposes, but there are many commonalities between them. The score for each version of the Ghost Scene will be analyzed independently of each other. This work will contribute to musicology, film research, Shakespeare studies, and English scholarship.
Degree
thesis:*- Grantor dc:publisher
- University of North Texas
- Year dc:date
- 2002
Author and committee
dc:creator, dc:contributor.*- Author dc:creator
-
- Dunn, John T.
- Contributors dc:contributor
-
- McKnight, Mark, 1951-
- Notley, Margaret Anne
- Jackson, Timothy L.
Subjects
dc:subject × 8Rights
dc:rights- Statement dc:rights
-
- Public
- Copyright
- Dunn, John T.
- Copyright is held by the author, unless otherwise noted. All rights reserved.
- Language dc:language
- English
Identifiers
dc:identifier.*- Identifier
-
oclc: 50852595
https://digital.library.unt.edu/ark:/67531/metadc3253/
ark: ark:/67531/metadc3253 - OAI identifier oai:identifier
- info:ark/67531/metadc3253