{"id":{"repo_id":"unt","oai_identifier":"info:ark/67531/metadc2695"},"canonical_url":"https://search.dev.ndltd.org/etd/unt/info:ark/67531/metadc2695","repository":{"repo_id":"unt","name":"University of North Texas","base_url":"https://digital.library.unt.edu/oai/"},"display":{"title":"Haiku Seasons","abstract":"Haiku Seasons is a choral work that uses several haiku to portray moments in nature. Spread throughout the performance space, four choirs (SATB, 3/part) depict larger parts of the pastoral scene (i.e., mountains, the moon, etc.). Soloists depart from the choirs in order to perform solo, duo, trio, and quartet passages, which take place throughout the work. If enough singers are available, individual soloists may be used. The soloist groups display the more intimate moments of the scenes (i.e., sparrows, a blade of grass, etc.). The intent of Haiku Seasons is to create an image of nature isolated from human interaction. Thus, the image is a pastoral setting with many independent parts all coexisting in a relatively silent world. I combine aspects of tonality, time, space, and silence to create this image.","abstract_html":"Haiku Seasons is a choral work that uses several haiku to portray moments in nature. Spread throughout the performance space, four choirs (SATB, 3/part) depict larger parts of the pastoral scene (i.e., mountains, the moon, etc.). Soloists depart from the choirs in order to perform solo, duo, trio, and quartet passages, which take place throughout the work. If enough singers are available, individual soloists may be used. The soloist groups display the more intimate moments of the scenes (i.e., sparrows, a blade of grass, etc.). The intent of Haiku Seasons is to create an image of nature isolated from human interaction. Thus, the image is a pastoral setting with many independent parts all coexisting in a relatively silent world. I combine aspects of tonality, time, space, and silence to create this image.","abstract_has_math":false,"creators":["Smith, Steven Lyle"],"institution":"University of North Texas","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":["McTee, Cindy, 1953-","Dworak, Paul E., 1951-","Klein, Joseph, 1962-"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2000,"date_issued":"2000-12","date_published":"2000-12","updated_at":"2026-07-24T05:34:52Z","subjects":["Choruses, Secular (Mixed voices), Unaccompanied.","soloists","choral music","haiku","pastoral scene","tonality"],"languages":["English"],"rights":["Public","Copyright","Smith, Steven Lyle","Copyright is held by the author, unless otherwise noted. All rights reserved."],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["oclc: 47876628","https://digital.library.unt.edu/ark:/67531/metadc2695/","ark: ark:/67531/metadc2695"],"render_values":[{"text":"oclc: 47876628","href":null,"code":true},{"text":"https://digital.library.unt.edu/ark:/67531/metadc2695/","href":"https://digital.library.unt.edu/ark:/67531/metadc2695/","code":true},{"text":"ark: ark:/67531/metadc2695","href":null,"code":true}]}]},"links":{"outbound_url":"https://doi.org/10.12794/metadc2695","outbound_label":"DOI","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["McTee, Cindy, 1953-","Dworak, Paul E., 1951-","Klein, Joseph, 1962-"]},{"key":"dc:creator","label":"Author","values":["Smith, Steven Lyle"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2000-12"]},{"key":"dc:publisher","label":"Institution","values":["University of North Texas"]},{"key":"dc:type","label":"Dc Type","values":["Thesis or Dissertation"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Choruses, Secular (Mixed voices), Unaccompanied.","soloists","choral music","haiku","pastoral scene","tonality"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English"]},{"key":"dc:rights","label":"Dc Rights","values":["Public","Copyright","Smith, Steven Lyle","Copyright is held by the author, unless otherwise noted. 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The intent of Haiku Seasons is to create an image of nature isolated from human interaction. Thus, the image is a pastoral setting with many independent parts all coexisting in a relatively silent world. I combine aspects of tonality, time, space, and silence to create this image."]},{"key":"dc:format","label":"Dc Format","values":["Text"]},{"key":"dc:title","label":"Title","values":["Haiku Seasons"]}]}],"canonical_facts":{"dc:contributor":["McTee, Cindy, 1953-","Dworak, Paul E., 1951-","Klein, Joseph, 1962-"],"dc:creator":["Smith, Steven Lyle"],"dc:date":["2000-12"],"dc:description":["Haiku Seasons is a choral work that uses several haiku to portray moments in nature. Spread throughout the performance space, four choirs (SATB, 3/part) depict larger parts of the pastoral scene (i.e., mountains, the moon, etc.). Soloists depart from the choirs in order to perform solo, duo, trio, and quartet passages, which take place throughout the work. If enough singers are available, individual soloists may be used. The soloist groups display the more intimate moments of the scenes (i.e., sparrows, a blade of grass, etc.). The intent of Haiku Seasons is to create an image of nature isolated from human interaction. Thus, the image is a pastoral setting with many independent parts all coexisting in a relatively silent world. I combine aspects of tonality, time, space, and silence to create this image."],"dc:format":["Text"],"dc:identifier":["oclc: 47876628","doi: 10.12794/metadc2695","https://digital.library.unt.edu/ark:/67531/metadc2695/","ark: ark:/67531/metadc2695"],"dc:language":["English"],"dc:publisher":["University of North Texas"],"dc:rights":["Public","Copyright","Smith, Steven Lyle","Copyright is held by the author, unless otherwise noted. 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