{"id":{"repo_id":"unt","oai_identifier":"info:ark/67531/metadc2564"},"canonical_url":"https://search.dev.ndltd.org/etd/unt/info:ark/67531/metadc2564","repository":{"repo_id":"unt","name":"University of North Texas","base_url":"https://digital.library.unt.edu/oai/"},"display":{"title":"Light From Behind the Iron Curtain: Anti-Collectivist Style in Edison Denisov's Quatre Pièces pour flûte et piano, With Three Recitals of Selected Works by Bach, Beaser, Carter, Fauré, Martin, Ibert, Liebermann, and Others","abstract":"An examination of the compositional style illustrative of the anti-collectivist ideology as found in Edison Denisov's Quatre Pièces pour flûte et piano. Includes a short history of Denisov's formal training, history of the Soviet musical environment, an overview of his creative output, and discussion of the anti-collectivist characteristics in his works. Defines the anti-collectivist doctrine as individual reaction to the totalitarian collective of the Soviet communist state of the twentieth century. Identification of eclectic compositional techniques, and how they represent individual expression under a totalitarian regime. Listing of Denisov's works with the flute in a primary role, interviews with Aurèle Nicolet and Ekaterina Denisov, correspondence from Denisov to Nicolet, and the manuscript score to Quatre Pièces pour flûte et piano follow as appendices.","abstract_html":"An examination of the compositional style illustrative of the anti-collectivist ideology as found in Edison Denisov's Quatre Pièces pour flûte et piano. Includes a short history of Denisov's formal training, history of the Soviet musical environment, an overview of his creative output, and discussion of the anti-collectivist characteristics in his works. Defines the anti-collectivist doctrine as individual reaction to the totalitarian collective of the Soviet communist state of the twentieth century. Identification of eclectic compositional techniques, and how they represent individual expression under a totalitarian regime. Listing of Denisov's works with the flute in a primary role, interviews with Aurèle Nicolet and Ekaterina Denisov, correspondence from Denisov to Nicolet, and the manuscript score to Quatre Pièces pour flûte et piano follow as appendices.","abstract_has_math":false,"creators":["Luce, Brian"],"institution":"University of North Texas","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":["Clardy, Mary Karen","Collins, Michael","Veazey, Charles O.","Klein, Joseph, 1962-"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2000,"date_issued":"2000-08","date_published":"2000-08","updated_at":"2026-07-24T05:34:52Z","subjects":["Denisov, Ėdisson Vasilʹevich, 1929-1996. Pièces, flute, piano.","Music -- Political aspects -- Russia.","individual expression","Soviet music","anti-collectivist ideology","eclectic compositional techniques","compositional style"],"languages":["English"],"rights":["Public","Copyright","Luce, Brian","Copyright is held by the author, unless otherwise noted. All rights reserved."],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["oclc: 47874811","untcat: b2316781","https://digital.library.unt.edu/ark:/67531/metadc2564/","ark: ark:/67531/metadc2564"],"render_values":[{"text":"oclc: 47874811","href":null,"code":true},{"text":"untcat: b2316781","href":null,"code":true},{"text":"https://digital.library.unt.edu/ark:/67531/metadc2564/","href":"https://digital.library.unt.edu/ark:/67531/metadc2564/","code":true},{"text":"ark: ark:/67531/metadc2564","href":null,"code":true}]}]},"links":{"outbound_url":"https://doi.org/10.12794/metadc2564","outbound_label":"DOI","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Clardy, Mary Karen","Collins, Michael","Veazey, Charles O.","Klein, Joseph, 1962-"]},{"key":"dc:creator","label":"Author","values":["Luce, Brian"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2000-08"]},{"key":"dc:publisher","label":"Institution","values":["University of North Texas"]},{"key":"dc:type","label":"Dc Type","values":["Thesis or Dissertation"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Denisov, Ėdisson Vasilʹevich, 1929-1996. Pièces, flute, piano.","Music -- Political aspects -- Russia.","individual expression","Soviet music","anti-collectivist ideology","eclectic compositional techniques","compositional style"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["English"]},{"key":"dc:rights","label":"Dc Rights","values":["Public","Copyright","Luce, Brian","Copyright is held by the author, unless otherwise noted. All rights reserved."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["oclc: 47874811","untcat: b2316781","doi: 10.12794/metadc2564","https://digital.library.unt.edu/ark:/67531/metadc2564/","ark: ark:/67531/metadc2564"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["An examination of the compositional style illustrative of the anti-collectivist ideology as found in Edison Denisov's Quatre Pièces pour flûte et piano. Includes a short history of Denisov's formal training, history of the Soviet musical environment, an overview of his creative output, and discussion of the anti-collectivist characteristics in his works. Defines the anti-collectivist doctrine as individual reaction to the totalitarian collective of the Soviet communist state of the twentieth century. Identification of eclectic compositional techniques, and how they represent individual expression under a totalitarian regime. Listing of Denisov's works with the flute in a primary role, interviews with Aurèle Nicolet and Ekaterina Denisov, correspondence from Denisov to Nicolet, and the manuscript score to Quatre Pièces pour flûte et piano follow as appendices."]},{"key":"dc:format","label":"Dc Format","values":["Text"]},{"key":"dc:title","label":"Title","values":["Light From Behind the Iron Curtain: Anti-Collectivist Style in Edison Denisov's Quatre Pièces pour flûte et piano, With Three Recitals of Selected Works by Bach, Beaser, Carter, Fauré, Martin, Ibert, Liebermann, and Others"]}]}],"canonical_facts":{"dc:contributor":["Clardy, Mary Karen","Collins, Michael","Veazey, Charles O.","Klein, Joseph, 1962-"],"dc:creator":["Luce, Brian"],"dc:date":["2000-08"],"dc:description":["An examination of the compositional style illustrative of the anti-collectivist ideology as found in Edison Denisov's Quatre Pièces pour flûte et piano. Includes a short history of Denisov's formal training, history of the Soviet musical environment, an overview of his creative output, and discussion of the anti-collectivist characteristics in his works. Defines the anti-collectivist doctrine as individual reaction to the totalitarian collective of the Soviet communist state of the twentieth century. Identification of eclectic compositional techniques, and how they represent individual expression under a totalitarian regime. Listing of Denisov's works with the flute in a primary role, interviews with Aurèle Nicolet and Ekaterina Denisov, correspondence from Denisov to Nicolet, and the manuscript score to Quatre Pièces pour flûte et piano follow as appendices."],"dc:format":["Text"],"dc:identifier":["oclc: 47874811","untcat: b2316781","doi: 10.12794/metadc2564","https://digital.library.unt.edu/ark:/67531/metadc2564/","ark: ark:/67531/metadc2564"],"dc:language":["English"],"dc:publisher":["University of North Texas"],"dc:rights":["Public","Copyright","Luce, Brian","Copyright is held by the author, unless otherwise noted. All rights reserved."],"dc:subject":["Denisov, Ėdisson Vasilʹevich, 1929-1996. Pièces, flute, piano.","Music -- Political aspects -- Russia.","individual expression","Soviet music","anti-collectivist ideology","eclectic compositional techniques","compositional style"],"dc:title":["Light From Behind the Iron Curtain: Anti-Collectivist Style in Edison Denisov's Quatre Pièces pour flûte et piano, With Three Recitals of Selected Works by Bach, Beaser, Carter, Fauré, Martin, Ibert, Liebermann, and Others"],"dc:type":["Thesis or Dissertation"]},"updated_at":"2026-07-24T05:34:52Z"}