{"id":{"repo_id":"unt","oai_identifier":"info:ark/67531/metadc3245"},"canonical_url":"https://search.dev.ndltd.org/etd/unt/info:ark/67531/metadc3245","repository":{"repo_id":"unt","name":"University of North Texas","base_url":"https://digital.library.unt.edu/oai/"},"display":{"title":"An Analysis of Periodic Rhythmic Structures in the Music of Steve Reich and György Ligeti","abstract":"The compositions of Steve Reich and György Ligeti both contain periodic rhythmic structures. Although periods are not usually easily perceived, the listener may perceive their combinations in a hierarchy of rhythmic structures. This document is an attempt to develop an analytical method that can account for this hierarchy in periodic music. I begin with an overview of the features of Reich's and Ligeti's music that contribute to the property of periodicity. I follow with a discussion of the music and writings of Olivier Messiaen as a precedent for the periodic structures in the music of Reich and Ligeti. I continue by consulting the writings of the Israeli musicologist Simha Arom and describing the usefulness of his ideas and terminology in the development of my method. I explain the working process and terminology of the analytical method, and then I apply it to Reich's Six Pianos and Ligeti's Désordre.","abstract_html":"The compositions of Steve Reich and György Ligeti both contain periodic rhythmic structures. Although periods are not usually easily perceived, the listener may perceive their combinations in a hierarchy of rhythmic structures. This document is an attempt to develop an analytical method that can account for this hierarchy in periodic music. I begin with an overview of the features of Reich's and Ligeti's music that contribute to the property of periodicity. I follow with a discussion of the music and writings of Olivier Messiaen as a precedent for the periodic structures in the music of Reich and Ligeti. I continue by consulting the writings of the Israeli musicologist Simha Arom and describing the usefulness of his ideas and terminology in the development of my method. I explain the working process and terminology of the analytical method, and then I apply it to Reich's Six Pianos and Ligeti's Désordre.","abstract_has_math":false,"creators":["Isgitt, David"],"institution":"University of North Texas","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":["Dworak, Paul E., 1951-","Groom-Thornton, Joan","Klein, Joseph, 1962-"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2002,"date_issued":"2002-08","date_published":"2002-08","updated_at":"2026-07-24T05:34:52Z","subjects":["Rhythm.","Reich, Steve, 1936- Six pianos.","Ligeti, György, 1923-2006. Etudes, piano, book 1. Désordre.","rhythmic structures","periodicity","hierarchy","music"],"languages":["English"],"rights":["Public","Copyright","Isgitt, David","Copyright is held by the author, unless otherwise noted. All rights reserved."],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["oclc: 50852612","https://digital.library.unt.edu/ark:/67531/metadc3245/","ark: ark:/67531/metadc3245"],"render_values":[{"text":"oclc: 50852612","href":null,"code":true},{"text":"https://digital.library.unt.edu/ark:/67531/metadc3245/","href":"https://digital.library.unt.edu/ark:/67531/metadc3245/","code":true},{"text":"ark: ark:/67531/metadc3245","href":null,"code":true}]}]},"links":{"outbound_url":"https://doi.org/10.12794/metadc3245","outbound_label":"DOI","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Dworak, Paul E., 1951-","Groom-Thornton, Joan","Klein, Joseph, 1962-"]},{"key":"dc:creator","label":"Author","values":["Isgitt, David"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2002-08"]},{"key":"dc:publisher","label":"Institution","values":["University of North Texas"]},{"key":"dc:type","label":"Dc Type","values":["Thesis or Dissertation"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Rhythm.","Reich, Steve, 1936- Six pianos.","Ligeti, György, 1923-2006. 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This document is an attempt to develop an analytical method that can account for this hierarchy in periodic music. I begin with an overview of the features of Reich's and Ligeti's music that contribute to the property of periodicity. I follow with a discussion of the music and writings of Olivier Messiaen as a precedent for the periodic structures in the music of Reich and Ligeti. I continue by consulting the writings of the Israeli musicologist Simha Arom and describing the usefulness of his ideas and terminology in the development of my method. I explain the working process and terminology of the analytical method, and then I apply it to Reich's Six Pianos and Ligeti's Désordre."]},{"key":"dc:format","label":"Dc Format","values":["Text"]},{"key":"dc:title","label":"Title","values":["An Analysis of Periodic Rhythmic Structures in the Music of Steve Reich and György Ligeti"]}]}],"canonical_facts":{"dc:contributor":["Dworak, Paul E., 1951-","Groom-Thornton, Joan","Klein, Joseph, 1962-"],"dc:creator":["Isgitt, David"],"dc:date":["2002-08"],"dc:description":["The compositions of Steve Reich and György Ligeti both contain periodic rhythmic structures. Although periods are not usually easily perceived, the listener may perceive their combinations in a hierarchy of rhythmic structures. This document is an attempt to develop an analytical method that can account for this hierarchy in periodic music. I begin with an overview of the features of Reich's and Ligeti's music that contribute to the property of periodicity. I follow with a discussion of the music and writings of Olivier Messiaen as a precedent for the periodic structures in the music of Reich and Ligeti. I continue by consulting the writings of the Israeli musicologist Simha Arom and describing the usefulness of his ideas and terminology in the development of my method. I explain the working process and terminology of the analytical method, and then I apply it to Reich's Six Pianos and Ligeti's Désordre."],"dc:format":["Text"],"dc:identifier":["oclc: 50852612","doi: 10.12794/metadc3245","https://digital.library.unt.edu/ark:/67531/metadc3245/","ark: ark:/67531/metadc3245"],"dc:language":["English"],"dc:publisher":["University of North Texas"],"dc:rights":["Public","Copyright","Isgitt, David","Copyright is held by the author, unless otherwise noted. All rights reserved."],"dc:subject":["Rhythm.","Reich, Steve, 1936- Six pianos.","Ligeti, György, 1923-2006. Etudes, piano, book 1. 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