{"id":{"repo_id":"unt","oai_identifier":"info:ark/67531/metadc2749"},"canonical_url":"https://search.dev.ndltd.org/etd/unt/info:ark/67531/metadc2749","repository":{"repo_id":"unt","name":"University of North Texas","base_url":"https://digital.library.unt.edu/oai/"},"display":{"title":"Teen ages: Youth market romance in Hollywood teen films of the 1980s and 1990s","abstract":"This thesis examines the differences between teen romantic comedy films marketed to Generation X teenagers in the 1980s and Generation Y teenagers in the 1990s, focusing on the presentation of gender roles, consumptive behavior, and family. The 1980s films are discussed within the social context of the Reagan era and the conservatism of the New Right. The 1990s films are examined as continuing a conservative sensibility, but they additionally posit consumption as instrumental to achieving an idealized romance. Romantic comedy is traditionally a conservative genre, but these films illustrate female liberation through consumption. The source of difference between the cycles of teen romantic comedy is attributed to the media's attempt to position Generation Y teenagers as ideal consumers.","abstract_html":"This thesis examines the differences between teen romantic comedy films marketed to Generation X teenagers in the 1980s and Generation Y teenagers in the 1990s, focusing on the presentation of gender roles, consumptive behavior, and family. The 1980s films are discussed within the social context of the Reagan era and the conservatism of the New Right. The 1990s films are examined as continuing a conservative sensibility, but they additionally posit consumption as instrumental to achieving an idealized romance. Romantic comedy is traditionally a conservative genre, but these films illustrate female liberation through consumption. The source of difference between the cycles of teen romantic comedy is attributed to the media's attempt to position Generation Y teenagers as ideal consumers.","abstract_has_math":false,"creators":["Murphy, Caryn E."],"institution":"University of North Texas","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":["Hoerschelmann, Olaf","Negra, Diane","Benshoff, Harry"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2001,"date_issued":"2001-05","date_published":"2001-05","updated_at":"2026-07-24T05:34:52Z","subjects":["Comedy films -- History and criticism.","Teenagers in motion pictures.","gender roles","teen films","teen romantic comedy","Generation X","Generation Y"],"languages":["English"],"rights":["Public","Copyright","Murphy, Caryn E.","Copyright is held by the author, unless otherwise noted. All rights reserved."],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["oclc: 47849219","https://digital.library.unt.edu/ark:/67531/metadc2749/","ark: ark:/67531/metadc2749"],"render_values":[{"text":"oclc: 47849219","href":null,"code":true},{"text":"https://digital.library.unt.edu/ark:/67531/metadc2749/","href":"https://digital.library.unt.edu/ark:/67531/metadc2749/","code":true},{"text":"ark: ark:/67531/metadc2749","href":null,"code":true}]}]},"links":{"outbound_url":"https://doi.org/10.12794/metadc2749","outbound_label":"DOI","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Hoerschelmann, Olaf","Negra, Diane","Benshoff, Harry"]},{"key":"dc:creator","label":"Author","values":["Murphy, Caryn E."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2001-05"]},{"key":"dc:publisher","label":"Institution","values":["University of North Texas"]},{"key":"dc:type","label":"Dc Type","values":["Thesis or Dissertation"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Comedy films -- History and criticism.","Teenagers in motion pictures.","gender roles","teen films","teen romantic comedy","Generation X","Generation Y"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English"]},{"key":"dc:rights","label":"Dc Rights","values":["Public","Copyright","Murphy, Caryn E.","Copyright is held by the author, unless otherwise noted. 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Romantic comedy is traditionally a conservative genre, but these films illustrate female liberation through consumption. The source of difference between the cycles of teen romantic comedy is attributed to the media's attempt to position Generation Y teenagers as ideal consumers."]},{"key":"dc:format","label":"Dc Format","values":["Text"]},{"key":"dc:title","label":"Title","values":["Teen ages: Youth market romance in Hollywood teen films of the 1980s and 1990s"]}]}],"canonical_facts":{"dc:contributor":["Hoerschelmann, Olaf","Negra, Diane","Benshoff, Harry"],"dc:creator":["Murphy, Caryn E."],"dc:date":["2001-05"],"dc:description":["This thesis examines the differences between teen romantic comedy films marketed to Generation X teenagers in the 1980s and Generation Y teenagers in the 1990s, focusing on the presentation of gender roles, consumptive behavior, and family. The 1980s films are discussed within the social context of the Reagan era and the conservatism of the New Right. The 1990s films are examined as continuing a conservative sensibility, but they additionally posit consumption as instrumental to achieving an idealized romance. Romantic comedy is traditionally a conservative genre, but these films illustrate female liberation through consumption. The source of difference between the cycles of teen romantic comedy is attributed to the media's attempt to position Generation Y teenagers as ideal consumers."],"dc:format":["Text"],"dc:identifier":["oclc: 47849219","doi: 10.12794/metadc2749","https://digital.library.unt.edu/ark:/67531/metadc2749/","ark: ark:/67531/metadc2749"],"dc:language":["English"],"dc:publisher":["University of North Texas"],"dc:rights":["Public","Copyright","Murphy, Caryn E.","Copyright is held by the author, unless otherwise noted. 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