{"id":{"repo_id":"unt","oai_identifier":"info:ark/67531/metadc2793"},"canonical_url":"https://search.dev.ndltd.org/etd/unt/info:ark/67531/metadc2793","repository":{"repo_id":"unt","name":"University of North Texas","base_url":"https://digital.library.unt.edu/oai/"},"display":{"title":"The Last Laugh: Selected Edwardian Punch Cartoons of Edward Linley Sambourne","abstract":"The illustrative work of Edward Linley Sambourne for Punch magazine during the period 1901-1910 addresses a myriad of political topics prevalent during the Edwardian period in British history. This thesis examines two of those topics - Women's Suffrage and Socialism - through their artistic treatment by one of Britain's most influential periodicals. Through a study of the historical context and iconography of selected cartoons-of-the-week, one is better equipped to understand and appreciate the meaning, message, and humor in the cartoons. Chapter 1 introduces the Sambourne, Punch magazine, and the Edwardian period in general. Chapters 2 and 3 discuss four Women's Suffrage cartoons and four Socialism cartoons respectively. Chapter 4 draws conclusions regarding Sambourne's techniques as a cartoonist as well as the relationship between the text and image in his illustrations.","abstract_html":"The illustrative work of Edward Linley Sambourne for Punch magazine during the period 1901-1910 addresses a myriad of political topics prevalent during the Edwardian period in British history. This thesis examines two of those topics - Women's Suffrage and Socialism - through their artistic treatment by one of Britain's most influential periodicals. Through a study of the historical context and iconography of selected cartoons-of-the-week, one is better equipped to understand and appreciate the meaning, message, and humor in the cartoons. Chapter 1 introduces the Sambourne, Punch magazine, and the Edwardian period in general. Chapters 2 and 3 discuss four Women's Suffrage cartoons and four Socialism cartoons respectively. Chapter 4 draws conclusions regarding Sambourne's techniques as a cartoonist as well as the relationship between the text and image in his illustrations.","abstract_has_math":false,"creators":["Larson, Alison"],"institution":"University of North Texas","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":["Gleeson, Larry","Paz, Denis","Donahue-Wallace, Kelly, 1968-"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2001,"date_issued":"2001-05","date_published":"2001-05","updated_at":"2026-07-24T05:34:52Z","subjects":["Sambourne, Linley.","Punch (London, England)","Caricatures and cartoons -- Great Britain.","Suffrage -- Great Britain.","Socialism -- Great Britain.","Punch magazine","iconography","Illustration","Edwardian period"],"languages":["English"],"rights":["Public","Copyright","Larson, Alison","Copyright is held by the author, unless otherwise noted. All rights reserved."],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["oclc: 49782485","untcat: b2370415","https://digital.library.unt.edu/ark:/67531/metadc2793/","ark: ark:/67531/metadc2793"],"render_values":[{"text":"oclc: 49782485","href":null,"code":true},{"text":"untcat: b2370415","href":null,"code":true},{"text":"https://digital.library.unt.edu/ark:/67531/metadc2793/","href":"https://digital.library.unt.edu/ark:/67531/metadc2793/","code":true},{"text":"ark: ark:/67531/metadc2793","href":null,"code":true}]}]},"links":{"outbound_url":"https://doi.org/10.12794/metadc2793","outbound_label":"DOI","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Gleeson, Larry","Paz, Denis","Donahue-Wallace, Kelly, 1968-"]},{"key":"dc:creator","label":"Author","values":["Larson, Alison"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2001-05"]},{"key":"dc:publisher","label":"Institution","values":["University of North Texas"]},{"key":"dc:type","label":"Dc Type","values":["Thesis or Dissertation"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Sambourne, Linley.","Punch (London, England)","Caricatures and cartoons -- Great Britain.","Suffrage -- Great Britain.","Socialism -- Great Britain.","Punch magazine","iconography","Illustration","Edwardian period"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English"]},{"key":"dc:rights","label":"Dc Rights","values":["Public","Copyright","Larson, Alison","Copyright is held by the author, unless otherwise noted. 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Chapter 1 introduces the Sambourne, Punch magazine, and the Edwardian period in general. Chapters 2 and 3 discuss four Women's Suffrage cartoons and four Socialism cartoons respectively. Chapter 4 draws conclusions regarding Sambourne's techniques as a cartoonist as well as the relationship between the text and image in his illustrations."]},{"key":"dc:format","label":"Dc Format","values":["Text"]},{"key":"dc:title","label":"Title","values":["The Last Laugh: Selected Edwardian Punch Cartoons of Edward Linley Sambourne"]}]}],"canonical_facts":{"dc:contributor":["Gleeson, Larry","Paz, Denis","Donahue-Wallace, Kelly, 1968-"],"dc:creator":["Larson, Alison"],"dc:date":["2001-05"],"dc:description":["The illustrative work of Edward Linley Sambourne for Punch magazine during the period 1901-1910 addresses a myriad of political topics prevalent during the Edwardian period in British history. This thesis examines two of those topics - Women's Suffrage and Socialism - through their artistic treatment by one of Britain's most influential periodicals. Through a study of the historical context and iconography of selected cartoons-of-the-week, one is better equipped to understand and appreciate the meaning, message, and humor in the cartoons. Chapter 1 introduces the Sambourne, Punch magazine, and the Edwardian period in general. Chapters 2 and 3 discuss four Women's Suffrage cartoons and four Socialism cartoons respectively. Chapter 4 draws conclusions regarding Sambourne's techniques as a cartoonist as well as the relationship between the text and image in his illustrations."],"dc:format":["Text"],"dc:identifier":["oclc: 49782485","untcat: b2370415","doi: 10.12794/metadc2793","https://digital.library.unt.edu/ark:/67531/metadc2793/","ark: ark:/67531/metadc2793"],"dc:language":["English"],"dc:publisher":["University of North Texas"],"dc:rights":["Public","Copyright","Larson, Alison","Copyright is held by the author, unless otherwise noted. All rights reserved."],"dc:subject":["Sambourne, Linley.","Punch (London, England)","Caricatures and cartoons -- Great Britain.","Suffrage -- Great Britain.","Socialism -- Great Britain.","Punch magazine","iconography","Illustration","Edwardian period"],"dc:title":["The Last Laugh: Selected Edwardian Punch Cartoons of Edward Linley Sambourne"],"dc:type":["Thesis or Dissertation"]},"updated_at":"2026-07-24T05:34:52Z"}