{"id":{"repo_id":"unt","oai_identifier":"info:ark/67531/metadc3052"},"canonical_url":"https://search.dev.ndltd.org/etd/unt/info:ark/67531/metadc3052","repository":{"repo_id":"unt","name":"University of North Texas","base_url":"https://digital.library.unt.edu/oai/"},"display":{"title":"Form and Lyricism as Elements of Neo-Romanticism in Summer Music Op. 31 by Samuel Barber (1957) with three recitals of selected works by Bach, Mozart, Hindemith, Handel, Gaubert, and others","abstract":"The music of Samuel Barber is well known in the vocal, piano, and string literature; however, little of his chamber music involves woodwinds, and in particular, only one work involves the woodwind quintet. Summer Music, originally commissioned as a septet, developed after the premiere of the work into the woodwind quintet version, with the assistance of the New York Woodwind Quintet. Barber is considered a contemporary .romantic. composer, evidenced through his use of lyricism. Summer Music, a standard in the woodwind quintet literature, should be included in every professional flutist's repertoire. The intent of this dissertation is to consider Barber's use of lyricism as a determinant of the form of Summer Music, as well as to compare the differences between the manuscript and the published edition.","abstract_html":"The music of Samuel Barber is well known in the vocal, piano, and string literature; however, little of his chamber music involves woodwinds, and in particular, only one work involves the woodwind quintet. Summer Music, originally commissioned as a septet, developed after the premiere of the work into the woodwind quintet version, with the assistance of the New York Woodwind Quintet. Barber is considered a contemporary .romantic. composer, evidenced through his use of lyricism. Summer Music, a standard in the woodwind quintet literature, should be included in every professional flutist's repertoire. The intent of this dissertation is to consider Barber's use of lyricism as a determinant of the form of Summer Music, as well as to compare the differences between the manuscript and the published edition.","abstract_has_math":false,"creators":["Grosklos, Hollie Jo"],"institution":"University of North Texas","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":["Clardy, Mary Karen","Dworak, Paul E., 1951-","Eustis, Lynn","Scott, John C. (John Charles), 1947-","Sundberg, Terri","Veazey, Charles O."],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2001,"date_issued":"2001-12","date_published":"2001-12","updated_at":"2026-07-24T05:34:52Z","subjects":["Barber, Samuel, 1910-1981. Summer music.","Summer Music Op. 31","chamber music","form","lyricism","neo-romanticism"],"languages":["English"],"rights":["Public","Copyright","Grosklos, Hollie Jo","Copyright is held by the author, unless otherwise noted. All rights reserved."],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["oclc: 52041941","https://digital.library.unt.edu/ark:/67531/metadc3052/","ark: ark:/67531/metadc3052"],"render_values":[{"text":"oclc: 52041941","href":null,"code":true},{"text":"https://digital.library.unt.edu/ark:/67531/metadc3052/","href":"https://digital.library.unt.edu/ark:/67531/metadc3052/","code":true},{"text":"ark: ark:/67531/metadc3052","href":null,"code":true}]}]},"links":{"outbound_url":"https://doi.org/10.12794/metadc3052","outbound_label":"DOI","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Clardy, Mary Karen","Dworak, Paul E., 1951-","Eustis, Lynn","Scott, John C. (John Charles), 1947-","Sundberg, Terri","Veazey, Charles O."]},{"key":"dc:creator","label":"Author","values":["Grosklos, Hollie Jo"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2001-12"]},{"key":"dc:publisher","label":"Institution","values":["University of North Texas"]},{"key":"dc:type","label":"Dc Type","values":["Thesis or Dissertation"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Barber, Samuel, 1910-1981. Summer music.","Summer Music Op. 31","chamber music","form","lyricism","neo-romanticism"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English"]},{"key":"dc:rights","label":"Dc Rights","values":["Public","Copyright","Grosklos, Hollie Jo","Copyright is held by the author, unless otherwise noted. All rights reserved."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["oclc: 52041941","doi: 10.12794/metadc3052","https://digital.library.unt.edu/ark:/67531/metadc3052/","ark: ark:/67531/metadc3052"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["The music of Samuel Barber is well known in the vocal, piano, and string literature; however, little of his chamber music involves woodwinds, and in particular, only one work involves the woodwind quintet. Summer Music, originally commissioned as a septet, developed after the premiere of the work into the woodwind quintet version, with the assistance of the New York Woodwind Quintet. Barber is considered a contemporary .romantic. composer, evidenced through his use of lyricism. Summer Music, a standard in the woodwind quintet literature, should be included in every professional flutist's repertoire. The intent of this dissertation is to consider Barber's use of lyricism as a determinant of the form of Summer Music, as well as to compare the differences between the manuscript and the published edition."]},{"key":"dc:format","label":"Dc Format","values":["Text"]},{"key":"dc:title","label":"Title","values":["Form and Lyricism as Elements of Neo-Romanticism in Summer Music Op. 31 by Samuel Barber (1957) with three recitals of selected works by Bach, Mozart, Hindemith, Handel, Gaubert, and others"]}]}],"canonical_facts":{"dc:contributor":["Clardy, Mary Karen","Dworak, Paul E., 1951-","Eustis, Lynn","Scott, John C. (John Charles), 1947-","Sundberg, Terri","Veazey, Charles O."],"dc:creator":["Grosklos, Hollie Jo"],"dc:date":["2001-12"],"dc:description":["The music of Samuel Barber is well known in the vocal, piano, and string literature; however, little of his chamber music involves woodwinds, and in particular, only one work involves the woodwind quintet. Summer Music, originally commissioned as a septet, developed after the premiere of the work into the woodwind quintet version, with the assistance of the New York Woodwind Quintet. Barber is considered a contemporary .romantic. composer, evidenced through his use of lyricism. Summer Music, a standard in the woodwind quintet literature, should be included in every professional flutist's repertoire. The intent of this dissertation is to consider Barber's use of lyricism as a determinant of the form of Summer Music, as well as to compare the differences between the manuscript and the published edition."],"dc:format":["Text"],"dc:identifier":["oclc: 52041941","doi: 10.12794/metadc3052","https://digital.library.unt.edu/ark:/67531/metadc3052/","ark: ark:/67531/metadc3052"],"dc:language":["English"],"dc:publisher":["University of North Texas"],"dc:rights":["Public","Copyright","Grosklos, Hollie Jo","Copyright is held by the author, unless otherwise noted. All rights reserved."],"dc:subject":["Barber, Samuel, 1910-1981. Summer music.","Summer Music Op. 31","chamber music","form","lyricism","neo-romanticism"],"dc:title":["Form and Lyricism as Elements of Neo-Romanticism in Summer Music Op. 31 by Samuel Barber (1957) with three recitals of selected works by Bach, Mozart, Hindemith, Handel, Gaubert, and others"],"dc:type":["Thesis or Dissertation"]},"updated_at":"2026-07-24T05:34:52Z"}