{"id":{"repo_id":"unt","oai_identifier":"info:ark/67531/metadc2620"},"canonical_url":"https://search.dev.ndltd.org/etd/unt/info:ark/67531/metadc2620","repository":{"repo_id":"unt","name":"University of North Texas","base_url":"https://digital.library.unt.edu/oai/"},"display":{"title":"Cowboys, Postmodern Heroes, and Anti-heroes: The Many Faces of the Alterized White Man","abstract":"This thesis investigates how hegemonic white masculinity adopts a new mode of material accumulation by entering into an ambivalent existence as a historical agent and metahistory at the same time and continues to function as a performative identity that offers a point of identification for the working class white man suggesting that bourgeois identity is obtainable through the performance of bourgeois ethics. The thesis postulates that the phenomenal transitions brought on by industrialization and deindustrialization of 50's through 90's coincide with the representational changes of white masculinity from paradigmatic cowboy incarnations to the postmodern action heroes, specifically as embodied by Bruce Willis. The thesis also examines how postmodern heroes' \"intero-alterity\" is further problematized by antiheroes in Tim Burton's films.","abstract_html":"This thesis investigates how hegemonic white masculinity adopts a new mode of material accumulation by entering into an ambivalent existence as a historical agent and metahistory at the same time and continues to function as a performative identity that offers a point of identification for the working class white man suggesting that bourgeois identity is obtainable through the performance of bourgeois ethics. The thesis postulates that the phenomenal transitions brought on by industrialization and deindustrialization of 50's through 90's coincide with the representational changes of white masculinity from paradigmatic cowboy incarnations to the postmodern action heroes, specifically as embodied by Bruce Willis. The thesis also examines how postmodern heroes' "intero-alterity" is further problematized by antiheroes in Tim Burton's films.","abstract_has_math":false,"creators":["Murphree, Hyon Joo Yoo"],"institution":"University of North Texas","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":["Negra, Diane","Hoerschelmann, Olaf","Blaine, Diana Y."],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2000,"date_issued":"2000-08","date_published":"2000-08","updated_at":"2026-07-24T05:34:52Z","subjects":["Men in motion pictures.","Men, White.","Masculinity in popular culture.","hegemonic white masculinity","material accumulation","working class","deindustrialization","industrialization"],"languages":["English"],"rights":["Public","Copyright","Murphree, Hyon Joo Yoo","Copyright is held by the author, unless otherwise noted. 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The thesis postulates that the phenomenal transitions brought on by industrialization and deindustrialization of 50's through 90's coincide with the representational changes of white masculinity from paradigmatic cowboy incarnations to the postmodern action heroes, specifically as embodied by Bruce Willis. The thesis also examines how postmodern heroes' \"intero-alterity\" is further problematized by antiheroes in Tim Burton's films."],"dc:format":["Text"],"dc:identifier":["oclc: 47365574","untcat: b2304203","doi: 10.12794/metadc2620","https://digital.library.unt.edu/ark:/67531/metadc2620/","ark: ark:/67531/metadc2620"],"dc:language":["English"],"dc:publisher":["University of North Texas"],"dc:rights":["Public","Copyright","Murphree, Hyon Joo Yoo","Copyright is held by the author, unless otherwise noted. 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