{"id":{"repo_id":"unt","oai_identifier":"info:ark/67531/metadc2573"},"canonical_url":"https://search.dev.ndltd.org/etd/unt/info:ark/67531/metadc2573","repository":{"repo_id":"unt","name":"University of North Texas","base_url":"https://digital.library.unt.edu/oai/"},"display":{"title":"Reinterpreting Hieronymus Bosch's Table Top of the Seven Deadly Sins and the Four Last Things through the Seven Day Prayers of the Devotio Moderna","abstract":"This thesis examines Hieronymus Bosch's Table Top of the Seven Deadly Sins and the Four Last Things. Instead of using an iconographical analysis, the thesis investigates the relationship between Bosch's art and the Devotio Moderna, which has been speculated by many Bosch scholars. For this reason, a close study was done to examine the Devotio Moderna and its influence on Bosch's painting. Particular interest is paid to the seven day prayers of the Devotio Moderna, the subjects depicted in Bosch's painting, how Bosch's painting blesses its viewer during the time of one's prayer, and how the use of gaze ties all of these ideas together.","abstract_html":"This thesis examines Hieronymus Bosch's Table Top of the Seven Deadly Sins and the Four Last Things. Instead of using an iconographical analysis, the thesis investigates the relationship between Bosch's art and the Devotio Moderna, which has been speculated by many Bosch scholars. For this reason, a close study was done to examine the Devotio Moderna and its influence on Bosch's painting. Particular interest is paid to the seven day prayers of the Devotio Moderna, the subjects depicted in Bosch's painting, how Bosch's painting blesses its viewer during the time of one's prayer, and how the use of gaze ties all of these ideas together.","abstract_has_math":false,"creators":["Hwang, Eunyoung"],"institution":"University of North Texas","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":["Montgomery, Scott","Gleeson, Larry","Schol, Don R."],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2000,"date_issued":"2000-08","date_published":"2000-08","updated_at":"2026-07-24T05:34:52Z","subjects":["Bosch, Hieronymus, d. 1516. Table top of the seven deadly sins and the four last things.","Devotio moderna.","Hieronymus Bosch","Devotio Moderna","gaze","painting"],"languages":["English"],"rights":["Public","Copyright","Hwang, Eunyoung","Copyright is held by the author, unless otherwise noted. 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Table top of the seven deadly sins and the four last things.","Devotio moderna.","Hieronymus Bosch","Devotio Moderna","gaze","painting"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English"]},{"key":"dc:rights","label":"Dc Rights","values":["Public","Copyright","Hwang, Eunyoung","Copyright is held by the author, unless otherwise noted. All rights reserved."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["oclc: 47734063","untcat: b2306133","doi: 10.12794/metadc2573","https://digital.library.unt.edu/ark:/67531/metadc2573/","ark: ark:/67531/metadc2573"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["This thesis examines Hieronymus Bosch's Table Top of the Seven Deadly Sins and the Four Last Things. Instead of using an iconographical analysis, the thesis investigates the relationship between Bosch's art and the Devotio Moderna, which has been speculated by many Bosch scholars. For this reason, a close study was done to examine the Devotio Moderna and its influence on Bosch's painting. Particular interest is paid to the seven day prayers of the Devotio Moderna, the subjects depicted in Bosch's painting, how Bosch's painting blesses its viewer during the time of one's prayer, and how the use of gaze ties all of these ideas together."]},{"key":"dc:format","label":"Dc Format","values":["Text"]},{"key":"dc:title","label":"Title","values":["Reinterpreting Hieronymus Bosch's Table Top of the Seven Deadly Sins and the Four Last Things through the Seven Day Prayers of the Devotio Moderna"]}]}],"canonical_facts":{"dc:contributor":["Montgomery, Scott","Gleeson, Larry","Schol, Don R."],"dc:creator":["Hwang, Eunyoung"],"dc:date":["2000-08"],"dc:description":["This thesis examines Hieronymus Bosch's Table Top of the Seven Deadly Sins and the Four Last Things. Instead of using an iconographical analysis, the thesis investigates the relationship between Bosch's art and the Devotio Moderna, which has been speculated by many Bosch scholars. For this reason, a close study was done to examine the Devotio Moderna and its influence on Bosch's painting. Particular interest is paid to the seven day prayers of the Devotio Moderna, the subjects depicted in Bosch's painting, how Bosch's painting blesses its viewer during the time of one's prayer, and how the use of gaze ties all of these ideas together."],"dc:format":["Text"],"dc:identifier":["oclc: 47734063","untcat: b2306133","doi: 10.12794/metadc2573","https://digital.library.unt.edu/ark:/67531/metadc2573/","ark: ark:/67531/metadc2573"],"dc:language":["English"],"dc:publisher":["University of North Texas"],"dc:rights":["Public","Copyright","Hwang, Eunyoung","Copyright is held by the author, unless otherwise noted. All rights reserved."],"dc:subject":["Bosch, Hieronymus, d. 1516. 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